https://vidert.com/v/filmmaking/video/20802/vfx-artists-react-to-bad-great-cgi-220 2026-04-04T16:00:22.000Z weekly 0.5 https://i.ytimg.com/vi/9ci-MKy5cWY/maxresdefault.jpg VFX Artists React to Bad & Great CGi 220 Your next chapter starts today. Get 10% off your first month of BetterHelp online therapy: https://betterhelp.com/corridorcrew (Sponsored by BetterHelp) Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Look ma, no board! Jordan, Wren, and Niko shred through some gnarly invisible effects from skateboarding film Yeah Right, drop sick bombs in The Gorge, and watch a Knight of the Seven Kingdoms get stabbed seven times (but his old school flow is so high-steeze it doesn't even matter). Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 - Intro 0:06 - Yeah Right! 5:43 - The Gorge 10:56 - VFX Artists React LIVE at NAB 11:08 - A Knight of the Seven Kingdoms https://www.youtube.com/embed/9ci-MKy5cWY 2026-04-04T16:00:22.000Z Corridor Crew 1015 yes no https://vidert.com/v/filmmaking/video/20005/recreating-the-cyclops-beam-from-avengers-doomsday 2026-04-02T16:07:20.000Z weekly 0.5 https://i.ytimg.com/vi/tVYM2nAwROQ/maxresdefault.jpg Recreating the Cyclops Beam from Avengers: Doomsday Big VFX Bundle: https://bit.ly/4dYZFKw VFX Pro Bundle: https://bit.ly/3NTGyHl Triune Digital Lens Elements: https://www.triunedigital.com/products/lens-elements Follow Ryan Thompson: https://www.instagram.com/rjt_vfx We try recreating the insane Cyclops Beam shot from the X-Men trailer for Avengers: Doomsday! ▼ Timestamps ▼ » 0:00 - Intro » 0:32 - Shooting on Green Screen » 1:04 - Creating the Sky & Ground » 2:34 - Lighting/Environment » 3:24 - The Giant » 3:58 - Explosions » 5:06 - Adding Justin » 5:27 - Making The Beam » 7:18 - The Profile Shot » 8:12 - The Final Shot » 8:17 - Final Thoughts #VFX #avengersdoomsday #cyclops ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx https://www.youtube.com/embed/tVYM2nAwROQ 2026-04-02T16:07:20.000Z Film Riot 557 yes no https://vidert.com/v/filmmaking/video/19719/how-not-to-cut-robin-williams-face-in-half 2026-04-01T16:00:00.000Z weekly 0.5 https://i.ytimg.com/vi/VU7YwZk8Fj8/maxresdefault.jpg How Not To Cut Robin Williams' Face in Half. For this scene in Hook (1992), they needed to figure out how to get a very young Dante Basco to attack Robin Williams with a sword without risking actual harm to him. Could this be the smoothest reverse shot ever filmed? https://www.youtube.com/embed/VU7YwZk8Fj8 2026-04-01T16:00:00.000Z Corridor Crew 74 yes no https://vidert.com/v/filmmaking/video/19181/camera-rigs-explained-what-every-piece-actually-does 2026-03-30T11:00:30.000Z weekly 0.5 https://i.ytimg.com/vi/EYnwOP3UHNg/maxresdefault.jpg Camera Rigs Explained — What Every Piece Actually Does Camera rigs explained simply—build the right setup for your shot, not just your gear. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Special thanks to: DSLRguide ►► https://youtu.be/7-Vg8kH1fYU?si=eizg6YJvmotqILIs Kyle Meshna ►► https://youtu.be/REmd3EWvLKk?si=scILkd861C0MMxdE Marques Brownlee ►► https://youtu.be/9Hk_rvjtxKc?si=RkneG47zkTnVQS9l School of Design FTV ►► https://youtu.be/UBWuTUwNOP4?si=o8qp80nl6vFMucPo DSLR VIDEO Shooter ►► https://youtu.be/oTimNZLl6AM?si=ZDxUfnqeCLptAfO- Ned Layer ►► https://youtu.be/I7KT80V3OcA?si=Q6W5DHPGobYyAfhB Niceyrig Store ►► https://youtu.be/4gDwDtMm7vg?si=0p4TRhKFgxj7g1nC, https://youtu.be/8tRInxlRLP4?si=xsMrxrW9Xe_5D3na Sean De Wispelaere ►► https://youtu.be/btAzWEJHfRw?si=N4szFameZ1ydvyGO Oscars ►► https://youtu.be/XoCHyjQnMGU?si=-aDK5tmDzvwgR1MM Ian Snape ►► https://youtu.be/ynaRX2kqZNA?si=SXoGSMCPb26k4dsH Film Riot ►► https://youtu.be/AKOxbCx1LNc?si=mrEwPcHPLQ1mMQy9 The Tiffen Company ►► https://youtu.be/YPuIMHXXzYI?si=w6whZaxdFaIUbBS8 Zach Mayfield ►► https://youtu.be/v59eH0XlcJ4?si=MUsIz3rfXahLt_ul Tilta ►► https://youtu.be/P3Sep7mQomg?si=C_PcG1zQRVVH9GGn bd048 ►► https://youtu.be/RnyuBEgpk0w?si=sjMkKuqQRHShfJh0 Thomas Fransson ►► https://youtu.be/632-JUeyfpc?si=kIdT5bAMOOZlOjgO Connor McCaskill ►► https://youtu.be/k8vqCcqnzfk?si=3PGgL5jdYm9m280T Zacuto ►► https://youtu.be/Bt4mhAMCG6o?si=JGNSVCLZ2tZ9ZtTW Brasil Aliexpress ►► https://youtu.be/f275SKRFHMk?si=Gec6x-g91Li-IYlA SmallHD ►► https://youtu.be/eQqCuuBIEsA?si=6KnzJRu3nI7cUtG_ SteadiRed ►► https://youtu.be/QcWaRXrNW_A?si=dq4trkH8IvKEa0R1 Redskull ►► https://youtu.be/urCBqDdGq1o?si=G061p0sR4EK2ikLw Gerald Undone ►► https://youtu.be/BBK5POeUVUc?si=t6NkDIz8gl9QEZ-C Magnanimous Rentals ►► https://youtu.be/UCs8nF8f0Q4?si=SwmLTLPAaeMGgwOo IPG Rentals ►► https://youtu.be/XsvlQd_6znA?si=PufCJy62ic9ija5g The Augusts ►► https://youtu.be/zR9uoe4JnDU?si=S3Uu-mQVhKxs_A_u Adam Talks Tech ►► https://youtu.be/NkiQKIyHGjw?si=Qrr8cJyROqt_RQ5j Jacob https://www.youtube.com/embed/EYnwOP3UHNg 2026-03-30T11:00:30.000Z StudioBinder 850 yes no https://vidert.com/v/filmmaking/video/19074/the-best-cg-double-in-a-tv-series 2026-03-29T16:00:00.000Z weekly 0.5 https://i.ytimg.com/vi/pQLYLPxxtm4/maxresdefault.jpg The Best CG Double in a TV series? The VFX studio Important Looking Pirates pulled off an incredible CG double face replacement for this scene in Westworld Season 03. Besides her face being split up, could you pick up any sign of CGI in the scene at all? https://www.youtube.com/embed/pQLYLPxxtm4 2026-03-29T16:00:00.000Z Corridor Crew 71 yes no https://vidert.com/v/filmmaking/video/19073/this-is-the-biggest-thing-since-cgi 2026-03-29T16:00:00.000Z weekly 0.5 https://i.ytimg.com/vi/X8yRlA7jqEQ/maxresdefault.jpg THIS is the Biggest Thing Since CGI Antigraivty A1 ► Get 20% off the Antigravity A1 360 Drone Here: https://www.antigravity.tech/drone/antigravity-a1/buy?utm_term=AGRTH6X & get two free accessories using our link https://www.antigravity.tech/accessories?utm_term=AGRTH6X Learn all sbout Gaussian Splats in this video with Wren! Lets go on a journey learningwhat they are, how the work, and some cool stuff you can do with them! Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ See Wren’s Gaussian Splat scans here!!! ► https://superspl.at/user?id=wrender The Show Room Studio Space and LED Wall ICVFX www.showroomdtla.com/ 4DV.ai Volumetric Capture and Reconstruction www.4DV.ai Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 What is a Splat? 7:10 Making a Splat 17:43 Experimenting with Splats 19:49 Splats that Move https://www.youtube.com/embed/X8yRlA7jqEQ 2026-03-29T16:00:00.000Z Corridor Crew 1607 yes no https://vidert.com/v/filmmaking/video/18911/vfx-artists-react-to-bad-great-cgi-218 2026-03-28T16:00:00.000Z weekly 0.5 https://i.ytimg.com/vi/N_8X3kMt91U/maxresdefault.jpg VFX Artists React to Bad & Great CGi 218 Grab the Rokoko Indie Bundle (SG1) while stocks last, or pre-order the new Smartgloves 2! Use code ‘CORRIDOR5' for an additional 5% off - it will never be cheaper than this. Indie Bundle: https://www.rokoko.com/mocap/indie-creator-bundle / Smartgloves 2 pre-order: https://www.rokoko.com/products/smartgloves-ii Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Sam, Wren, and Jordan hop in the time machine to break down some awesome old school FX, and then return to today to find we truly live in the worst timeline. Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 - Welcome to the show! 0:26 - Cutthroat Island 04:09 - Check out my gloves 05:28 - Big boom! 08:20 - Sunset Boulevard 12:07 - 1923 14:13 - It's time to stop https://www.youtube.com/embed/N_8X3kMt91U 2026-03-28T16:00:00.000Z Corridor Crew 1017 yes no https://vidert.com/v/filmmaking/video/18723/mostly-puppets 2026-03-27T19:00:00.000Z weekly 0.5 https://i.ytimg.com/vi/LAEKQPxDAwU/maxresdefault.jpg "Mostly" Puppets? The new season of Fallout is here, introducing one of the most anticipated canon creatures, the deathclaw. While we think the combination of practical and computer-generated effects they used was a great way to achieve their amazing result, we can't help but feel that the way it's being marketed is somewhat disingenuous, especially towards ILM and the extent of the CGI work in the final product. How do you feel about the use of this marketing narrative? https://www.youtube.com/embed/LAEKQPxDAwU 2026-03-27T19:00:00.000Z Corridor Crew 79 yes no https://vidert.com/v/filmmaking/video/17979/using-a-camera-cart-the-wrong-way 2026-03-24T18:58:23.000Z weekly 0.5 https://i.ytimg.com/vi/LDfPPvjqY9k/maxresdefault.jpg Using a Camera Cart the “Wrong” Way Check out the cart here: BH: https://geni.us/ProductionCarts ▼ Timestamps ▼ » 0:00 - What is a Camera Cart? » 0:49 - The SmallRig Cart » 1:07 - Cam on the Cam Cart » 1:39 - Snorricam Cart » 2:15 - Walk & Talks » 2:40 - One Man Cam Cart » 3:46 - Mobile Production Station » 4:02 - Light Cart » 4:30 - Closer Look at the Cart » 5:28 - Final Thoughts We tried out the SmallRig 36-inch Lightweight Camera Cart, a solid piece of filmmaking gear for transporting equipment... But we also turn into a mobile lighting and workstation, a walk and talk tool, and a Snorricam. ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- https://www.youtube.com/embed/LDfPPvjqY9k 2026-03-24T18:58:23.000Z Film Riot 383 yes no https://vidert.com/v/filmmaking/video/17524/why-silence-is-louder-than-sound-in-film 2026-03-23T11:00:05.000Z weekly 0.5 https://i.ytimg.com/vi/an07U4DWXDo/maxresdefault.jpg Why Silence Is Louder Than Sound in Film How filmmakers use cinematic silence and sound design to build tension, emotion, and powerful storytelling. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - How silence can be louder than sound 00:49 - What does a Casting Director do? 02:42 - Value of A Casting Director 05:49 - Casting Tips 10:36 - Takeaways ───────────────────── What is cinematic silence, and why is it one of the most powerful tools in sound design for film? In this video, we explore silence in film and break down how sound design in film shapes emotion, tension, and storytelling. From ambient sound in film to the complete removal of dialogue, music, and sound effects, great film sound design is not just about what you hear — it’s about what you don’t hear. We’ll examine how cinematic sound design is used across major films like Oppenheimer, Hereditary, The Last Jedi, and A Ghost Story to demonstrate why sound design is important and how it can transform a scene. Whether it’s reducing film sound to near silence or carefully controlling sound in film, directors use these sound design techniques to guide audience attention, build suspense, and create emotional impact. This breakdown also covers how sound design for cinematic filmmaking uses contrast — shifting between loud sound effects and complete silence — to heighten tension. You’ll learn how ambient sound in film can replace traditional scoring, how silence can reflect character perspective, and how removing dialogue can make performances more powerful. If you’re a filmmaker, this video doubles as a guide to sound design for filmmakers, offering practical sound design tips and techniques you can apply to your own work. Whether you’re learning sound design for filmmaking or refining your approach to film sound design, understanding how to use silence is essential. Ultimately, this is why sound is important in film: when used effectively, even silence can become the loudest moment in the story. https://www.youtube.com/embed/an07U4DWXDo 2026-03-23T11:00:05.000Z StudioBinder 695 yes no https://vidert.com/v/filmmaking/video/17450/he-hacked-a-program-for-this-shot 2026-03-22T16:01:26.000Z weekly 0.5 https://i.ytimg.com/vi/znAEDsfcNJI/maxresdefault.jpg He HACKED a program for THIS SHOT Can you believe this shot is over 30 years old? Jurassic Park (1993) is one of the most iconic films in cinema history, and a huge part of that is the VFX work, which was really groundbreaking for its time. Meet Joe Letteri, one of the people responsible for literally pushing beyond the limits of what CGI could do back in the 90s to bring this shot, and many others, to life. https://www.youtube.com/embed/znAEDsfcNJI 2026-03-22T16:01:26.000Z Corridor Crew 63 yes no https://vidert.com/v/filmmaking/video/17304/vfx-artists-react-to-bad-great-cgi-218 2026-03-21T16:00:34.000Z weekly 0.5 https://i.ytimg.com/vi/KMU0eLcIIAM/maxresdefault.jpg VFX Artists React to Bad & Great CGi 218 Squarespace ► Head to http://squarespace.com/corridorcrew to save 10% off your first purchase! Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Sam, Jordan, and Niko reverse-walk their way into some new and classic VFX including a scene from Top Secret that hooked them, an effect from Hook that's top secret, and an homage to Corridor in the new season of Devil May Cry! All aboard! @LandonsAnimationWheelhouse @ButteredSideDown Instagram ► / corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://bit.ly/Puget_Systems Aputure Lights: https://bit.ly/Corridor_Lights B&H Photo: https://bhpho.to/3r0wEnt ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew BorisFX: https://bit.ly/BorisFXsuite Octane Render: http://bit.ly/Octane_Wrender Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 - Intro 0:19 - Super 8 4:14 - Squarespace - Sponsor 5:55 - VES Awards06:27 - Buttered Side Down 9:19 - Devil May Cry + TactiCOOL Reloads 14:19 - Hook 18:43 - Top Secret 20:27 - Reverse! https://www.youtube.com/embed/KMU0eLcIIAM 2026-03-21T16:00:34.000Z Corridor Crew 1373 yes no https://vidert.com/v/filmmaking/video/15298/can-a-flashlight-fix-your-shot 2026-03-17T16:00:37.000Z weekly 0.5 https://i.ytimg.com/vi/Mcm5BCE7uEM/maxresdefault.jpg Can a Flashlight Fix Your Shot? Check out SmallRig's Spring sale. Get up to 40% off from March 18th to 31st! On top of that, grab their Megatron Cage Kit and use code "SMALLRIG" and you'll get an additional 30% off.  - Phone Kit for Pro Max: https://geni.us/iPhone17ProMaxLit - Phone Kit for Pro: https://geni.us/iPhone17ProKit - Phone Filter Kit: https://geni.us/PhoneFilterKit - Phone Monitor: https://geni.us/PhoneMonitor1 - RF10C: https://geni.us/RF10CLi - SmallRig Spring Sale (March 18–31 | Up to 40% Off): https://geni.us/SpringSalesDiscount ▼ Timestamps ▼ » 0:00 - The Cage » 0:49 - Test Shot W/ The Cage » 1:16 - Shooting the Test Shot » 1:51 - The Monitor » 2:25 - More Cage » 3:04 - Filters » 4:19 - The Flashlight » 6:31 - Using Phones for Previs » 7:14 - Easy for Travel » 7:29 - Small Magnet Phone Light » 7:45 - Final Thoughts ---------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/Mcm5BCE7uEM 2026-03-17T16:00:37.000Z Film Riot 515 yes no https://vidert.com/v/filmmaking/video/12076/kathryn-bigelow-s-directing-philosophy-the-director-s-chair 2026-03-17T02:38:51.000Z weekly 0.5 https://i.ytimg.com/vi/uavhGRgzn4w/maxresdefault.jpg Kathryn Bigelow’s Directing Philosophy | The Director’s Chair Kathryn Bigelow on why film must provoke, inform, and challenge audiences — not just entertain them. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to Director Kathryn Bigelow 02:14 - Characters Under Pressure 03:56 - Truthful Storytelling 06:17 - Experiential Filmmaking 08:47 - Creative Collaboration 11:17 - Purposeful Cinema 12:55 - Final Takeaways ───────────────────── Kathryn Bigelow believes film should do more than entertain — it should inform, provoke, and challenge. In this episode of The Director’s Chair, we explore Bigelow’s filmmaking philosophy entirely through her own words. From The Hurt Locker to Zero Dark Thirty and Detroit, Bigelow has consistently pursued stories rooted in real-world conflict, moral ambiguity, and political consequence. For her, cinema is a powerful social tool — capable of reaching mass audiences while shining a light on urgent, uncomfortable truths. Bigelow discusses her interest in journalism-inflected storytelling, her desire to immerse audiences in high-stakes realities — from bomb disposal units in Iraq to intelligence operations and halls of power — and her belief that films are most successful when they provoke thought long after the credits roll. As the first woman ever to win the Academy Award for Best Director, Bigelow has also been clear about how she views her place in film history: not as a “female filmmaker,” but simply as a filmmaker committed to the work. This is not a traditional interview. As with every episode of The Director’s Chair, the story is told entirely through archival audio quotes — focusing purely on craft, philosophy, and process. If you’re interested in directing, socially conscious cinema, political filmmaking, or Kathryn Bigelow’s approach to storytelling, this episode offers insight straight from the source. #FilmTheory #VideoEssay #Filmmaking ───────────────────── ♬ SONGS USED: "Action Drums (Instrumental)" - Rhythm Scott "T https://www.youtube.com/embed/uavhGRgzn4w 2026-03-17T02:38:51.000Z StudioBinder 831 yes no https://vidert.com/v/filmmaking/video/11820/is-this-the-best-fire-stunt-ever 2026-03-17T01:42:26.000Z weekly 0.5 https://i.ytimg.com/vi/v34IRCf3ql4/maxresdefault.jpg Is this THE BEST fire stunt EVER? From the World of John Wick: Ballerina has some serious stunt work, especially in relation to the scenes involving the flamethrower "The Dragon" and setting the bad guys on fire. Big props to the fire specialist stunt team, coordinated by Jayson Dumenigo, and huge props to Chau Naumanova (@chaunaumanova) for delivering one of the best fire stunts ever. https://www.youtube.com/embed/v34IRCf3ql4 2026-03-17T01:42:26.000Z Corridor Crew 76 yes no https://vidert.com/v/filmmaking/video/11638/can-you-solve-this-impossible-shot 2026-03-17T00:59:10.000Z weekly 0.5 https://i.ytimg.com/vi/-zKaWXmGcAE/maxresdefault.jpg Can You Solve This Impossible Shot? Try it for yourself (it's free and open source): https://github.com/nikopueringer/CorridorKey Join Our Community Discord: https://discord.gg/bHPZvbhS4 https://www.youtube.com/embed/-zKaWXmGcAE 2026-03-17T00:59:10.000Z Corridor Crew 99 yes no https://vidert.com/v/filmmaking/video/11530/so-did-they-use-cgi-or-not 2026-03-17T00:31:37.000Z weekly 0.5 https://i.ytimg.com/vi/iN8O0rr9y_Q/maxresdefault.jpg So, did THEY use CGI or NOT? F1: The movie ran a marketing campaign that strongly emphasized how much of the production was done practically, often directly downplaying the scale of its VFX, which, in reality, was quite significant. So much so that they are nominated for the category of best VFX at the Oscars! Did you know that so much of the movie relied on VFX? https://www.youtube.com/embed/iN8O0rr9y_Q 2026-03-17T00:31:37.000Z Corridor Crew 80 yes no https://vidert.com/v/filmmaking/video/11228/most-of-the-vfx-in-this-movie-were-hidden 2026-03-16T23:11:38.000Z weekly 0.5 https://i.ytimg.com/vi/ft0QUc53Uzc/maxresdefault.jpg Most of the VFX in this Movie were HIDDEN! The movie Sinners is widely recognised for the clone effects that were used to create the illusion of the twins Stack and Smoke, both played by Michael B. Jordan. So much so that a huge amount of VFX went unnoticed in creating the world of 1930s South US, on which the movie is based. Did you notice how much of the staging was actually CGI? https://www.youtube.com/embed/ft0QUc53Uzc 2026-03-16T23:11:38.000Z Corridor Crew 67 yes no https://vidert.com/v/filmmaking/video/11227/vfx-artists-react-to-bad-great-cgi-217 2026-03-16T23:11:26.000Z weekly 0.5 https://i.ytimg.com/vi/LgPEWKfjiPo/maxresdefault.jpg VFX Artists React to Bad & Great CGi 217 Your next chapter starts today. Get 10% off your first month of BetterHelp online therapy: https://betterhelp.com/corridorcrew (Sponsored by BetterHelp) Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Wren, Jordan, and Niko take a look at the VFX in your favorite movies and TV shows, including Fallout Season 2! Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 00:00 Welcome to react! 00:15 The 2026 Winter Olympics 04:44 Betterhelp - Sponsor 05:58 Fallout season 2 - Deathclaws 12:00 Westworld https://www.youtube.com/embed/LgPEWKfjiPo 2026-03-16T23:11:26.000Z Corridor Crew 1256 yes no https://vidert.com/v/filmmaking/video/11047/why-the-oscars-finally-recognized-casting-directors 2026-03-16T22:34:32.000Z weekly 0.5 https://i.ytimg.com/vi/6TFeaNTEMPw/maxresdefault.jpg Why the Oscars Finally Recognized Casting Directors Casting directors are one of the most important—and misunderstood—roles in filmmaking. Here’s how they find the perfect actors and shape the movies we love. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to the role of a Casting Director 00:49 - What does a Casting Director do? 02:42 - Value of A Casting Director 05:49 - Casting Tips 10:36 - Takeaways ───────────────────── What does a casting director actually do? In this video, we break down the casting process in film, how casting directors run auditions and casting calls, and why casting is one of the most important skills in filmmaking. If you're looking for casting tips, casting advice, or want to learn how to cast a film, this video explains the entire process. Casting is more than simply choosing actors — it's about building an ensemble that brings a script to life. Many casting directors start by analyzing the script and collaborating with the director to determine the tone of the film and the qualities each role requires. From there, they search through actors they’ve worked with before, talent they’ve previously auditioned, and new performers emerging from drama schools or smaller productions. In the video, several well-known casting professionals share insights into their work. John Papsidera explains how casting ideas begin with conversations about the script and the director’s vision. Jennifer Venditti discusses why some roles benefit from casting non-actors with real-life experiences that match the character. Kate Rhodes James describes challenging assumptions about characters while casting House of the Dragon, and Douglas Aibel explains why directors like Wes Anderson approach casting with curiosity and flexibility. You’ll also see how directors shape the casting process. Ryan Coogler provides a detailed character breakdown when casting Sinners, while Josh Safdie explains his search for “timeless faces” while casting Marty Supreme. These https://www.youtube.com/embed/6TFeaNTEMPw 2026-03-16T22:34:32.000Z StudioBinder 697 yes no https://vidert.com/v/filmmaking/video/10747/vfx-artist-reveals-the-true-scale-of-garbage 2026-03-15T16:01:09.000Z weekly 0.5 https://i.ytimg.com/vi/ow5i1gYCMHY/maxresdefault.jpg VFX Artist Reveals the TRUE Scale of GARBAGE Vessi ► One pair for everyday and everywhere. Vessi Weekend Neo is extremely waterproof, lightweight, and built for daily wear and travel. Grab 15% off your first pair here: https://vessi.com/corridorcrew • Free shipping • 30‑day returns • 1‑year warranty Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Jordan digs into our global trash problem to determine if we are truly heading toward the world WALL-E... Thank you to Zoë Lenkiewicz ► https://www.unep.org/resources/global-waste-management-outlook-2024 Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 A Week of Garbage 1:48 Are we heading for WALL-E? 2:30 Landfills 4:05 One thing I'd never throw away... 5:26 Uncontrolled Dumps 7:13 Ocean Waste 9:06 Plastics 12:09 The True Scale of Garbage 14:48 Getting out of this dump! https://www.youtube.com/embed/ow5i1gYCMHY 2026-03-15T16:01:09.000Z Corridor Crew 1017 yes no https://vidert.com/v/filmmaking/video/1204/the-hidden-and-crucial-element-of-wes-anderson-s-style 2025-07-07T11:01:00.000Z weekly 0.5 https://i.ytimg.com/vi/eLwLR_XoMi4/maxresdefault.jpg The Hidden (and Crucial) Element of Wes Anderson’s Style Wes Anderson Literary Style — We take a deeper look at Wes Anderson, reaching beyond his aesthetic. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to Wes Anderson's Stories Within Stories 01:30 - Aesthetic Function 05:48 - Narrative Function 09:16 - Thematic Function 11:05 - Final Thoughts ───────────────────── VISUAL STYLE OF WES ANDERSON As the man himself will tell you, everyone can pick out a Wes Anderson movie within the first five seconds of watching it. Anderson has been honing his visual style for decades now, creating a more and more idiosyncratic language that separates him from everyone else. There have been a trillion words written about the Wes Anderson aesthetic– but in this video we look a little closer. Where does this style come from, and why is it becoming more defined? We argue that it comes from Anderson's fixation on the nature of storytelling itself. WES ANDERSON STYLE ANALYSIS Wes Anderson’s signature aesthetic often draws criticism for being overly artificial. But his frequent use of stories within stories works to justify this visual approach. By framing his narratives, Anderson gives himself license to lean into artifice. The audience is not being asked to believe they’re watching real life unfold but rather a recollection or interpretation filtered through someone’s perspective. The layered storytelling invites viewers into a constructed world that is intentionally curated and theatrical. This narrative distance validates Anderson’s precise mise-en-scene: we are not in reality, but in a memory, a legend, a fictionalized account. WES ANDERSON STYLE TREND IN WRITING Anderson’s writing thrives on structure, stylization, and self-reflexivity– all traits well-suited to the nested narrative format. The use of frame narratives allows him to incorporate different tones and voices while maintaining a controlled narrative arc. His characters often speak in clipped, overly-articulate https://www.youtube.com/embed/eLwLR_XoMi4 2025-07-07T11:01:00.000Z StudioBinder 730 yes no https://vidert.com/v/filmmaking/video/1215/task-boards-in-studiobinder-keep-your-team-on-track 2025-04-25T16:30:16.000Z weekly 0.5 https://i.ytimg.com/vi/PUyQqJz_lyk/maxresdefault.jpg Task Boards in StudioBinder — Keep Your Team on Track A Task Board Built for Creative Projects. Try StudioBinder ►► https://bit.ly/sb-sf Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Whether you're producing a film, managing a video shoot, planning a campaign, or coordinating a photo series, staying organized is everything. Our Task Board Software is designed to keep creative workflows moving—without slowing down your vision. Built with creative teams in mind, this tool lets you: • Create custom task cards for every stage of your project • Assign team members to roles and responsibilities • Set due dates and shoot times to stay on schedule • Attach scripts, storyboards, reference images, call sheets, and more • Build multi-layered checklists to track everything from pre-pro to post • Visualize progress with a taskbar for sub-tasks • Drag and drop task cards between custom columns like “Pre-Production,” “On Set,” “Editing,” and “Final Delivery” • Reorder checklists to match changing priorities • Customize the board to reflect your team’s unique workflow Whether you're a director, producer, editor, photographer, or part of a full creative agency, this is your all-in-one workspace to turn ideas into finished work. Streamline collaboration. Hit your deadlines. Deliver your vision. ───────────────────── Music Credits: All music is licensed via Artlist.io #Filmmaking #filmmakingtips #storyboard #storyboards — SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0 Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more. Try StudioBinder for FREE today: https://studiobinder.com/pricing — Join us on Social Media! — Instagram ►► https://www.instagram.com/studiobinder Facebook ►► https://www.facebook.com/studiobinderapp Twitter ►► https://www.twitter.co https://www.youtube.com/embed/PUyQqJz_lyk 2025-04-25T16:30:16.000Z StudioBinder 114 yes no https://vidert.com/v/filmmaking/video/1214/a24-s-secret-why-the-studio-is-so-successful 2025-04-28T11:00:25.000Z weekly 0.5 https://i.ytimg.com/vi/ILkQN7K0Jnc/maxresdefault.jpg A24’s Secret — Why the Studio is So Successful A24 Movies — We look at why exactly A24 is so popular, and what we can learn from its success. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to A24 00:25 - History of A24 01:54 - Quality & Quantity 02:54 - Creative Marketing 04:32 - Choosing Films 05:04 - Filmmakers First 05:40 - Expansion & Growth 06:26 - Higher Budget Commercial Films 07:29 - Future Outlook 08:42 - Takeaways ───────────────────── WHAT MAKES A24 SO GOOD? It's the question everyone has been asking for over a decade now. A24 is on a hot streak that is the envy of Hollywood. But is A24 really that different from the competition? What really makes A24 special? The answer may surprise you (hint: it's not really the movies). Let's dig into the mystique that is A24. A24 FILM STUDIO? A24 is an independent entertainment company that has made a name for itself by distributing, producing, and financing some of the most distinctive films of the past decade. Founded in 2012, A24 started primarily as a distributor, bringing under-the-radar films to wider audiences. That's right: it didn't actually make the movies. But over time, it expanded into production, financing, and even TV. Unlike major studios that often chase blockbuster returns, A24 focuses on artist-driven, genre-defying films that may not appeal to mass audiences but earn deep loyalty from cinephiles. A24 MOVIES MARKETING A24's marketing strategy is anything but traditional, and that’s arguably the biggest part of its success. Instead of relying on massive ad budgets, A24 often leans into internet culture and niche communities. Their trailers, posters, and social media campaigns tend to be cryptic, stylish, and minimalist, creating intrigue rather than explaining the entire film. On top of that, A24 understands how to build a brand identity: when audiences see the A24 logo, they associate it with quality. The company has encouraged this by creating merchandise and physical media rel https://www.youtube.com/embed/ILkQN7K0Jnc 2025-04-28T11:00:25.000Z StudioBinder 569 yes no https://vidert.com/v/filmmaking/video/1213/the-most-popular-and-controversial-theory-in-film-criticism 2025-05-05T11:01:00.000Z weekly 0.5 https://i.ytimg.com/vi/VNBFtyTqFeg/maxresdefault.jpg The Most Popular (and Controversial) Theory in Film Criticism What is Auteur Theory? — There are few more influential concepts in film criticism than auteur theory; we look at what it means. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Special thanks to: Manufacturing Intellect ►► https://bit.ly/st-mj Q with Tom Power ►► https://bit.ly/st-ng TIFF Originals ►► https://bit.ly/st-to ───────────────────── Chapters: 00:00 - Introduction to Auteur Theory 00:37 - History and Definition 02:36 - Technical Competence 05:32 - Distinguishable Personality 08:50 - Interior Meaning 12:03 - Legacy of the Auteur 12:28 - Takeaways ───────────────────── AUTEUR THEORY IN FILM STUDIES If you've taken any film theory or film studies course, at just about any level, you've likely heard of the Auteur Theory. As controversial as it is ubiquitous, the Auteur Theory helped film get taken more seriously as an art form while also acting as a gatekeeping influence over who gets to be considered a true "auteur" filmmaker. Thus the debate rages on and on: is the theory legitimate and necessary, overly simplistic and over-rated, nefarious and exclusionary, or all of the above? We dive into all of it. WHAT IS AUTEUR THEORY Auteur theory is a critical framework in film studies that emphasizes the director as the primary creative force behind a film. Originating from French film criticism in the 1950s, particularly through the writings of François Truffaut and the critics of Cahiers du Cinéma, the theory argues that the director’s vision, style, and thematic concerns shape a film in ways that elevate them to the status of an "author" or auteur. Auteur theory gained significant traction in the 1960s, especially through the work of critic Andrew Sarris, who articulated a more formal structure for identifying auteurs. AUTEUR THEORY EXPLAINED The first criterion for auteur status is technical competence. This refers to the director’s mastery over the medium’s formal elements: an auteur must demonstrate a consistent ability to https://www.youtube.com/embed/VNBFtyTqFeg 2025-05-05T11:01:00.000Z StudioBinder 825 yes no https://vidert.com/v/filmmaking/video/1212/death-by-focus-group-do-test-screenings-ruin-movies 2025-05-12T11:01:07.000Z weekly 0.5 https://i.ytimg.com/vi/exbD9WVUFuY/maxresdefault.jpg Death by Focus Group — Do Test Screenings Ruin Movies? Movie Cinema Audience Test — We look at the controversial film industry mainstay: test screenings. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to Film Test Screenings 00:44 - The History of Test Screenings 05:13 - Assessing Comedy 05:55 - Assessing Comedy 06:33 - Answers Questions 07:08 - Identify Problems 08:34 - Lowest Common Denominator 09:11 - Empowers Executives 10:12 - Forced Happy Ending 13:11 - Herd Mentality 13:57 - Can’t Change Everything 14:38 - Takeaways ───────────────────── TESTING MOVIES If you were to ask filmmakers what step of the movie process is the most painful, the lion's share of them would likely say test screenings. And yet, the practice of test screenings is deeply embedded into the film industry. Do test screenings really ruin movies? Or is there some use in the torturous process? We break down how test screenings work, and the pros and cons to the controversial technique. HOW DO TEST SCREENINGS WORK? So what actually goes on during a preview screening? Test screenings are a tool used by filmmakers and studios to gauge audience reactions to a film before its official release. Typically, these screenings involve presenting a rough cut of the movie to a selected audience. After the screening, viewers are often asked to complete surveys, participate in interviews, or join focus groups to provide feedback on various elements of the film. This feedback is then analyzed by producers, filmmakers, and marketing teams to determine whether changes should be made. ARE MOVIE TEST SCREENINGS GOOD? The most obvious benefit of test screenings is the opportunity to view the film through the eyes of an objective audience. Audience reactions can highlight issues that may not have been apparent during production. But there is also something about watching with an audience that makes a filmmaker themselves see the movie differently– they can feel what's working and what's not. Test screenin https://www.youtube.com/embed/exbD9WVUFuY 2025-05-12T11:01:07.000Z StudioBinder 934 yes no https://vidert.com/v/filmmaking/video/1211/the-trendiest-lens-in-hollywood-and-how-you-can-use-it 2025-05-19T11:01:18.000Z weekly 0.5 https://i.ytimg.com/vi/m0S-XlvhqLY/maxresdefault.jpg The Trendiest Lens in Hollywood — And How You Can Use It The Petzval Effect — We take a look at one of the most popular lenses today, and how it creates its unique imagery. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Special thanks to: Alexandru Don ►► https://bit.ly/3GYAxVT ChewHow ►► https://bit.ly/4k4j1ya Christopher Frost ►► https://bit.ly/st-cz ►► https://bit.ly/wi-dc ►► https://bit.ly/fc-ee ►► https://bit.ly/ce-ui ►► https://bit.ly/ut-sl Markus Hofstätter ►► https://bit.ly/43nURHW Neil Fernandez (Lucky Finn Productions) ►► https://bit.ly/3HfOYVx Victoria and Albert Museum ►► https://bit.ly/3HgJMAI zajdima ►► https://bit.ly/4jbc39c ───────────────────── Chapters: 00:00 - Introduction to the Petzval Lens 00:43 - History of the Petzval Lens 02:20 - The Petzval Look 03:37 - How to use a Petzval Lens 06:39 - Why are Petzvals so Popular? 07:57 - Takeaways ───────────────────── THE POOR THINGS LENS A specter is haunting Hollywood– the specter of Petzval. If you're a fan of arthouse film, you've likely noticed that in recent years, filmmakers have started favoring a shot which creates a strange, swirling bokeh. This isn't something built with visual effects. In fact, it's the result of a Petzval lens: a piece of glass nearly two centuries old. In this episode, we take a look at why the lens is so popular, and how filmmakers can use it. WHAT IS A PETZVAL LENS? The Petzval lens was created in 1840 by Hungarian mathematician Joseph Petzval. Originally developed for portrait photography, it was one of the first lenses engineered specifically for use with cameras rather than being adapted from telescope optics. The Petzval design is characterized by its fast (for the time) aperture, which allowed for shorter exposure times in an era when most photography required several minutes. Its unique build is a direct result of the lens’s field curvature and uncorrected optical aberrations, which for a long time were considered flaws. Today, however, is a different story. HOW TO ACHIEVE THE PETZVAL https://www.youtube.com/embed/m0S-XlvhqLY 2025-05-19T11:01:18.000Z StudioBinder 516 yes no https://vidert.com/v/filmmaking/video/1210/what-is-a-director-s-viewfinder-and-should-you-use-one 2025-05-26T11:01:05.000Z weekly 0.5 https://i.ytimg.com/vi/dG-LVfJSui4/maxresdefault.jpg What is a Director’s Viewfinder — And Should You Use One? Director Viewfinder — We take a look at that thing that hangs around directors' necks. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Special thanks to: TAJ ►► https://shorturl.at/NvL7c KEPA ►► https://shorturl.at/ftMYC AF Marcotec ►► https://shorturl.at/ok7A8 Paul Piasecki ►► https://shorturl.at/jmHVv SIGMA America ►► https://youtu.be/XT-089za2V8?si=B7q9dTDhgy5PhBDw ProVideo Coalition ►► https://youtu.be/sjLkvk-HIlU?si=yosrK8WIWiMo1DR- PDMOVIE ►► https://youtu.be/M6nJMT3mV00?si=6OpTiGf_bXCOo9kb Marques Brownlee ►► https://youtu.be/bNLgikGu4Yw?si=eXZ10Cybt6fEOI7W Lensrentals ►► https://youtu.be/M1yTfABKjpE?si=H4O9EoBKFajZWzFh Aaron Wayne Hill ►► https://youtu.be/vpfRncUI8LA?si=SPfQktXkqoABrxzt James Drake ►► https://youtu.be/YxU_YMn_oz0?si=LEbAgM10k1czKYCl TheBuffNerds ►► https://youtu.be/ZJ1YIaL-nSo?si=e6bOMddPCdIOGgo0 Daniel Grindrod ►► https://youtu.be/ev0EBiyaoo8?si=C2JZjEutykuQGGnl CineD ►► https://youtu.be/cgvP1-x_Ve0?si=KbF6lEE4UtGJIKFu TheCameraStoreTV ►► https://youtu.be/o43OfZ5rIbI?si=TArlxkbQX_pXXIut vaderbase ►► https://youtu.be/MYFIw4YXsl8?si=QwwjAW75q-4TvnZC Shawn Dolinski ►► https://youtu.be/xS-sM2wvPHI?si=b_SvPEms8ypEfkok Glen Reed ►► https://youtu.be/NiYpK1lxdLE?si=HsF3M5PmT4w6iaHP VCImaging ►► https://youtu.be/HRSwSCkVP4E?si=QU7_8exgDw_tmN-U The Tiffen Company ►► https://youtu.be/YPuIMHXXzYI?si=Ni5vxXnfhMqulC6I ───────────────────── Chapters: 00:00 - Introduction to the Director's Viewfinder 00:38 - History of the Viewfinder 01:50 - Chapter 1: Types Of Viewfinders 04:05 - Chapter 2: Why Use A Viewfinder? 06:09 - Chapter 3: How To Use A Viewfinder 06:15 - Takeaways ───────────────────── DIRECTORS VIEWFINDER You may not have heard of a director's viewfinder, but if you've been on set or looked at BTS footage, you've likely seen one. True to its name, the director's viewfinder is a handy tool for the leader of a film set. In this video, we take a look at the nifty piece of equipment, and explain why you may want to co https://www.youtube.com/embed/dG-LVfJSui4 2025-05-26T11:01:05.000Z StudioBinder 481 yes no https://vidert.com/v/filmmaking/video/1209/how-to-use-a-zoom-shot-why-the-best-shots-work 2025-06-02T11:00:43.000Z weekly 0.5 https://i.ytimg.com/vi/RdOGBQV-k5I/maxresdefault.jpg How to Use a Zoom Shot — Why the Best Shots Work Video Zoom Shot — We look at how to build a great zoom shot, and how auteurs use the technique. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Special thanks to: Adobe Made Simple ►► https://bit.ly/st-ze Mirth Films ►► https://bit.ly/st-dx Connor McCaskill ►► https://bit.ly/st-mg ───────────────────── Chapters: 00:00 - Introduction to Zoom Shots in Film 00:58 - Zoom Lenses Defined 03:43 - Chapter 1: Technical Aspects 08:19 - Chapter 2: Types of Zooms 10:46 - Chapter 3: Creative Applications 14:22 - Takeaways ───────────────────── WHAT IS A ZOOM SHOT? The zoom shot is a staple of cinema. And yet, it's somewhat controversial. Some filmmakers refuse to zoom, seeing the technique as showy or dated. Others, like Stanley Kubrick or Robert Altman, made a career out of jaw-dropping zooms. So what makes a zoom shot so powerful? And how do great filmmakers use it? ZOOM LENS PHYSICS From a technical standpoint, a zoom shot is achieved by adjusting the focal length of a zoom lens while the camera is recording. As the focal length increases, the image appears to magnify, bringing the subject closer in the frame, known as a zoom in. Conversely, decreasing the focal length widens the frame, pushing the subject away, known as a zoom out. Unlike a prime lens, which has a fixed focal length, a zoom lens allows for continuous variation, making it a flexible tool on set. However, zoom lenses typically have more optical elements and are generally heavier and slower than primes. The movement of the zoom can be controlled manually or by motorized systems for smoother motion. EXAMPLE OF ZOOM SHOTS There are many types of zoom shots, each serving a different purpose. A slow zoom-in can gradually draw attention to a character or detail, building tension or intimacy. It can even go unnoticed by the viewer, but it subtly alters emotional engagement. A slow zoom-out, on the other hand, can situate a character in their environment, emphasizing loneliness or https://www.youtube.com/embed/RdOGBQV-k5I 2025-06-02T11:00:43.000Z StudioBinder 907 yes no https://vidert.com/v/filmmaking/video/1208/the-most-influential-crime-film-high-and-low 2025-06-09T11:00:02.000Z weekly 0.5 https://i.ytimg.com/vi/0Y4h3vAuPI8/maxresdefault.jpg The Most Influential Crime Film — High and Low High and Low — We look at one of Akira Kurosawa's less-seen masterpieces, a defining work in the procedural genre. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Special thanks to: Boardroom ►► https://www.youtube.com/watch?v=wB_CPM8jsGw CRITERION ►► https://www.youtube.com/watch?v=qF3qYnnuGxI ───────────────────── Chapters: 00:00 - Introduction to Akira Kurasawa's High and Low 00:32 - The History of High and Low 02:23 - The Screenplay 03:51 - Film Structure 04:55 - Cinematography 05:56 - Directing 07:25 - Film Blocking 08:43 - Takeaways ───────────────────── HIGH AND LOW MOVIE There's little disagreement that Akira Kurosawa is one of the most influential filmmakers of all time. When most people think of Kurosawa, they think of his groundbreaking action epics, like Seven Samurai or Ran. But one of Kurosawa's most enduring films is a modernist thriller, vastly different from the period films he is largely known for. Today, we take a look at High and Low, and see why it is quietly one of the most influential movies ever. HIGH AND LOW FILM ANALYSIS The screenplay for High and Low, co-written by Kurosawa along with Eijirō Hisaita, Ryūzō Kikushima, and Hideo Oguni, is structurally unique. It divides the narrative into two distinct halves: the first unfolds almost entirely within the confines of Gondo’s hilltop home, while the second becomes a procedural descent into the streets of the city below. This bifurcated structure reflects the film’s title: “high” and “low” not only geographically, but also socioeconomically. HIGH AND LOW AKIRA KUROSAWA CINEMATOGRAPHY Kurosawa’s cinematography in High and Low is essential to the film’s impact. The use of the widescreen Tohoscope format is masterful. Kurosawa often fills the frame with multiple characters, using deep focus to emphasize relationships and power dynamics. Light and shadow are carefully controlled: the brightness of the upper house contrasts with the dingy, high-contrast images of https://www.youtube.com/embed/0Y4h3vAuPI8 2025-06-09T11:00:02.000Z StudioBinder 576 yes no https://vidert.com/v/filmmaking/video/1207/how-hitchcock-made-the-most-iconic-scene-in-movie-history 2025-06-16T11:00:00.000Z weekly 0.5 https://i.ytimg.com/vi/-jvxJ0dWgHU/maxresdefault.jpg How Hitchcock Made the Most Iconic Scene in Movie History Psycho 1960 — In this installment of How They Shot It, we look at the most iconic sequence in film history: the Psycho shower scene. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to Psycho's Shower Murder Scene 01:00 - History of Psycho 02:29 - The Screenplay 03:02 - Making the Scene 06:00 - Shooting Around Nudity 07:44 - Sound Design 09:20 - The Music 10:14 - Gaslighting Censors 11:31 - Takeaways ───────────────────── SHOWER SCENE PSYCHO 1960 Alfred Hitchcock is one of the most important filmmakers of the 20th Century, having made countless influential movies that loom large over a span of genres. One of his many achievements is creating the slasher genre with "Psycho," a film unlike anything else in his catalogue. Today, we look at the defining sequence of the film. Let's dive into the making of Psycho shower scene. BACKGROUND FOR ALFRED HITCHCOCK'S PSYCHO SHOWER SCENE The infamous shower scene remains one of the most iconic and studied moments in film history. At the time, Hitchcock was already a well-established master of suspense, but Psycho represented a departure. He financed the film himself and kept costs low. Adapted from Robert Bloch’s novel, the film shocked audiences not only with its violence but with its narrative bait-and-switch: the presumed protagonist is killed 45 minutes into the story. The shower scene was central to that shock: Hitchcock’s goal was to devastate audience expectations using suggestion, rhythm, and misdirection more than explicit gore. BEHIND THE SCENES PSYCHO BODY DOUBLE Hitchcock storyboard artist Saul Bass (who also designed the film’s title sequence) to meticulously plan each shot. Janet Leigh, playing Marion, had a body double for many of the shots in the shower scene, particularly those involving nudity. Hitchcock was adamant that no shot show nudity or the knife actually piercing flesh, which necessitated careful choreography. To simulate blood, chocolate s https://www.youtube.com/embed/-jvxJ0dWgHU 2025-06-16T11:00:00.000Z StudioBinder 735 yes no https://vidert.com/v/filmmaking/video/1206/the-most-important-movement-in-cinema-why-we-all-steal-from-it 2025-06-23T11:01:13.000Z weekly 0.5 https://i.ytimg.com/vi/b9oFNIDMPK0/maxresdefault.jpg The Most Important Movement in Cinema — Why We All Steal From It French Movies — We look at one of the most influential cinematic movies in history: the French New Wave. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to the French New Wave 00:49 - History and Definition 03:06 - Filmmaking Techniques 07:08 - Narrative Techniques 13:53 - The Left Bank 06:15 - Impact 18:54 - Takeaways ───────────────────── NOUVELLE VAGUE If you know anything about cinema history, you've probably heard about the French New Wave (or La Nouvelle Vague). The movement is widely considered to be one of the most influential in movie history, and it continues to shape how films are made to this day. In this video, we take a look at the complex and evergreen moment in French movies, and examine why it has had the lasting impact we see today. Take out your French dictionary. INTRODUCTION TO FRENCH NEW WAVE The French New Wave, which emerged in the late 1950s and peaked in the early 1960s, revolutionized cinema by largely rejecting the polished conventions of traditional studio filmmaking. Directors like Jean-Luc Godard, François Truffaut, and Agnes Varda (Cleo From 9 to 7) favored handheld cameras, natural lighting, and jump cuts. Their films were often shot on location using minimal crews and non-professional actors, lending a raw, spontaneous feel which evoked the Italian Neorealists. At the same time, they borrowed from stylized genres like noir to create something audiences had never seen before. FRENCH NEW WAVE FILMS THEMES French New Wave filmmakers were deeply influenced by existentialist philosophy and postwar disillusionment. Their characters often struggled with questions of identity, morality, and alienation. Many narratives featured young, disaffected protagonists-- antiheroes navigating an absurd or indifferent world. Films like The 400 Blows (Truffaut) and Breathless (Godard) subverted traditional plot structures or discarded them entirely, replacing them with open-ended narrativ https://www.youtube.com/embed/b9oFNIDMPK0 2025-06-23T11:01:13.000Z StudioBinder 1169 yes no https://vidert.com/v/filmmaking/video/1205/writing-a-dream-the-secret-behind-the-most-iconic-dream-sequences 2025-06-30T11:00:36.000Z weekly 0.5 https://i.ytimg.com/vi/IHV22zD15xI/maxresdefault.jpg Writing a Dream — The Secret Behind the Most Iconic Dream Sequences Movies Dream Sequence — We take a look at how to write a dream in movies. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to Dreams in Film 01:04 - Cinematic Dreams Defined 03:01 - Chapter 1: Characterization 06:18 - Chapter 2: Narrative Function 10:48 - Chapter 3: Formatting 15:26 - Takeaways ───────────────────── FILM DREAM SEQUENCE We all dream (whether or not we remember it), and so it should come as no surprise that since the beginning of cinema, filmmakers have been depicting their characters' dreams. The nature of dreams allow filmmakers to experiment and push boundaries, resulting in some dream sequences becoming some of the most iconic cinematic moments of all time. Like with pretty much any other scene, dream sequences start on the page. So how do you write a dream sequence? WRITING A DREAM SEQUENCE FOR CHARACTER When writing a dream to explore characterization, it’s important to ask what the core of your character is: what are their wants? Their fears? A dream can externalize internal conflict, revealing insecurities, suppressed desires, or lingering guilt. Focus on emotional logic rather than narrative logic. How the dream feels is usually more important than what it means in a literal sense. A well-written dream sequence typically leaves the audience with a clearer sense of who the character is, even if the dream itself is abstract. MOVIE DREAM SEQUENCES FOR NARRATIVE Dreams can also be used to push the narrative forward. In some instances, dreams are used to deliver warnings, unlock repressed memories, or provide a thematic mirror to the main plot. Alternatively, dream might more subtly influence a character’s decisions or offer them new information. A dream that drives the story forward or reframes it will feel integrated and purposeful, rather than like a detour. DREAM SCREENPLAY FORMAT In terms of screenwriting, there is no one way to format a dream. Most screenwriters indicate the https://www.youtube.com/embed/IHV22zD15xI 2025-06-30T11:00:36.000Z StudioBinder 977 yes no https://vidert.com/v/filmmaking/video/1201/filming-a-dream-sequence-why-it-s-so-hard 2025-07-28T11:01:37.000Z weekly 0.5 https://i.ytimg.com/vi/w6SL6anQbnk/maxresdefault.jpg Filming a Dream Sequence — Why It’s So Hard Movies Dream Sequence — How did some of the most famous dream sequences in cinema come about, and what can we learn from them? Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Shooting A Dream Sequence 00:42 - Dreams In Film 02:43 - Ch. 1: Cinematography 05:13 - Ch. 2: Production Design 08:05 - Ch. 3: Editing A Dream 14:45 - Takeaways ───────────────────── SURREAL DREAM SEQUENCES Dreams are a crucial element of movies. Since the beginning of the medium, directors have been experimenting with how to represent the imagery that comes to our minds when we sleep. In our previous episode, we looked at how a dream sequence looks on the page. Today, we're looking at how it's filmed. More often than not, filmmakers will test their craft when approaching dreams, experimenting in ways that may not be possible in the rest of their narrative. DREAM SEQUENCE CINEMATOGRAPHY Cinematography plays a central role in establishing the unreal atmosphere of a dream. Lighting, lensing, and camera movement can all shift subtly (or dramatically) to indicate a departure from waking life. Lighting in dream sequences often leans into extremes: overexposure, heavy shadows, or abrupt camera placement. Cinematographers will often use soft focus to blur the edges of reality or, conversely, ultra-sharp images to heighten the uncanny. The key is intentional contrast– dreams are visually coded as different, and cinematography provides the most immediate cues. FILM DREAM SEQUENCE PRODUCTION DESIGN The world of a dream is built differently than the waking world. Production design is crucial in shaping this altered space, whether through literal surrealism or subtle environmental distortions. One common strategy is to alter familiar locations in subtle ways. Conversely, a dream set may be completely divorced from reality: scale and proportion might be deliberately inconsistent, or impossibly expansive landscapes can mirror the instability of a dream log https://www.youtube.com/embed/w6SL6anQbnk 2025-07-28T11:01:37.000Z StudioBinder 934 yes no https://vidert.com/v/filmmaking/video/1202/steadicams-explained-a-revolution-in-camera-movement 2025-07-21T11:00:58.000Z weekly 0.5 https://i.ytimg.com/vi/_thX0rDNu0Y/maxresdefault.jpg Steadicams Explained — A Revolution in Camera Movement A history and guide to one of the most important innovations in film technology — the Steadicam. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Special thanks to: ARRIChannel ►► https://bit.ly/4lz0iLH Becca Cannon ►► Digital Cinema Society ►► https://www.youtube.com/watch?v=eT-E6SUGmVA DJI ►► https://www.youtube.com/watch?v=ycoL40Yxw9g James Marin ►► https://www.youtube.com/watch?v=fv6vr6TWwzE Joey Helms ►► https://www.youtube.com/watch?v=tQwVBMGIvfg Momentum Productions ►► https://www.youtube.com/watch?v=rVZjv--XO28 Moves Media ►► https://www.youtube.com/watch?v=kF0s7Lzdg-A Peny ►► https://www.youtube.com/watch?v=fx4BQWb8gRo Peter Makholm ►► https://www.youtube.com/watch?v=w2QHwG19THs SteadiRed ►► https://www.youtube.com/watch?v=gxLTYX_FnwE ►► https://www.youtube.com/watch?v=xCjZae4pypY The Tiffen Company ►► https://www.youtube.com/watch?v=YPuIMHXXzYI ►► https://www.youtube.com/watch?v=3cOjiyglI6M ───────────────────── Chapters: 00:00 - Introduction to the French New Wave 00:41 - History and Definition 02:55 - Steadicam vs. Alternatives 05:13 - How to use a Steadicam 07:23 - When to use a Steadicam 11:21 - Takeaways ───────────────────── ULTIMATE GUIDE TO THE STEADICAM For over five decades now, one piece of equipment has revolutionized how films are shot — The Steadicam. It made the impossible possible when it comes to camera movement and in this video we're going to break down that history, explain how it works, and give you some tips on how to use it. WHAT IS A STEADICAM Developed by Garrett Brown in the mid-1970s, the Steadicam is a mobile camera stabilizer composed of three basic components: the vest, the arm, and the sled. The vest is worn by the camera operator, who attaches it to a mechanical arm that helps stabilize the sled on which the camera is mounted. Now, the operator can move in and around a space, up stairs, and in many ways previously impossible unless you opted for the shaky handheld approach. The sled is coun https://www.youtube.com/embed/_thX0rDNu0Y 2025-07-21T11:00:58.000Z StudioBinder 724 yes no https://vidert.com/v/filmmaking/video/1203/the-making-of-sinners-what-it-took-to-make-an-original-blockbuster 2025-07-14T11:01:00.000Z weekly 0.5 https://i.ytimg.com/vi/VP1CTx-EES4/maxresdefault.jpg The Making of Sinners — What It Took to Make an Original Blockbuster Sinners BTS — We take a look at Ryan Coogler's most celebrated movie yet, and how it got made. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Special thanks to: Carolyn Talks YouTube & Podcast Channel ►► https://bit.ly/st-cx Proximity Media ►► https://bit.ly/st-xy Fox 5 Washington DC ►► https://bit.ly/st-xs Kodak ►► https://bit.ly/4lnOYlB ───────────────────── Chapters: 00:00 - Introduction to SINNERS 00:57 - The Story of Sinners 02:02 - Chapter 1: Creating The Twins 05:59 - Chapter 2: Cinematography & Approach 10:12 - Chapter 3: Building The Past 14:20 - Final Thoughts ───────────────────── SINNERS MOVIE There had been no doubt that Ryan Coogler was a filmmaker to watch, but after Sinners, he's solidified himself as a powerhouse director. Coogler's newest film is a rare breed these days: an original blockbuster with complex ideas and themes. So how did Coogler pull off what much of Hollywood thought was impossible? Let's dive in. SINNERS TWIN BEHIND THE SCENES A standout technical challenge was creating the illusion of twin brothers both played by Michael B. Jordan. This was accomplished through a combination of nuanced performances from Jordan and high-tech cinematic equipment. A good old fashioned body double was occasionally used as well. Taken together, the effect is seamless. SINNERS CINEMATOGRAPHY The cinematography, helmed by Coogler’s longtime collaborator Autumn Durald Arkapaw, has been a massive selling point for the film. Shot using both IMAX and Ultra Panavision 70, Sinners becomes the first film to blend these two formats. This duality isn’t just a gimmick: it serves the story. The visuals lean heavily into desaturated tones, evoking Depression-era photography and the muted palette of the Deep South. Stylized lighting is used to great effect, with much of the film lit through windows or firelight, heightening the film’s mythic mood. SINNERS BREAKDOWN LOCATION Grounding all of this is the film’s authentic 1932 Mis https://www.youtube.com/embed/VP1CTx-EES4 2025-07-14T11:01:00.000Z StudioBinder 908 yes no https://vidert.com/v/filmmaking/video/1167/shot-lists-in-studiobinder-plan-every-shot 2026-03-04T12:00:20.000Z weekly 0.5 https://i.ytimg.com/vi/D_LXkACnswk/maxresdefault.jpg Shot Lists in StudioBinder — Plan Every Shot Try our Shot List Software ►► https://bit.ly/sb-slf Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── StudioBinder's Shot List Software Explained A great shoot starts with a great plan. And that plan starts with a shot list. StudioBinder’s Shot List software helps directors, cinematographers, and producers organize every shot with clarity and efficiency — so your crew shows up prepared and your day runs smoothly. Start from scratch or import your script to automatically generate scenes ready for shot listing. Use the built-in scene preview to tag specific lines of dialogue and ensure every beat is covered. Brainstorm visually with a comprehensive shot spec library, then customize each shot with framing details, camera movement, lenses, equipment, VFX notes, locations, and reference images. Reorder shots into the most efficient shooting schedule. Customize column layouts. Choose your aspect ratio. Color-code key shots. Group scenes by location or shoot day. Add prep times, shoot times, banners, and meal breaks for precise scheduling. When you’re ready, collaborate with your team in real time. Share a link, invite collaborators, collect feedback in comments, and let your crew check off shots on set as they’re completed. Need physical copies? Generate beautifully formatted PDFs with custom layouts, cover pages, watermarks, and adjustable font sizes. And because StudioBinder is an all-in-one production platform, your shot lists connect seamlessly with breakdowns, stripboards, and the rest of your pre-production workflow. Take your shot — with StudioBinder. ───────────────────── All music is licensed via Musicvine.com #Filmmaking #filmmakingtips #storyboard #storyboards — SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0 Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production cal https://www.youtube.com/embed/D_LXkACnswk 2026-03-04T12:00:20.000Z StudioBinder 126 yes no https://vidert.com/v/filmmaking/video/1168/why-great-directors-lock-the-camera 2026-03-02T12:01:06.000Z weekly 0.5 https://i.ytimg.com/vi/eL_XaKA5qWM/maxresdefault.jpg Why Great Directors Lock the Camera A complete guide to static shots in film — how they work, when to use them, and why locking off the camera can create stronger visual storytelling. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters 00:00 - Introduction to the Static Shot in Film 01:03 - What is a Static Shot? 02:22 - Mise-en-Scène 04:50 - Blocking 06:29 - Shot Size 07:24 - Editing 09:10 - Creative Applications 11:12 - Takeaways ───────────────────── What is a static shot — and why do so many great directors rely on it? In this video, we break down the static shot in film: what it is, how it works, and why a locked-off camera can be more powerful than constant movement. From composition and mise-en-scène to blocking within a fixed frame, we explore how filmmakers create tension, emotion, and visual clarity without moving the camera. You’ll learn: • What defines a static (locked-off) shot • The difference between static shots and camera movement • How to use blocking to create visual dynamism • How framing and composition carry meaning • When to choose a static shot over a moving camera • How editing affects static scenes Static cinematography isn’t about doing less — it’s about doing more within the frame. When the camera doesn’t move, performance, staging, and composition become everything. The frame becomes a stage. The movement comes from actors, light, depth, and visual design. Whether you’re a filmmaker, film student, or just love film analysis, this guide will help you understand how static shots shape visual storytelling — and why sometimes the best camera move is no move at all. If you’re interested in filmmaking, cinematography, blocking, mise-en-scène, or film theory, this breakdown will give you practical techniques you can apply to your own work. Subscribe for more filmmaking breakdowns and video essays on directing, composition, and visual storytelling. #FilmTheory #VideoEssay #Filmmaking ───────────────────── ♬ SONGS USED: "I Lied to https://www.youtube.com/embed/eL_XaKA5qWM 2026-03-02T12:01:06.000Z StudioBinder 717 yes no https://vidert.com/v/filmmaking/video/1169/the-directing-genius-of-akira-kurosawa-explained 2026-02-23T12:00:25.000Z weekly 0.5 https://i.ytimg.com/vi/IIHeWcGS4iA/maxresdefault.jpg The Directing Genius of Akira Kurosawa Explained A deep dive into Akira Kurosawa’s directing style — from blocking and composition to movement and visual storytelling. Akira Kurosawa Movies Ranked ►► https://bit.ly/3ZSdLoQ StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to the work of Akira Kurosawa 01:10 - The History of Kurosawa's Filmmaking Journey 03:11 - Story 05:24 - Production Design 07:33 - Color 08:46 - Cinematography 10:18 - Editing 11:56 - Sound 12:58 - Music 14:31 - Takeaways ───────────────────── Akira Kurosawa is one of the most influential filmmakers in cinema history — but what actually defines his directing style? In this video essay, we break down Kurosawa’s filmmaking techniques across Seven Samurai, High and Low, Rashomon, Ikiru, Yojimbo, and more. From dynamic blocking and layered composition to bold movement and weather-driven cinematography, Kurosawa didn’t just direct scenes — he engineered visual storytelling with precision. We’ll explore how Kurosawa used: • Blocking to control power and tension within the frame • Movement — both camera and actor — to energize dramatic beats • Composition to guide the audience’s eye • Editing rhythms that shaped modern action filmmaking • Environmental elements like wind, rain, and smoke to heighten emotion Whether you’re studying film history, learning directing, or simply love Japanese cinema, this analysis breaks down why Kurosawa’s influence still defines filmmaking today. Directors from Spielberg to Scorsese have borrowed from his visual language — and once you see the patterns, you’ll recognize them everywhere. If you're interested in cinematography, composition in film, blocking techniques, or the evolution of modern film language, this breakdown of Akira Kurosawa’s movies will give you practical insight into how great directing actually works. #FilmTheory #VideoEssay #Filmmaking ───────────────────── ♬ SONGS USED: "Manatsu Ni Haeru (Glowing on a Midsummer Night)" - Ian Post feat. Aya Ishida "Dojo Tradition" - In This World "Issho (To https://www.youtube.com/embed/IIHeWcGS4iA 2026-02-23T12:00:25.000Z StudioBinder 945 yes no https://vidert.com/v/filmmaking/video/1170/why-some-movies-hook-you-instantly 2026-02-16T12:00:14.000Z weekly 0.5 https://i.ytimg.com/vi/822eeaOBVII/maxresdefault.jpg Why Some Movies Hook You Instantly A film analysis of opening shots and how the first image introduces theme, tone, symbolism, and meaning. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters 00:00 - The Impact of Opening Shots 00:59 - Opening Shots Defined 01:33 - Spoiler Alert! 01:40 - Hell Or High Water 03:45 - Marie Antoinette 05:09 - Nope 07:33 - Raging Bull 08:44 - Past Lives 10:07 - Hereditary 11:55 - Takeaways ───────────────────── Opening shots are one of the most important — and most overlooked — tools in filmmaking. In this video essay, we explore opening shots in film and how the very first image of a movie can introduce its core ideas, themes, symbolism, and emotional tone. Before a story unfolds through plot or dialogue, filmmakers often use visual storytelling to communicate what the movie is really about. This analysis breaks down how opening shots function as: • A visual introduction to theme • A tonal foundation for the story • A guide for how the audience should interpret what follows • A storytelling promise made in a single frame By closely examining how films begin, we can better understand how meaning is constructed through composition, camera movement, framing, and visual context. The opening shot often establishes the rules of the world, the perspective of the story, and the ideas the film will return to again and again. This video is designed for filmmakers, film students, and anyone interested in film analysis and visual storytelling. Whether you’re studying cinema or simply want to watch movies more closely, understanding opening shots will change how you experience the rest of the film. Because by the time the second shot appears, the movie has already started saying exactly what it wants to say. #FilmTheory #VideoEssay #Filmmaking ───────────────────── ♬ SONGS USED: “Oppenheimer” - Ludwig Göransson “A Clockwork Orange” - Rachel Elkind, Wendy Carlos “Lot To Learn” - Winyah “Drifter Hymn” - Lane King “Bourbon Melody” - Nathan Col https://www.youtube.com/embed/822eeaOBVII 2026-02-16T12:00:14.000Z StudioBinder 753 yes no https://vidert.com/v/filmmaking/video/1171/how-back-to-the-future-uses-perfect-blocking-to-tell-the-story 2026-02-09T12:00:20.000Z weekly 0.5 https://i.ytimg.com/vi/EqTn6lfRNow/maxresdefault.jpg How Back to the Future Uses Perfect Blocking to Tell the Story A breakdown of how Back to the Future uses blocking, camera movement, and layered staging to tell the story visually — often without cutting. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters 00:00 - Introduction to the perfect film 00:45 - Cundy and Zemeckis' goal for the film 01:19 - Maximize the Frame 01:57 - 3-Axis Camera Moves 02:49 - Eye Trace 04:01 - Blocking on the Z axis 06:21 - Motivated Blocking 09:15 - Takeaways ───────────────────── Back to the Future is often praised for its script, performances, and iconic moments — but one of its greatest strengths is how clearly it tells the story visually. In this video, we break down how director Robert Zemeckis and cinematographer Dean Cundey use blocking, camera movement, and staging to deliver information without relying on constant cutting or dialogue. By carefully layering action in the foreground, midground, and background, Back to the Future turns simple scenes into dynamic visual storytelling. Characters enter and exit the frame with purpose, important story beats unfold simultaneously, and the camera moves only when it adds clarity. The result is a film that feels fast, fluid, and easy to follow — even when multiple storylines are happening at once. We analyze key scenes to show how blocking replaces editing, allowing moments to play out in longer takes while still guiding the audience’s attention exactly where it needs to go. From Marty navigating Hill Valley to the carefully staged interactions between characters, every movement serves the story. This breakdown explores: • How blocking creates narrative clarity • Why Zemeckis favors movement within the frame over cutting • How Dean Cundey’s camera placement enhances depth and storytelling • How layered compositions allow multiple beats to play in a single shot Whether you’re a filmmaker, student, or film lover, this video shows why Back to the Future remains a masterclass in visual storytelling, blocking, and ci https://www.youtube.com/embed/EqTn6lfRNow 2026-02-09T12:00:20.000Z StudioBinder 622 yes no https://vidert.com/v/filmmaking/video/1172/directing-without-words-visual-storytelling-in-film 2026-02-02T12:01:04.000Z weekly 0.5 https://i.ytimg.com/vi/WMcWLFtGnAs/maxresdefault.jpg Directing Without Words: Visual Storytelling in Film In this video, we break down how filmmakers tell powerful stories without relying on dialogue. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters 00:00 - Introduction to Scenes without Dialogue 00:37 - One Battle After Another 01:07 - Performance 03:22 - Camera Placement 04:36 - Setting 05:40 - Blocking 06:56 - Editing 08:37 - Takeaways ───────────────────── In this video, we explore how filmmakers create powerful scenes without relying on dialogue — and how visual storytelling techniques can often say more than words ever could. Using iconic film examples, we break down how directors compensate for limited or absent dialogue through performance, blocking, setting, camera placement, shot choice, and editing. Even when a scene includes partial dialogue, the non-verbal storytelling is doing the heavy lifting. Films & Techniques Covered Phantom Thread — how performance and subtle physical behavior communicate inner emotion Sound of Metal — how camera placement and shot choice immerse us in a character’s experience Portrait of a Lady on Fire — how setting and environment shape meaning and emotional tension Beau Travail — how blocking and movement express character psychology and power dynamics Sabotage (1936) — how editing and rhythm create suspense and narrative clarity without exposition. In this video, you will learn: • What visual storytelling is and why it’s essential to filmmaking • How actors convey emotion and subtext without dialogue • How blocking guides the audience’s attention and reveals relationships • How camera placement and shot choice shape meaning • How editing controls pacing, tension, and emotional impact Whether you’re a filmmaker, student, or film lover, this breakdown shows how cinema communicates through image, movement, and rhythm — not just words. #FilmTheory #VideoEssay #Filmmaking ───────────────────── ♬ SONGS USED: "Fratres (Version for Cello & Piano)" - Avro Pärt "A Battle in the East" - Rhythm https://www.youtube.com/embed/WMcWLFtGnAs 2026-02-02T12:01:04.000Z StudioBinder 565 yes no https://vidert.com/v/filmmaking/video/1173/the-top-10-best-cinematography-moments-of-2025 2026-01-26T12:00:26.000Z weekly 0.5 https://i.ytimg.com/vi/HLtRXp_cvDw/maxresdefault.jpg The Top 10 Best Cinematography Moments of 2025 A visual breakdown of the most striking cinematography of 2025, exploring the formats, techniques, and creative philosophies behind the year’s best-looking films. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters 00:00 - Introduction to the Top Ten Picks for Best Cinematography 00:37 - One Battle After Another 02:07 - Bugonia 03:25 - Marty Supreme 04:37 - Sinners 05:28 - Magellan 06:30 - 28 Years Later 07:27 - Wake Up Dead Man 08:36 - Train Dreams 09:16 - Hamnet 10:04 - Final Thoughts ───────────────────── BEST CINEMATOGRAPHY OF 2025 2025 was a year where cinematography looked both forward and backward at the same time. Some filmmakers embraced cutting-edge tools and experimental workflows, while others reached deep into cinema history — reviving vintage film formats, classic lenses, and old-school discipline to create something entirely new. In this video essay, we break down the best cinematography of 2025 through a curated collection of standout shots and firsthand insights from the directors and cinematographers behind them. Rather than ranking films, we explore how different visual approaches led to unforgettable images — and what those choices reveal about where cinematography is heading. Featured films include: • One Battle After Another — Paul Thomas Anderson and Michael Bauman’s leap of faith with VistaVision • Bugonia — Yorgos Lanthimos and Robbie Ryan’s claustrophobic reinvention of a massive format • Marty Supreme — Josh Safdie once again collaborates with DP Darius Khondji on this gritty and grounded piece • Sinners — Ryan Coogler and DP Autumn Durald Arkapaw mixed formats in stunning ways for this original epic • Magellan — Lav Diaz and DP Artur Tort brought history to life with truly tangible imagery • 28 Years Later — Danny Boyle and cinematographer Anthony Dod Mantle innovate and eviscerate their latest zombie flick • Wake Up Dead Man — Rian Johnson and Steve Yedlin experiment with light and s https://www.youtube.com/embed/HLtRXp_cvDw 2026-01-26T12:00:26.000Z StudioBinder 662 yes no https://vidert.com/v/filmmaking/video/1174/a-simple-detail-that-defines-hitchcock 2026-01-19T12:01:05.000Z weekly 0.5 https://i.ytimg.com/vi/YdSvkJQG9eg/maxresdefault.jpg A Simple Detail That Defines Hitchcock A film analysis video essay exploring Alfred Hitchcock’s use of stairs as a visual motif in Vertigo and other Hitchcock films. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters 00:00 - Introduction to Hitchcock's obsession 00:29 - Hitchcock's thoughts on stairs 02:20 - Visual Hierarchy 02:59 - Heightened Emotions 03:34 - Building Suspense 05:40 - Going Down 07:44 - Takeaways ───────────────────── HITCHCOCK & STAIRS — MOTIFS & MOTIVES Alfred Hitchcock was known as the Master of Suspense—but his genius goes far beyond plot. In this film analysis video essay, we explore how Hitchcock uses stairs as a recurring visual motif to shape suspense, psychology, and visual storytelling across his films. From Vertigo to Psycho and beyond, staircases appear at moments of fear, obsession, power, and vulnerability. Hitchcock’s stairs aren’t just locations—they’re storytelling tools. Through blocking, camera movement, framing, and composition, Hitchcock turns vertical space into emotional tension. This video essay breaks down: • Visual storytelling in Hitchcock films • How motifs in film communicate meaning without dialogue • Hitchcock’s use of stairs as a cinematic motif • The Vertigo stairs scenes and their psychological impact • How directors use visual motifs to guide audience emotion By analyzing Hitchcock’s storytelling techniques, this essay reveals how simple visual ideas—repeated with intention—can become powerful narrative devices. Whether you’re studying film analysis, visual storytelling in filmmaking, or Alfred Hitchcock movies, this breakdown shows how meaning is built visually, one shot at a time. If you enjoy Hitchcock essays, film motifs, and cinematic storytelling, subscribe for more video essays on directors, movies, and visual language. #FilmTheory #VideoEssay #Filmmaking ───────────────────── ♬ SONGS USED: Capharnaüm - Khaled Mouzanar Parents on Mission - John Debney, Danny Elfman, Heitor Pereira Nobody Ever Goes In - https://www.youtube.com/embed/YdSvkJQG9eg 2026-01-19T12:01:05.000Z StudioBinder 516 yes no https://vidert.com/v/filmmaking/video/1175/the-secret-to-directing-kids-it-s-not-what-you-think 2026-01-12T12:01:14.000Z weekly 0.5 https://i.ytimg.com/vi/_gDdKoGZxFc/maxresdefault.jpg The Secret to Directing Kids (It’s Not What You Think) Working with Child Actors — the ultimate guide from the best directors to have elevated their young actors in their performances. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters 00:00 - Introduction to Directing Kids 00:46 - The Goonies / Stand By Me 01:40 - Slumdog Millionaire / Hamnet 03:01 - Orphan / The School of Rock 04:04 - C’mon C’mon / The Florida Project 05:10 - The Underground Railroad / Stand By Me 06:34 - E.T. / Kes 08:04 - Knowing The Law 08:31 - Capernaum 09:11 - Takeaways ───────────────────── WORKING WITH CHILD ACTORS — A FILMMAKER'S GUIDE The old Hollywood adage is often very true — never work with animals or kids. But the person who said that probably didn't have the lessons and insights from the directors we've included in this video. Directing kids is not like directing adults, but it's not just harder, there are different approaches to take. As filmmakers like Spielberg, Reiner, Loach, Linklater, and Zhao explain, there are clearly successful strategies to take. Something we hear a lot from directors is just how raw and natural kids can be WITHOUT formal acting training. You might think that child actors need more help to become actors, but as Richard Donner and Chloe Zhao explain, their natural abilities (when given space and encouragement) will deliver more authentic and earnest performances. For The Florida Project, Sean Baker takes this a step further by not rehearsing crucial and emotional scenes in order to capture the more raw reactions from his young actress. One of the most common bits of advice for how to direct kids in film is to not treat them like kids. Richard Linklater likes to interact and treat his younger actors just like any other adult actor. For him, this can give the child actor the confidence and sense of belonging without the condescension. But beyond the working relationships, there are other special considerations when directing child actors. There are specific and strict labor https://www.youtube.com/embed/_gDdKoGZxFc 2026-01-12T12:01:14.000Z StudioBinder 625 yes no https://vidert.com/v/filmmaking/video/1176/the-trick-spielberg-uses-to-create-emotion 2026-01-05T12:01:23.000Z weekly 0.5 https://i.ytimg.com/vi/epTFIBFby3A/maxresdefault.jpg The Trick Spielberg Uses to Create Emotion Steven Spielberg Directing Style — We take a look at the legendary director's approach to shooting dinner scenes. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters 00:00 - Introduction to Spielberg & Emotion 00:51 - Significance of the Dinner Table 01:45 - Setting 03:00 - Blocking 06:04 - Coverage 08:35 - Camera Movement 10:08 - Takeaways ───────────────────── STEVEN SPIELBERG DINNER SCENES Jaws. The Fabelmans. Close Encounters of the Third Kind. Jurassic Park. The Color Purple. ET. What do all of these vastly different movies have in common other than of course being directed by Steven Spielberg? They all have iconic meal scenes. When we think of Spielberg, we often focus on the spectacle, the fantastical worlds and larger-than-life situations that everyday characters get thrust into. But these worlds only work because they are grounded— and Spielberg is the master at quickly introducing emotions, character dynamics, and interior lives. One way he does this, again and again, is through the dinner scene. STEVEN SPIELBERG DIRECTING Spielberg’s blocking in dinner scenes emphasizes hierarchy and emotional alignment. Character positions subtly encode power dynamics or psychological separation. He often places characters so that eye lines cross unevenly or are obstructed by table settings, food, or furniture, creating a visual metaphor for emotional barriers. Movement within the scene is purposeful but restrained— someone standing to refill a drink or leaning forward to speak can become a disruption of the table’s equilibrium. GENIUS OF STEVEN SPIELBERG CAMERA PLACEMENT Spielberg favors camera heights that keep the audience at eye level with the characters, creating intimacy without artificial dramatization. The camera is often positioned just outside the table’s perimeter, maintaining a clear sense of geography while still feeling embedded in the conversation. His shot choices are used less for coverage and more to anchor perspe https://www.youtube.com/embed/epTFIBFby3A 2026-01-05T12:01:23.000Z StudioBinder 662 yes no https://vidert.com/v/filmmaking/video/1177/how-a-director-tells-you-where-to-look 2025-12-29T12:01:37.000Z weekly 0.5 https://i.ytimg.com/vi/npHWo0Dgb28/maxresdefault.jpg How a Director Tells You Where to Look How Director's guide our eye without cutting. Today, we look at all the tools filmmakers use to direct your attention. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters 00:00 - Introduction to Directing the Eye 00:40 - Chapter 1: Framing 03:52 - Chapter 2: Production Design 05:55 - Chapter 3: Lighting 07:56 - Chapter 4: Sound 11:00 - Takeaways ───────────────────── FILMMAKING 101 A great director tells you where to look. When edits are removed as a tool, the director must rely on visual and auditory hierarchy to guide perception. Framing, lighting, and sound work together to create emphasis and direct the eye moment by moment. FILM COMPOSITION Framing is the most immediate way to control attention within a single shot. The placement of subjects in the frame establishes priority: elements closer to the camera, centered compositions, or figures isolated against negative space naturally draw the eye. Blocking is crucial here. Depth also plays a major role. Using foreground and background allows attention to migrate within the frame without a cut. A rack focus can subtly redirect attention from one plane to another, but even without focus pulls, movement within a layered composition will guide the viewer toward what matters most. CINEMATIC LIGHTING The human eye is drawn to brightness before anything else, so the brightest area of the frame tends to become the focal point. By selectively lighting a subject while allowing surrounding areas to fall into shadow, a director can isolate important information without changing the shot. Directional light can also shape attention by sculpting faces or objects, using highlights to pull focus toward specific details. Remember, lighting can also evolve within a shot to redirect attention over time while maintaining continuity. HOW TO DIRECT SOUND Sound is a powerful but often underestimated tool for guiding attention without cutting. A distinct sound cue can pull focus to an offscreen or https://www.youtube.com/embed/npHWo0Dgb28 2025-12-29T12:01:37.000Z StudioBinder 712 yes no https://vidert.com/v/filmmaking/video/1178/the-unbelievable-story-behind-it-s-a-wonderful-life-how-they-shot-it 2025-12-22T11:00:44.000Z weekly 0.5 https://i.ytimg.com/vi/Lk7WyJ0RcLo/maxresdefault.jpg The Unbelievable Story Behind It’s a Wonderful Life — How They Shot It It's a Wonderful Life Analysis — We take a satirical dive into Frank Capra's Christmas classic. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to It's A Wonderful Life 00:53 - History of It’s A Wonderful Life 01:23 - The Production 03:12 - Lighting 04:15 - Issues Behind The Scenes 05:09 - Visual Effects 05:41 - Legacy 06:31 - Takeaways ───────────────────── MERRY CHRISTMAS Frank Capra's It’s a Wonderful Life occupies a unique place in Hollywood history as a film whose reputation grew slowly over time. Initially a modest box-office performer, it later became a cultural touchstone through television broadcasts that introduced it to new generations. The film exemplifies classical studio-era craftsmanship while also revealing postwar anxieties about masculinity, community, and individual worth. Its blend of sentiment, fantasy, and social realism helped broaden what mainstream Hollywood drama could explore. Today, it stands as a defining example of how audience reception can evolve beyond a film’s original release– and how a cursed production doesn't need to destroy a film. ALTERNATE HISTORY Did you know that It's a Wonderful Life is the first movie to use CGI? No? Then you probably didn't even know that the set was beleaguered with a man woefully addicted to breakfast burritos. Actor Henry Travers repeatedly gorged himself on the cuisine, either not knowing or not caring about his digestive tract's ability to withhold such punches to the gut. The result? A movie where James Stewart walked off set, unable to deal with the gaseous assault to his nostrils unloaded from Travers' small intestine. Thus, CGI entered the picture, recreating Stewart's likeness and saving the movie. The more you know! #FilmTheory #VideoEssay #Filmmaking ───────────────────── Songs Used: “This Is The Army, Mr. Jones” - Dimitri Tiomkin “It’s A Wonderful Life Suite” - Dimitri Tiomkin “Pottersville Cemetery” - Dimitri Tiomkin “We https://www.youtube.com/embed/Lk7WyJ0RcLo 2025-12-22T11:00:44.000Z StudioBinder 426 yes no https://vidert.com/v/filmmaking/video/1179/the-director-who-does-everything-steven-soderbergh-film-school 2025-12-15T12:23:44.000Z weekly 0.5 https://i.ytimg.com/vi/y9ckHiJIoU0/maxresdefault.jpg The Director Who Does Everything — Steven Soderbergh Film School Steven Soderbergh Commentary — We hear from one of the most versatile directors working today in his own words. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters 00:00 - Introduction to Steven Soderbergh 00:31 - Early Love For Movies 01:00 -Screenwriting 02:10 - Casting 03:56 - Staging VS Capturing 04:58 - Being His Own DP 06:08 - Finding A Good Producer 06:25 - Momentum 07:23 - Getting Out Of Your Comfort Zone 09:42 - Takeaways ───────────────────── STEVEN SODERBERGH VIDEO ESSAY Steven Soderbergh does everything. He can write, direct, shoot, edit and more— and he does it all in a wide variety of genres and styles. Magic Mike, Black Bag, Ocean's 11, Erin Brockovich, Out of Sight, Sex Lies and Videotape: incredibly, this is all the doings of one guy. So what are the through lines that connect his work, when his work is so varied? Today, we dive into all things Soderbergh, the king of the indie and the master at always keeping us guessing. STEVEN SODERBERGH STYLE Soderbergh is known for constantly changing things up. Instead of sticking to one look or way of telling a story, he treats every project like a new experiment. He plays with different visual styles, editing rhythms, and narrative structures, always looking for fresh ways to present a story. What makes him stand out isn’t a signature style but the fact that he’s always pushing himself to try something different. STEVEN SODERBERGH TIPS Soderbergh is famously hands-on. He often shoots and edits his own projects, which lets him move quickly and keep full control over the final result. He loves efficiency—smaller crews, lighter gear, and fast turnarounds. He’s also been an early adopter of new technology, using whatever tools let him work more freely and stay flexible on set. His process shows how staying nimble can lead to more creative choices. STEVEN SODERBERGH FILMMAKING Even though his projects look and feel different from each other, Soderbergh returns to a few bi https://www.youtube.com/embed/y9ckHiJIoU0 2025-12-15T12:23:44.000Z StudioBinder 620 yes no https://vidert.com/v/filmmaking/video/1180/visual-foreshadowing-why-it-s-everywhere-and-why-you-should-use-it 2025-12-08T12:01:19.000Z weekly 0.5 https://i.ytimg.com/vi/e56zo-6hEZk/maxresdefault.jpg Visual Foreshadowing — Why It’s Everywhere, and Why You Should Use It What is Foreshadowing — We examine one of the most important tools in a filmmaker's toolkit: visual foreshadowing. What is Foreshadowing ►► https://bit.ly/wi-fss Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters 00:00 - Introduction to Visual Foreshadowing 00:55 - Visual Foreshadowing Defined 01:53 - Chapter 1: Production Design 05:43 - Chapter 2: Cinematography 08:32 - Chapter 3: Post Production 11:49 - Takeaways ───────────────────── EXAMPLE OF FORESHADOWING IN MOVIES Often when we think of foreshadowing, we think of the hidden Easter eggs in movies. The "X"s in The Departed. The oranges in The Godfather. The single frames interspersed in Fight Club. But while these are indeed examples of foreshadowing, they don't do justice to the entirety of what the literary tool can do. Visual foreshadowing permeates every movie, not just ones with big twists and dramatic deaths. Let's take a look how you can use visual foreshadowing on your next set. THE ART OF FORESHADOWING IN PRODUCTION DESIGN Visual foreshadowing through production design works by embedding meaning into the physical world of the film before the narrative reveals its full significance. Sets, props, color palettes, and costume choices can quietly suggest future conflicts, emotional turns, or themes. Because production design is integrated into every frame, it allows filmmakers to plant subtle promises that the story will later fulfill. The goal is not to distract but to embed subtext, an undercurrent that shapes how viewers unconsciously read the world of the film long before the plot clarifies it. SUBTLE FORESHADOWING IN CINEMATOGRAPHY Cinematographic foreshadowing uses visual language (composition, lighting, movement, and lens choice) to cue an audience toward what emotionally or narratively lies ahead. A frame might be arranged to make a character appear isolated, vulnerable, or overshadowed by an element that later becomes meaningful. Lighting shifts can forecast https://www.youtube.com/embed/e56zo-6hEZk 2025-12-08T12:01:19.000Z StudioBinder 783 yes no https://vidert.com/v/filmmaking/video/1181/how-paul-thomas-anderson-directs-action-one-battle-after-another 2025-12-01T12:02:02.000Z weekly 0.5 https://i.ytimg.com/vi/vXaWqX-4V8I/maxresdefault.jpg How Paul Thomas Anderson Directs Action — One Battle After Another One Battle After Another Chase Scene — We break down the best scene in Paul Thomas Anderson's new movie. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Exploring One Battle After Another 01:52 - Location 03:02 - Equipment 04:39 - Choreography 05:24 - Music 06:12 - Sound Design 06:49 - Lighting 08:05 - Editing 09:16 - Takeaways ───────────────────── ONE BATTLE AFTER ANOTHER ANALYSIS One Battle After Another is unlike any other Paul Thomas Anderson movie. It's the highest budget PTA's ever worked with, and it's packed with action set pieces that are riveting and jaw-dropping. So how does PTA direct action? Examining One Battle After Another's climax provides the answer. Let's dig in. ONE BATTLE AFTER ANOTHER CAR CHASE The first thing that stands out about the OBAA car chase is its setting. Crew dubbed it the "river of hills," an apt description for the waves and waves of rolling hills the chase takes place on. The setting isn't just a pretty backdrop– it drives the tension of the scene, letting cars dip in and out of view. ONE BATTLE AFTER ANOTHER BREAKDOWN PTA keeps the camera low and close to the asphalt, letting the ground blur into streaks that convey velocity. The sun is used bluntly: blown-out highlights, harsh side-lighting, deep shadows. Everything is stripped down to essentials, and that bareness makes the movement feel brutally honest. Remind you of the mavericks of New Hollywood? There's a reason for that. Anderson pulled from William Friedkin's French Connection when crafting the movie's look. ONE BATTLE AFTER ANOTHER ENDING SCENE EDITING The cutting pattern maintains orientation but escalates pace. PTA doesn’t rely on rapid-fire edits; instead he builds tension through longer takes that let the danger breathe. The sound design keeps the sequence grounded. Engines roar without polish, tires screech, wind slams against the windows, and gravel crackles under sudden lane changes. The mix emphasizes raw m https://www.youtube.com/embed/vXaWqX-4V8I 2025-12-01T12:02:02.000Z StudioBinder 611 yes no https://vidert.com/v/filmmaking/video/1182/mood-vs-tone-vs-atmosphere-the-backbone-of-any-film 2025-11-24T12:01:25.000Z weekly 0.5 https://i.ytimg.com/vi/hfEpK51DnsY/maxresdefault.jpg Mood vs. Tone vs. Atmosphere — The Backbone of Any Film Literary Devices — We take a look at three crucial elements of storytelling. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to Tone, Mood and Atmosphere 00:48 - The Importance of Tone, Mood and Atmosphere 02:12 - Chapter 1: Tone 07:58 - Chapter 2: Atmosphere 10:50 - Chapter 3: Mood 13:22 - Takeaways ───────────────────── LITERARY TERMS Every story, whether you realize it our not, has a mood, tone, and atmosphere. A great storyteller, and therefore a great filmmaker, knows how to manipulate each of these elements to their own liking, allowing them to feed off of each other. So what exactly is the difference between mood, tone, and atmosphere? And why do they matter? MOOD AND TONE DEFINITION Mood is the emotional experience a scene is designed to evoke in the audience. It reflects the viewer’s internal, moment-to-moment feeling state shaped by cinematic choices. Mood is tied to what the audience feels (fear, unease, excitement, melancholy, etc.) and is created through lighting, performance, pacing, sound design, color, and music-- pretty much all filmmaking elements. It tends to fluctuate across a film as scenes change and is dynamic and immediate. A single sequence can shift mood through changes in visual or sonic cues. Ultimately, mood is the emotional output of all the stylistic inputs. TONE DEFINITION Tone is the overall attitude or guiding sensibility of a film. Whereas mood concerns the audience’s feelings, tone concerns the film’s own expressive stance. Tone emerges from writing, directing style, performance style, genre conventions, and thematic framing. It might be satirical, earnest, ironic, whimsical, or deadpan, and generally remains more stable than mood. It shapes how the audience is meant to interpret the story’s meaning, stakes, and emotional register. Tone acts as a consistent umbrella under which many different moods can coexist. MOOD VS ATMOSPHERE IN FILM Atmosphere is the sensory https://www.youtube.com/embed/hfEpK51DnsY 2025-11-24T12:01:25.000Z StudioBinder 874 yes no https://vidert.com/v/filmmaking/video/1183/ridley-scott-s-secret-weapon-in-blade-runner 2025-11-17T12:01:17.000Z weekly 0.5 https://i.ytimg.com/vi/d2iJZe5-_Uk/maxresdefault.jpg Ridley Scott's Secret Weapon in Blade Runner Blade Runner Movie Breakdown — We take a look at Ridley Scott's science fiction masterpiece. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to Blade Runner 01:00 - Film Summary 01:25 - Deckard and Rachael Meet 03:32 - Deckard's Coverage 04:32 - Power in Blocking 05:56 - Tighter Coverge 07:12 - Unique Lighting 09:08 - Takeaways ───────────────────── BLADE RUNNER 1982 There's science fiction cinema before Blade Runner, and there's science fiction cinema after Blade Runner. Ridley Scott's iconic film, based on the Philip K. Dick novel Do Androids Dream of Electric Sheep?, is considered the high-water mark of modern science fiction. But what about it makes it so influential, and what lessons can we take away from it? To answer this, we dive into a pivotal scene in the film: Rachel taking the Voight Kampff test. BLADE RUNNER VOIGHT KAMPFF TEST FRAMING The Voight-Kampff test scene in Blade Runner introduces Rachael as both enigmatic and alluring. Ridley Scott positions Deckard and Rachael in a classic interrogator–subject arrangement, but the blocking constantly shifts power between them. Deckard sits behind the VK machine, partially obscured, with the device creating a physical barrier that signals his authority and emotional detachment. Rachael, however, enters the frame with poise and a self-possessed stillness that challenges the expected dynamic. Scott frequently frames her in tight close-ups, anchoring her face at the center of the frame so the audience can scrutinize her as intently as the test does. Conversely, Deckard is often shown in over-the-shoulder shots or half-lit profile, emphasizing that the scene is ultimately about her interiority, not his. BLADE RUNNER CINEMATOGRAPHY The lighting in this sequence is quintessential neo-noir: low-key and moody. Venetian-blind shadows streak across the room, creating a pattern of slats and angles that evoke both confinement and scrutiny. The scene also em https://www.youtube.com/embed/d2iJZe5-_Uk 2025-11-17T12:01:17.000Z StudioBinder 593 yes no https://vidert.com/v/filmmaking/video/1184/why-do-filmmakers-call-this-the-greatest-war-movie-ever 2025-11-10T12:01:01.000Z weekly 0.5 https://i.ytimg.com/vi/PW7DeYFbIWI/maxresdefault.jpg Why Do Filmmakers Call This The Greatest War Movie Ever? The Battle of Algiers — We take a look at one of the most influential war movies ever. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to The Battle of Algiers 00:49 - About the Film 01:35 - The Influence of Algiers 02:27 - The Algerian Experience 03:05 - Cinematic Realism 05:49 - The Performances 07:35 - The Music and Ennio Morricone 09:12 - Takeaways ───────────────────── THE BATTLE OF ALGIERS MAKING OF Gillo Pontecorvo’s The Battle of Algiers is one of the most powerful and influential political films ever made. Recreating the Algerian struggle for independence from France, the film captures the tension and moral complexity of colonial conflict with unparalleled immediacy. Shot only a few years after Algeria’s liberation, it combines historical accuracy with an urgent sense of realism that still feels contemporary. The film’s influence extends far beyond cinema— it has been studied by revolutionaries, military strategists, and filmmakers alike for its unflinching portrayal of resistance and occupation. BATTLE OF ALGIERS MOVIE REALISM The film’s most striking feature is its documentary-like realism. Pontecorvo and cinematographer Marcello Gatti shot on location in the Casbah of Algiers, using handheld 16mm cameras and natural light to evoke the look of wartime newsreel footage. The grainy black-and-white images, quick cuts, and spontaneous camera movements lend the film a sense of authenticity that blurs the line between fiction and reportage. The film’s visual style gives viewers the sense of being embedded within the conflict. THE BATTLE OF ALGIERS ACTORS One of Pontecorvo’s boldest choices was casting non-professional actors, many of whom had lived through the war itself. Brahim Haggiag, who plays Ali La Pointe, brings an unvarnished intensity to his role as a street hustler turned revolutionary leader. Jean Martin, the only professional actor in the cast, plays Colonel Mathieu with icy composure https://www.youtube.com/embed/PW7DeYFbIWI 2025-11-10T12:01:01.000Z StudioBinder 612 yes no https://vidert.com/v/filmmaking/video/1185/how-to-create-a-mood-like-wong-kar-wai 2025-11-03T12:01:18.000Z weekly 0.5 https://i.ytimg.com/vi/dPVvs8SDzCM/maxresdefault.jpg How to Create a Mood Like Wong Kar-wai Wong Kar-wai Films — How the director of Happy Together, In the Mood for Love, Chungking Express, and more works. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Intro to John Carpenter’s Halloween 00:54 - Wong Kar-wai history 02:12 - Chapter 1: Writing 04:36 - Chapter 2: Cinematography 07:33 - Chapter 3: Post-Production 09:47 - Takeaways ───────────────────── WONG KAR WAI CINEMA There are few filmmakers who are revered as much today as Wong Kar Wai. The Hong Kong writer/director works sparingly these days, but his run of movies in the 1990s land at the top of many a cinephile's list. To an entire generation of filmmakers, Wong Kar Wai is the quintessential indie filmmaker— someone who makes movies on his own terms, telling stories in a way no one else could. So what exactly makes Wong so influential? Let's dive in. WONG KAR WAI STORYTELLING Wong Kar Wai’s films are built less around plot and more around emotion: loneliness, desire, nostalgia, and the ache of time passing. His scripts are famously fluid; he often begins without a finished screenplay, letting the story evolve on set. This improvisational approach allows mood to take precedence over structure. The writing places characters in liminal states: between love and loss, memory and present, connection and isolation. It’s through this emotional ambiguity, rather than clear resolution, that his films create their lingering, dreamlike mood. WONG KAR WAI CINEMATOGRAPHY Working primarily with cinematographer Christopher Doyle, Wong Kar Wai’s world is steeped in sensuality and atmosphere. Their use of saturated colors imbues scenes with emotional waves. Neon reflections, cigarette smoke, and rain-streaked windows turn ordinary moments into visual poetry. The camera often lingers on textures: silk dresses, the glisten of noodles, the glow of a lamp. Wong’s cinematography doesn’t just show mood, it is mood. WONG KAR WAI EDITING Wong’s editing style completes his https://www.youtube.com/embed/dPVvs8SDzCM 2025-11-03T12:01:18.000Z StudioBinder 641 yes no https://vidert.com/v/filmmaking/video/1186/how-to-scare-an-audience-with-very-little-money 2025-10-27T11:00:01.000Z weekly 0.5 https://i.ytimg.com/vi/-ED42UnF8iI/maxresdefault.jpg How to Scare an Audience with Very Little Money Halloween Movie Analysis — We take a look at John Carpenter's masterpiece, and what makes it so good. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Intro to John Carpenter’s Halloween 00:56 - History of Halloween 03:00 - Chapter 1:Development and Pre-Production 06:18 - Chapter 2: Production 10:23 - Chapter 3: Legacy 11:54 - Takeaways ───────────────────── HALLOWEEN MOVIE 1978 John Carpenter's "Halloween" shouldn't have worked. The story is simple. The villain lacks any complexity– he's simply evil. The team behind the film was young, relatively inexperienced, and had no money. And yet, "Halloween" is a masterclass in horror filmmaking. How did Carpenter do it? HALLOWEEN MOVIE FACTS Released in 1978, Halloween became one of the most influential and profitable independent films ever made. Directed and co-written by John Carpenter, the film helped define the slasher genre and launched both Carpenter and actress Jamie Lee Curtis into stardom. Carpenter co-wrote the screenplay with producer Debra Hill. Their goal was to create a simple but suspenseful story about pure evil invading a small town. The concept of an unstoppable, masked killer stalking teenagers on Halloween night was novel yet primal, and it struck a cultural nerve– and continues to be imitated to this day. HALLOWEEN 1978 BEHIND THE SCENES The film originated when producer Irwin Yablans approached Carpenter with the idea of making a movie about a killer stalking babysitters. Hill wrote much of the female dialogue and grounded the suburban setting in her own upbringing. Casting was crucial: Jamie Lee Curtis, the daughter of "Psycho" legend Janet Leigh, was selected as Laurie Strode in a deliberate nod to horror history, while Donald Pleasence was brought in to lend gravitas as Dr. Loomis. HALLOWEEN FILM PRODUCTION Principal photography lasted about 20 days in the spring of 1978. Cinematographer Dean Cundey’s use of the Panaglide camera system gave the https://www.youtube.com/embed/-ED42UnF8iI 2025-10-27T11:00:01.000Z StudioBinder 781 yes no https://vidert.com/v/filmmaking/video/1187/what-do-producers-do-the-hardest-job-in-film-explained 2025-10-20T11:00:06.000Z weekly 0.5 https://i.ytimg.com/vi/3QBgbmJsB6c/maxresdefault.jpg What Do Producers Do? — The Hardest Job in Film Explained Producing — We look into what it takes to be a producer, and the many different tasks it can entail. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to Film and Television Producers 00:57 - Producer Definition 02:39 - Chapter 1: Types of Producers 05:58 - Chapter 2: Development & Pre-Production 10:16 - Chapter 3: Production, Post & Beyond 12:26 - Wrap Up/Takeaways ───────────────────── WHAT IS A FILM PRODUCER? Most people have heard the term "producer" in relation to film-- we all see the credits role by with producers, co-producers, executive producers, associate producers, and on and on. But far fewer people actually know what a producer does, and even fewer know what the difference between all the types are. In this video we aim to clear up a producer's role, and the many titles a producer can have. TYPES OF PRODUCERS IN FILM The term "producer" covers a wide range of responsibilities. The Executive Producer often secures financing or brings together key creative and business relationships, overseeing the project from a high level, while the Producer is the central figure who manages the film from development to release, balancing creative ambitions with financial realities. The Co-Producer and Associate Producer assist with specific aspects of production, anything from handling logistics to coordinating departments. The Line Producer or Production Manager handles the day-to-day operations, ensuring the shoot stays on schedule and within budget. WHAT DOES A MOVIE PRODUCER ACTUALLY DO? During development, the producer identifies promising material (an original idea, a novel, or a script) and works to secure rights. They guide script revisions, helping shape the story into something financially and logistically viable. The producer assembles the creative team: hiring the director, writers, and sometimes key cast members. In pre-production, they move into planning mode: creating budgets, scheduling t https://www.youtube.com/embed/3QBgbmJsB6c 2025-10-20T11:00:06.000Z StudioBinder 797 yes no https://vidert.com/v/filmmaking/video/1188/how-to-shoot-reflections-in-movies-every-cinematographer-s-nightmare 2025-10-14T11:00:50.000Z weekly 0.5 https://i.ytimg.com/vi/Qz4EbeAeCOc/maxresdefault.jpg How to Shoot Reflections in Movies — Every Cinematographer’s Nightmare How to Shoot Windows Without Reflections — We take a look at a notorious difficulty in film: avoiding a camera reflection. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Special Thanks: Christopher Frost ►► https://www.youtube.com/watch?v=UtcedtgW-JA Grip Tips ►► https://www.youtube.com/watch?v=tP5ggnZwJQY Potato Jet ►► https://www.youtube.com/watch?v=AbuynZ_BhUI Pull My Focus ►► https://www.youtube.com/watch?v=bvp_J1VapH0 The Slanted Lens ►► https://www.youtube.com/watch?v=27V87HHbqXs ───────────────────── Chapters: 00:00 - Introduction to Reflections in Film 00:42 - Understanding Reflections 01:18 - Chapter 1: Avoidance on Set 03:24 - Chapter 2: Practical Effects 04:32 - Chapter 3: Post-Production 06:20 - Takeaways ───────────────────── HOW TO SHOOT VIDEO WITHOUT BEING SEEN IN THE REFLECTION Reflective surfaces abound in our world, and so it's hard to avoid having them in film. But where there's reflection, there's danger: catching your camera, or a crew member, in a shot can ruin a take. In this video, we take a look at how to avoid reflections, and how to shoot them smartly if they're unavoidable. SHOOTING REFLECTIONS The best time to deal with reflections is before you roll the camera. During tech scouts, identify reflective surfaces: glass tables, picture frames, car windows. Adjust blocking and camera angles so these surfaces never face the lens directly. A few degrees of tilt can make all the difference. Lighting is another culprit. Shift your fixtures or soften them to reduce glare. Polarizing filters are an invaluable tool—they can minimize reflections from windows and water while deepening contrast. On set, flags, matte cloth, or even crew members dressed in dark clothing can help hide what shouldn’t be seen. MIRRORS IN MOVIES Sometimes, the smartest move is to fake it. Productions have long used false mirrors (empty frames with a duplicate set built behind them) to stage reflection shots safely. You can also use bod https://www.youtube.com/embed/Qz4EbeAeCOc 2025-10-14T11:00:50.000Z StudioBinder 421 yes no https://vidert.com/v/filmmaking/video/1189/the-man-behind-studiobinder-s-voice-paul-gregory 2025-10-13T11:00:54.000Z weekly 0.5 https://i.ytimg.com/vi/QiYBbgW3qYk/maxresdefault.jpg The Man Behind StudioBinder’s Voice — Paul Gregory World's Greatest Voice Over Artist — We reflect on the life of StudioBinder narrator Paul Gregory. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── BEST VOICE OVER ARTIST ON YOUTUBE If you've been watching StudioBinder videos for a while, you're likely a fan of Paul Gregory. Paul lent his authoritative voice to hundreds of our explainer videos over the years, and became the defacto voice of StudioBinder. In today's video, we pay tribute to Paul, who's life and legacy we'll never forget. PAUL GREGORY VOICE ACTOR Paul Gregory was born in Mumbai, India, and spent his childhood between India, East Africa, and London. His early artistic path was shaped under the mentorship of Laurence Olivier at the National Theatre at the Old Vic. Paul’s acting career began in the 1960s, with an appearance as a police officer in the Beatles’ "Magical Mystery Tour." Over the following decade, he starred in nineteen stage productions with the Royal National and Royal Shakespeare Companies, portraying classic roles such as Macbeth, Henry V, and Hamlet. He later played Westmoreland in Kenneth Branagh’s 1989 film "Henry V." On television, Paul appeared in countless series, including General Hospital, The Bill, True Blood, NCIS, and Get Shorty. His work extended to voice acting for video games and audiobooks, as well as teaching as an acting coach. A dedicated family man, he is survived by five children—Tess, Gemma, Anton, Kelly, and Nicholas—and even shared the screen with Gemma in The Bill. In 2019, Paul joined StudioBinder, where he contributed to hundreds of videos over six years. Beloved by colleagues and audiences alike, he is celebrated for his professionalism, warmth, and unwavering commitment. We'll miss you Paul. #FilmTheory #VideoEssay #Filmmaking ───────────────────── ♬ SONGS USED: “Reborn” - One Hundred Years “Nuntius Astra” - Stars As Signals “Somewhere We Belong (Instrumental)” - Chptrs “Carry The World” - Haines “Dive” - Traveler “Quoi Daut https://www.youtube.com/embed/QiYBbgW3qYk 2025-10-13T11:00:54.000Z StudioBinder 261 yes no https://vidert.com/v/filmmaking/video/1190/how-actors-prepare-for-a-role-acting-techniques-explained 2025-10-06T11:30:35.000Z weekly 0.5 https://i.ytimg.com/vi/Z3s2jz1RLck/maxresdefault.jpg How Actors Prepare for a Role — Acting Techniques Explained How to Become an Actor — See firsthand how actors prepare for a role. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Special Thanks: Untold History ►► https://bit.ly/42q6Dlg ───────────────────── Chapters: 00:00 - Introduction to Actor's Prep 00:35 - History of Acting 01:49 - Chapter 1: Reading The Script 05:04 - Chapter 2: Understanding The Script 06:38 - Chapter 3: Research 08:51 - Chapter 4: Physical Preparation 10:47 - Chapter 5: Psychological Preparation 13:49 - Chapter 6: Preparation On Set 16:36 - Wrap Up/Takeaways ───────────────────── HOW TO BECOME AN ACTOR An actor's performance doesn't start when the director says action. A great performance can require months (even years) of hard work. In today's video, we do a deep dive into all that an actor's preparation might look like. ACTING TIPS 101 The first step in an actor’s preparation is reading the script thoroughly. At this stage, actors work on comprehension, making sure they fully grasp what is happening in each scene. They study the dialogue, noting shifts in tone, pacing, and rhythm, while also paying attention to stage directions or scene descriptions. Memorization is also a core component here, often achieved through repeated reading, vocal exercises, or breaking the script into manageable sections. HOW TO GET BETTER AT ACTING Once the script is memorized, the deeper work of interpretation begins. This is where actors identify the subtext-- the hidden meaning beneath the dialogue. They ask questions such as: What does the character really want in this moment? How do their words mask or reveal their intentions? FILM ACTING RESEARCH Actors then turn to research, which helps ground their character in a believable reality. This might involve studying the time period, location, or cultural background that informs the world of the story. It can also mean understanding professions, lifestyles, or social contexts that shape a character’s behavior. The more informed the https://www.youtube.com/embed/Z3s2jz1RLck 2025-10-06T11:30:35.000Z StudioBinder 1048 yes no https://vidert.com/v/filmmaking/video/1191/the-secret-behind-studio-ghibli-s-success-and-why-it-s-so-hard-to-replicate 2025-09-29T11:00:17.000Z weekly 0.5 https://i.ytimg.com/vi/AacgoRw8Kz0/maxresdefault.jpg The Secret Behind Studio Ghibli’s Success — And Why It’s So Hard to Replicate Studio Ghibli Analysis — We take a look at how the famous studio produces its legendary work. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to Studio Ghibli 01:17 - History of Studio Ghibli 02:13 - Chapter 1: Production Approach 05:43 - Chapter 2: Visual Style 08:13 - Chapter 3: Unconventional Narratives 12:34 - Takeaways ───────────────────── GHIBLI MOVIES There are few film studios as celebrated as Studio Ghibli. The legendary animation house has produced groundbreaking work for decades, and shows no sign of slowing. Much of what most people know about Ghibli centers around its co-founder, Hayao Miyazaki, but there is much more to the studio than its famous director. STUDIO GHIBLI PROCESS Unlike many contemporary studios that prioritize speed and volume, Ghibli often emphasizes craftsmanship, detail, and the director’s creative vision over strict deadlines or commercial pressures. Miyazaki in particular is known for storyboarding his films in an organic, evolving process rather than beginning with a finished script. This allows narratives to shift and expand during production, sometimes leading to extended timelines but also resulting in films that feel alive and unpredictable. Ghibli's music, too, is massively influential. Joe Hisaishi's score are integral to the studio's reputation. STUDIO GHIBLI ANIMATION One of Studio Ghibli’s most distinctive features is its visual style, which combines lush, painterly backgrounds with expressive character animation. The environments in Ghibli films are rendered with extraordinary attention to detail. Food, weather, and landscapes are treated with particular reverence, creating a sense of lived-in realism even within fantastical settings. GHIBLI NARRATIVES Narratively, Studio Ghibli films resist the strict structures of traditional Western storytelling. While conflicts exist, they are rarely framed in terms of pure good versus evil. Instead, antagonists are https://www.youtube.com/embed/AacgoRw8Kz0 2025-09-29T11:00:17.000Z StudioBinder 814 yes no https://vidert.com/v/filmmaking/video/1192/weapons-the-genius-of-zach-cregger-s-screenplay-explained 2025-09-22T11:01:30.000Z weekly 0.5 https://i.ytimg.com/vi/nrfRmUzR9ZQ/maxresdefault.jpg Weapons — The Genius of Zach Cregger's Screenplay Explained Weapons Screenplay Breakdown — a look at the various techniques and strategies that make Zach Cregger's Weapons so thrilling and entertaining. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Weapons Introduction 01:17 - Zach Cregger + History of Weapons 02:42 - Chapter 1: Structure 07:21 - Chapter 2: Tone 11:15 - Chapter 3: Theme 14:32 - Takeaways ───────────────────── WEAPONS EXPLAINED — A SCREENWRITING ANALYSIS Zach Cregger's Weapons was a huge hit at the box office and became one of the "must-see" movies of the year. Many factors contributed to its success, but most of them ultimately come down to the screenplay. In this video, we're diving into the Weapons screenplay, how it was constructed, and what writers can take away from it. STRUCTURE First, let's talk about the script's structure. It is a non-linear, "outside the box" style that enhances both the character development and the themes. In interviews, Cregger talks about how his motivation for this story came out of traumatic experiences in his life, like the death of his close friend. His different emotions in real life are here represented by different characters. We've seen ensemble films before, but this fragmented, non-linear structure allows us to lock into those different perspectives and emotions one at a time. The structure also allows each chapter to answer previously unknown questions, asking new questions that we anticipate being answered later, and ultimately builds anticipation for the resolution. TONE Another masterful element in Weapons is the way it shifts tone so suddenly yet naturally. At times, it's suspenseful and gripping, but then punctuated by bits of comic relief before shifting into pointedly dramatic moments. Cregger's secret for navigating these conflicting tones was grounded in authenticity. Characters reacting how real people would actually react, in other words. So, the humor isn't forced and feels organic to the situation. https://www.youtube.com/embed/nrfRmUzR9ZQ 2025-09-22T11:01:30.000Z StudioBinder 930 yes no https://vidert.com/v/filmmaking/video/1193/film-formats-explained-a-guide-for-filmmakers-film-fans 2025-09-15T11:01:11.000Z weekly 0.5 https://i.ytimg.com/vi/fAZyZkLzs0M/maxresdefault.jpg Film Formats Explained — A Guide for Filmmakers & Film Fans Film formats explained — what makes them different, how they contribute to capturing images, and their pros and cons. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Special thanks to: Analog Resurgence ►► https://bit.ly/4mWeYW2, https://bit.ly/4goe6XP Kodak ►► https://bit.ly/48drT1i Team 2 Films ►► https://bit.ly/4n4HVPO In Depth Cine ►► https://bit.ly/4nuy4m3, https://bit.ly/4plAIfw FilmPhotographyProject ►► https://bit.ly/3IhiZ8u Hey, What’s Next? ►► https://bit.ly/46hq3d5 Candybear캔디베어 ►► https://bit.ly/3Kn2IiP The1920sChannel ►► https://bit.ly/4mh1l2z Chris Chu ►► https://bit.ly/46jqhAv recetocinema ►► https://bit.ly/4n0lRWj Kyle Mikolajczyk ►► https://bit.ly/4mmUN2t Focus Ring Cinema ►► https://bit.ly/41Tgekt HutchCC Media and Film ►► https://rb.gy/osqhfw RED Digital Cinema ►► https://tinyurl.com/56t4b5x8 ShareGrid ►► https://tinyurl.com/4v2kdreu Javier Mercedes ►► https://tinyurl.com/m6cx52vm Callum Vanderberg ►► https://tinyurl.com/m3rrd3sm ───────────────────── Chapters: 00:00 - Intro to Film Formats 00:38 - History of Film Formats 01:48 - 8mm 02:44 - Super 8mm 03:52 - 16mm 05:21 - Super 16mm 06:04 - 35mm 07:58 - Super 35mm 08:27 - 65mm/70mm 09:51 - Digital Cinema 11:52 - Takeaways ───────────────────── FILM FORMATS EXPLAINED Just as there are different cameras, lenses, and equipment, the type of film format you use has a direct impact on the images you create. Knowing the differences, considering their costs, and making the best choice for your particular project is a big step in filmmaking. In this video, we will cover all of the major film formats so that you can make an informed decision. 8MM & SUPER 8MM All film formats tend to be referred to by their film gauge (width), which is expressed in millimeters. At the smaller end of the spectrum, we have 8mm and Super 8mm. Both were developed as formats for home use. The smaller stock and smaller cameras were ideal for amateurs to record home movies. This proliferated thr https://www.youtube.com/embed/fAZyZkLzs0M 2025-09-15T11:01:11.000Z StudioBinder 756 yes no https://vidert.com/v/filmmaking/video/1194/shooting-schedules-in-studiobinder-modern-film-scheduling-for-any-project 2025-09-11T00:15:03.000Z weekly 0.5 https://i.ytimg.com/vi/uYFvpx0dOPc/maxresdefault.jpg Shooting Schedules in StudioBinder — Modern Film Scheduling for Any Project Welcome to StudioBinder's stripboard software, the modern solution for modern productions. Try our Shooting Schedule Software ►► https://bit.ly/sb-sh Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── STUDIOBINDER'S FILM SCHEDULING SOFTWARE Film scheduling can be tedious and frustrating, or at least it used to be. StudioBinder's shooting schedule software is integrated with the script so that each scene is auto-populated on the stripboard. From there, you can drag and drop individual scenes into a workable schedule. Or scenes can be auto-sorted based on time of day, location, and many other variations, giving you complete flexibility. Either way, your shooting schedule is assembled in no time. Add day breaks to demarcate your shooting days. Add banners to account for meal breaks and company moves — this way, you can tally up each shoot day down to the minute. With the schedule completed, get feedback from your department heads directly on the schedule to keep your collaboration precise and organized. And, finally, spin off call sheets directly from the stripboard, fully populated and ready for distribution. A proper shooting schedule is your key to an efficient shooting day. ───────────────────── All music is licensed via Musicvine.com #Filmmaking #filmmakingtips #storyboard #storyboards ───────────────────── SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0 Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more. Try StudioBinder for FREE today: https://studiobinder.com/pricing — Join us on Social Media! — Instagram ►► https://www.instagram.com/studiobinder Facebook ►► https://www.facebook.com/studiobinderapp Twitter ►► https://www.twitter.com/studiobinder https://www.youtube.com/embed/uYFvpx0dOPc 2025-09-11T00:15:03.000Z StudioBinder 115 yes no https://vidert.com/v/filmmaking/video/1195/production-design-in-film-the-underrated-role-explained 2025-09-08T11:00:13.000Z weekly 0.5 https://i.ytimg.com/vi/83hYhbknuJc/maxresdefault.jpg Production Design in Film — The Underrated Role Explained Best Production Design Movies — We take a look at one of the most important, and overlooked, elements of filmmaking. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Special thanks to: Vanity Fair ►► https://bit.ly/sl-vf ───────────────────── Chapters: 00:00 - Introduction to Production Design in Film Film 00:56 - The Importance of Production Design 02:34 - Research 04:46 - Location Scouting 07:04 - Set Design 09:08 - Set Construction 10:59 - Set Decoration 12:33 - Props 13:36 - Costumes & Makeup 15:03 - Color 16:30 - VFX 17:36 - Takeaways ───────────────────── PRODUCTION DESIGN FILM When we talk about a film's look, we often focus on the role of the director and the cinematographer. Some directors are household names, and film buffs are always talking about their favorite cinematographers. Even devoted cinephiles, however, often can't name their top production designer. And yet production design is integral to a film, perhaps just as much as a movie's cinematography. In this video, we finally give the art department its due. WHAT DOES A PRODUCTION DESIGNER DO? The production designer is responsible for shaping the overall look and visual identity of a film, ensuring that every detail supports the story and its themes. Working closely with the director and cinematographer, the production designer translates abstract ideas into concrete environments. If the director envisions a gritty, urban drama, the production designer determines what that city looks like: what kind of streets the characters walk down, what sort of apartments they live in, and what textures or colors dominate their world. The role involves both creative vision and practical problem-solving. ELEMENTS OF THE BEST PRODUCTION DESIGN Production design encompasses a wide range of visual elements that together create the world of a film. Set design and construction form the backbone, but beyond architecture, the choice of props contributes to character development and https://www.youtube.com/embed/83hYhbknuJc 2025-09-08T11:00:13.000Z StudioBinder 1102 yes no https://vidert.com/v/filmmaking/video/1196/how-your-first-film-can-be-like-tarantino-s-the-secrets-behind-reservoir-dogs-su 2025-09-01T11:01:44.000Z weekly 0.5 https://i.ytimg.com/vi/xegJMLFUUdc/maxresdefault.jpg How Your First Film Can Be Like Tarantino’s — The Secrets Behind Reservoir Dogs’ Success Making of Reservoir Dogs — We take a look at how Tarantino arrived on the scene with a bang. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Reservoir Dogs Introduction 00:57 - History of Reservoir Dogs 01:53 - Lesson 1: Learn by Doing 02:58 - Lesson 2: Cast Smart 04:40 - Lesson 3: Write to Your Limitations 06:02 - Lesson 4: Be Confident 07:15 - Lesson 5: Diversify Your Visual Language 08:30 - Lesson 6: Use Music Memorably 09:55 - Takeaways ───────────────────── RESERVOIR DOGS EXPLAINED There are few directorial debuts as good as Reservoir Dogs. A great debut is hard to come by, since often directors are still learning their craft and figuring out what their voice is. But Quentin Tarantino arrived fully formed, with all of the qualities that he would become famous for already on display. So what lessons can we take from Reservoir Dogs and its production? QUENTIN TARANTINO ON WRITING RESERVOIR DOGS Tarantino’s journey began not with industry connections, but with a screenplay. Having spent years working at Video Archives in Manhattan Beach, he immersed himself in the world of cinema, studying everything from crime thrillers to exploitation films. He then wrote something he could realistically make. Reservoir Dogs was designed around contained settings making it feasible for a low budget. Aspiring directors can learn from this pragmatic approach: your first script doesn’t have to be small in ambition, but it should be manageable in scale. RESERVOIR DOGS CAST Casting proved to be the turning point in moving Reservoir Dogs from a scrappy indie into a professional production. Initially, Tarantino planned to shoot the film on 16mm with friends playing the parts. But when veteran actor Harvey Keitel read the script and agreed to both star in and help produce the film, its budget grew exponentially. Keitel’s involvement not only legitimized the project but also attracted a roster of professional actors including Michael M https://www.youtube.com/embed/xegJMLFUUdc 2025-09-01T11:01:44.000Z StudioBinder 654 yes no https://vidert.com/v/filmmaking/video/1197/the-greatest-movie-nobody-saw-and-why-directors-love-it-now 2025-08-25T11:00:36.000Z weekly 0.5 https://i.ytimg.com/vi/Ks2fsI8l0AE/maxresdefault.jpg The Greatest Movie Nobody Saw — And Why Directors Love It Now Sorcerer 1977 — We look at the legendarily hard-to-make classic, and why it continues to influence filmmakers today. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Sorcerer Introduction 00:59 - The History of William Friedkin's Sorcerer 02:10 - Production on Location 03:02 - Remake of The Wages of Fear 04:34 - Roy Scheider's Performance 05:50 - The Bridge Scene 07:54 - Takeaways ───────────────────── GREAT MOVIES TO WATCH: SORCERER Filmmakers fear a shoot like the one William Friedkin experienced for "Sorcerer." It's a production's worst nightmare: impossible locations, constant injuries, huge egos. And yet, filmmakers would also do anything to make a movie like "Sorcerer." In this video, we take a look at the oft-forgotten classic, and examine what makes it so good (even if critics didn't think as much at the time). SORCERER MOVIE EXPLAINED "Sorcerer" is based on Georges Arnaud’s 1950 novel The Wages of Fear, which had already been adapted into Henri-Georges Clouzot’s widely-celebrated 1953 film of the same name. Friedkin’s version is often mistakenly considered a straightforward remake of Clouzot’s work, but it functions more as a reimagining filtered through the sensibilities of 1970s American cinema. The story remains the same at its core: four desperate men in a South American backwater are hired to drive two trucks laden with volatile nitroglycerin across treacherous terrain. But Friedkin significantly expands the backstory of each character. The opening sequences ground each man in his own failure or crime, lending the central journey greater moral weight. SORCERER MAKING OF Visually, "Sorcerer" is one of Friedkin’s most striking achievements. Shot on location, the jungle is not just a backdrop but an active antagonist, swallowing everything in the frame. Friedkin’s documentary-style realism translates here into a suffocating sensation. Every frame feels damp and muddy. The centerpiece of the film, and ar https://www.youtube.com/embed/Ks2fsI8l0AE 2025-08-25T11:00:36.000Z StudioBinder 548 yes no https://vidert.com/v/filmmaking/video/1198/dogme-95-explained-what-made-the-movement-so-influential 2025-08-18T11:00:50.000Z weekly 0.5 https://i.ytimg.com/vi/RV_EX6MMxHA/maxresdefault.jpg Dogme 95 Explained — What Made the Movement So Influential Dogme 95 Film Movement — We take a look at one of the most influential, and controversial, movements in cinema ever. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Dogme 95 Introduction 00:52 - Dogme 95 Defined 03:00 - Chapter 1: The Vow of Chastity 06:31 - Chapter 2: Narrative and Themes 08:42 - Chapter 3: Influence on Filmmakers 11:18 - Takeaways ───────────────────── DOGME 95 EXPLAINED In the grand arc of cinema history, Dogme 95 was just a flash in the pan. It lasted for less than a decade, and resulted in only a few dozen movies, most of which broke its famously strict rules. And yet Dogme has had a long shadow: it's influence is inarguable and massive. So what is Dogme? And why is it important? LARS VON TRIER AND THOMAS VINTERBERG Dogme 95 was a radical filmmaking movement launched in 1995 by Danish directors Lars von Trier and Thomas Vinterberg. Conceived as a reaction against the growing artificiality in mainstream cinema, the movement sought to strip filmmaking down to its purest essentials. Von Trier and Vinterberg issued the “Dogme 95 Manifesto” alongside a set of strict guidelines they called the “Vow of Chastity.” Their aim was to shift focus away from special effects, artificial production design, and the director’s personal artistic flourishes, placing emphasis instead on story, performance, and the truth of the moment. DOGME 95 MANIFESTO RULES The rules of Dogme 95 were famously uncompromising (and to some, ridiculous). Filmmakers agreeing to the Vow of Chastity committed themselves to shooting entirely on location without bringing in props or sets not already present at the location. Sound and image were to be recorded together, meaning no post-dubbed music or sound effects. In practice, filmmakers often bent or even broke these rules, but the spirit of Dogme lay in the attempt to adhere to them as much as possible. DOGME 95 MOVEMENT INFLUENCE The influence of Dogme 95 spread quickly, both with https://www.youtube.com/embed/RV_EX6MMxHA 2025-08-18T11:00:50.000Z StudioBinder 729 yes no https://vidert.com/v/filmmaking/video/1199/how-to-use-hyperbole-as-a-storyteller-definition-and-examples 2025-08-11T11:00:45.000Z weekly 0.5 https://i.ytimg.com/vi/LvNyaJhgIes/maxresdefault.jpg How to Use Hyperbole as a Storyteller — Definition and Examples Hyperbole Meaning — We break down one of the most common literary devices. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to Hyperboles 00:52 - Hyperbole Defined 03:07 - Chapter 1: Verbal Hyperbole 07:16 - Chapter 2: Visual Hyperbole 10:33 - Chapter 3: Genre Hyperbole 14:01 - Takeaways ───────────────────── WHAT IS HYPERBOLE? Where would we be without hyperbole? How could we declare our love for someone? How could we adequately state how hungry we are? Happy we are? Angry? Hyperbole has a myriad of uses, but its core purpose is to emphasize. When we say "I love you to the moon and back," we are using hyperbole to emphasize the magnitude of our love. So how can this figure of speech be used in movies? We take a look. HYPERBOLE LITERARY TERM The most common form of hyperbole is verbal. Verbal hyperbole emerges in dialogue that pushes expression beyond the bounds of literal truth. Characters declare things that are far larger, grander, or more extreme than reality– not to deceive, but to communicate the depth of their feelings or convictions. It is a kind of emotional shorthand, condensing a state of mind into a line that can be instantly understood. HYPERBOLE IN MOVIES Visual hyperbole operates through imagery and design. A set might be built to an impossible scale, a movement might defy physical limits, or the framing of a shot might distort proportion to intensify impact. Editing can stretch or compress time for dramatic effect, while lighting and color can be pushed far beyond naturalism to evoke a heightened mood. GENRE HYPERBOLE LITERARY DEVICES Some genres embrace hyperbole so completely that it becomes part of their identity. Comedy often thrives on overstatement, playing situations to the point of absurdity to provoke laughter. Melodrama leans into emotional excess, giving every feeling a sense of epic magnitude. Musicals lift the ordinary into the extraordinary, where bursts of song and danc https://www.youtube.com/embed/LvNyaJhgIes 2025-08-11T11:00:45.000Z StudioBinder 899 yes no https://vidert.com/v/filmmaking/video/1200/what-is-the-hero-s-journey-joseph-campbell-s-story-structure-explained 2025-08-04T11:01:09.000Z weekly 0.5 https://i.ytimg.com/vi/e8nMhb9Z7ko/maxresdefault.jpg What is The Hero’s Journey — Joseph Campbell’s Story Structure Explained Monomyth — We take a look at the most influential story structure ever. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to the Hero's Journey 01:23 - History of the Joseph Campbell's Hero's Journey 04:25 - Christopher Vogler's Take 05:07 - Ch. 1: The Ordinary World 07:28 - Ch. 2: Call to Adventure 09:45 - Ch. 3: Refusal of the Call 11:58 - Ch. 4: Meeting the Mentor 14:52 - Ch. 5: Crossing the 1st Threshold 16:53 - Ch. 6: Tests, Allies, & Enemies 18:42 - Ch. 7: The Approach 20:25 - Ch. 8: The Ordeal 22:20 - Ch. 9: The Reward 23:41 - Ch. 10: The Road Back 25:33 - Ch. 11: The Resurrection 27:14 - Ch. 12: Return with the Elixir 28:45 - Takeaways ───────────────────── JOSEPH CAMPBELL HERO'S JOURNEY EXPLAINED There are a lot of story structures out there, but none are as influential as Joseph Campbell's monomyth. Regardless of the story you're trying to tell, the outline Campbell laid out nearly a century ago will undoubtably prove useful. But why exactly has the monomyth remained so influential? And how has it evolved over time? THE HERO WITH A THOUSAND FACES EXPLAINED Joseph Campbell’s concept of the Hero’s Journey, introduced in "The Hero with a Thousand Faces," identifies a narrative pattern underlying mythic storytelling across cultures: a lone hero ventures beyond the familiar, faces trials, gains wisdom, and returns transformed. Campbell rooted his framework in psychology, particularly Jungian archetypes, and his ideas deeply influenced writers and filmmakers. THE HERO'S JOURNEY IN FILM In the early aughts, Christopher Vogler, a Hollywood story analyst, modernized Campbell’s ideas for screenwriters. Vogler translated Campbell’s academic structure into a clear, twelve-step model tailored for contemporary narrative, especially film. Vogler’s twelve stages of the Hero’s Journey are: Ordinary World Call to Adventure Refusal of the Call Meeting with the Mentor Crossing the First Threshold Tests, Allies, https://www.youtube.com/embed/e8nMhb9Z7ko 2025-08-04T11:01:09.000Z StudioBinder 1820 yes no https://vidert.com/v/filmmaking/video/1124/it-took-me-30-years-to-solve-this-vfx-problem 2026-03-08T16:00:05.000Z weekly 0.5 https://i.ytimg.com/vi/3Ploi723hg4/maxresdefault.jpg It Took Me 30 Years to Solve this VFX Problem Squarespace ► Head to http://squarespace.com/corridorcrew to save 10% off your first purchase! Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Niko takes on the challenge that has been plaguing him for DECADES, fixing Green Screens once and for all. Using the latest technology, he may finally stand a chance... Corridor Key Github: https://github.com/nikopueringer/CorridorKey Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 Greenscreens SUCK! 1:15 The Transparency Problem 2:29 How It's Been Solved Before 5:00 The Chroma Key Problem 7:08 What NO ONE has Solved Yet 10:10 The Plan (Neural Networks) 12:25 Procedural Generation 15:12 Showing Sam My First Result 16:33 Despair 17:06 Niko's Big Ideas 19:54 Son of a Dungeon BEGINS 21:49 Showing the Crew 25:27 Can I Get Sam's Approval? 29:18 How You Can Use It Too! https://www.youtube.com/embed/3Ploi723hg4 2026-03-08T16:00:05.000Z Corridor Crew 1829 yes no https://vidert.com/v/filmmaking/video/1125/vfx-artists-react-to-bad-great-cgi-216-ft-joe-letteri 2026-03-07T17:00:01.000Z weekly 0.5 https://i.ytimg.com/vi/-wpXOIPl0wo/maxresdefault.jpg VFX Artists React to Bad & Great CGi 216 Ft. Joe Letteri Huel ► Head to https://huel.com/CORRIDORCREW to check out Huel and use promo code CORRIDORCREW for 15% off an order of $50 or more. Minimum spend required. New customers only #ad Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ In this third and final episode from our big day with VFX legend Joe Letteri from WETA FX, Wren and Niko journey across his career... and the very history of VFX! Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 - Back to the Beginning of VFX 1:48 - Star Trek VI (1991) 4:06 - Jurassic Park (1993) 8:41 - Casper (1995) 11:23 - Mission Impossible (1996) 12:56 - Magnolia (1999) 13:51 - The Lord of the Rings Trilogy (2001-2003) 18:22 - King Kong (2005) 20:18 - Muscular Systems 22:51 - Performance Capture 24:43 - Avatar (2009) https://www.youtube.com/embed/-wpXOIPl0wo 2026-03-07T17:00:01.000Z Corridor Crew 1575 yes no https://vidert.com/v/filmmaking/video/1126/this-is-how-you-can-spot-ai-content 2026-03-06T17:00:48.000Z weekly 0.5 https://i.ytimg.com/vi/PTRgSwEGTf4/maxresdefault.jpg THIS is how YOU can spot AI content Videos generated by artificial intelligence tools from Meta, Google, OpenAI, and more are now spreading on Instagram, Facebook, TikTok, and X at a rapid pace. Niko was invited to NBC News' TODAY to share some useful tips for spotting fake AI-generated videos. Do you have some extra pointers that others should be looking for? https://www.youtube.com/embed/PTRgSwEGTf4 2026-03-06T17:00:48.000Z Corridor Crew 97 yes no https://vidert.com/v/filmmaking/video/1127/vfx-artists-react-to-2026-oscar-nominated-cgi 2026-02-28T17:20:01.000Z weekly 0.5 https://i.ytimg.com/vi/2tcwN9g_Ztk/maxresdefault.jpg VFX Artists React to 2026 Oscar-Nominated CGI Squarespace ► Head to http://squarespace.com/corridorcrew to save 10% off your first purchase! Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Join us for the second annual Oscars special! Niko, Wren and Jordan Allen unbutton their finest suits take a look at all of the movies that were nominated for Best Visual Effects for the 2025 Oscars and decide who they think should WIN! Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 - Welcome to the 2026 VFX Academy Awards VFX Artist React 0:45 - The Lost Bus 8:17 - VES Awards 9:00 - F1 12:36 - Jurassic World: Rebirth 15:32 - Sinners 18:38 - Avatar: Fire and Ash 22:53 - and the Oscar goes to.... https://www.youtube.com/embed/2tcwN9g_Ztk 2026-02-28T17:20:01.000Z Corridor Crew 1652 yes no https://vidert.com/v/filmmaking/video/1128/how-clint-eastwood-almost-died 2026-02-28T16:45:05.000Z weekly 0.5 https://i.ytimg.com/vi/zYYg2KyuByI/maxresdefault.jpg How Clint Eastwood ALMOST DIED The movie The Good, the Bad and the Ugly (1966) is famously known as a staple of Spaghetti Westerns. What’s less known is how loose the safety measures were during the filming of some of the riskier scenes. Do you think that stone could have been the end of Clint Eastwood? https://www.youtube.com/embed/zYYg2KyuByI 2026-02-28T16:45:05.000Z Corridor Crew 64 yes no https://vidert.com/v/filmmaking/video/1129/that-pilot-deserves-a-raise 2026-02-25T17:00:12.000Z weekly 0.5 https://i.ytimg.com/vi/69lOdnqhapM/maxresdefault.jpg THAT PILOT deserves A RAISE This scene from Tinker Tailor Soldier Spy showcases the power of a very long lens to compress subjects within the frame. Cinematographer Hoyte van Hoytema used this technique to perfection in the movie, creating the illusion of danger where there is none. https://www.youtube.com/embed/69lOdnqhapM 2026-02-25T17:00:12.000Z Corridor Crew 65 yes no https://vidert.com/v/filmmaking/video/1130/vfx-artists-react-to-bad-great-cgi-214 2026-02-21T17:00:07.000Z weekly 0.5 https://i.ytimg.com/vi/arQKFa0l8g8/maxresdefault.jpg VFX Artists React to Bad & Great CGi 214 Huel ► Head to https://huel.com/CORRIDORCREW to check out Huel and use promo code CORRIDORCREW for 15% off an order of $50 or more. Minimum spend required. New customers only #ad Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Sam, Jordan, Wren and even Niko take an expert's look at Eraser, Ballerina fire stunts, and state-of the art gaussian splats in A$AP Rocky's new music video, HELICOPTER. Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 Dodge This 0:30 Eraser (1996) 7:05 Human Fuel 8:50 Helicopter, A$AP Rocky (2026) 11:51 John Wick: Ballerina (2025) 19:26 Fire Burn Record Breaker by Action Factory https://www.youtube.com/embed/arQKFa0l8g8 2026-02-21T17:00:07.000Z Corridor Crew 1351 yes no https://vidert.com/v/filmmaking/video/1131/why-kpop-demon-hunters-feels-different 2026-02-19T17:00:17.000Z weekly 0.5 https://i.ytimg.com/vi/8K_qCXoZ6sU/maxresdefault.jpg WHY Kpop Demon Hunters feels DIFFERENT Maggie Kang and Chris Appelhans, co-directors of KPop Demon Hunters, talk with Niko about the blend of styles that made this movie funny and light while also conveying meaning and depth. https://www.youtube.com/embed/8K_qCXoZ6sU 2026-02-19T17:00:17.000Z Corridor Crew 73 yes no https://vidert.com/v/filmmaking/video/1132/vfx-artists-debunk-ai-influencers-scams 2026-02-15T17:01:10.000Z weekly 0.5 https://i.ytimg.com/vi/pc2vQtqH1Qc/maxresdefault.jpg VFX Artists DEBUNK AI Influencers & SCAMS Squarespace ► Head to http://squarespace.com/corridorcrew to save 10% off your first purchase! Top 10 Scary Games You Can Play in Your Head by Yourself: https://www.amazon.com/dp/B0GM7B4QR2 Power To The Player Expansion Pack: https://www.amazon.com/dp/B0GN2JLR72 Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Sam, Niko and Wren look at AI Slop across the internet and teach you how to spot fake influencers and people trying to steal your money. Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 00:00 INTRO 00:30 Scam Books 06:09 Enter the Square Space 07:32 Yoga Influencer 09:07 Influencer with Celebrities 11:30 Cute and Funny Animals 17:03 AI Commercials https://www.youtube.com/embed/pc2vQtqH1Qc 2026-02-15T17:01:10.000Z Corridor Crew 1240 yes no https://vidert.com/v/filmmaking/video/1133/vfx-artists-react-to-bad-great-cgi-213 2026-02-14T17:01:31.000Z weekly 0.5 https://i.ytimg.com/vi/vTPP0-Fos1M/maxresdefault.jpg VFX Artists React to Bad & Great CGi 213 GOOD LUCK HAVE FUN DON’T DIE from director Gore Verbinski is now playing in theaters! Get tickets here ► https://www.goodluckhavefundontdiemovie.com/ Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Sam, Jordan, and Niko take an expert's look at the finale of Stranger Things, check out a handful of clips, and are visited by a special guest Director! Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 Welcome 0:40 The Good, The Bad, and The Ugly 4:38 Good Luck Have Fun Don't Die ft Gore Verbinski 10:51 Vincent Must Die 13:53 As Above So Below 16:35 Tinker Tailor Soldier Spy 18:58 Stranger Things Finale https://www.youtube.com/embed/vTPP0-Fos1M 2026-02-14T17:01:31.000Z Corridor Crew 1522 yes no https://vidert.com/v/filmmaking/video/1134/asking-gore-verbinski-about-this-brutal-death-scene 2026-02-14T17:01:17.000Z weekly 0.5 https://i.ytimg.com/vi/mJqQvNBhwdE/maxresdefault.jpg Asking Gore Verbinski about this BRUTAL death scene GOOD LUCK HAVE FUN DON’T DIE from director Gore Verbinski is now playing in theaters! Get tickets here ► https://www.goodluckhavefundontdiemovie.com/ https://www.youtube.com/embed/mJqQvNBhwdE 2026-02-14T17:01:17.000Z Corridor Crew 66 yes no https://vidert.com/v/filmmaking/video/1135/corridor-crew-has-a-new-book 2026-02-13T20:30:09.000Z weekly 0.5 https://i.ytimg.com/vi/IhAxkXREps0/maxresdefault.jpg Corridor Crew has a new Book! Get Your Copy Today: https://www.amazon.com/dp/B0GM7B4QR2 Power To The Player Expansion Pack: https://www.amazon.com/dp/B0GN2JLR72 The long-awaited 2nd edition of Top 10 Games, with optional expansion pack, has arrived with Top 10 Scary Games You Can Play in Your Head by Yourself! Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ https://www.youtube.com/embed/IhAxkXREps0 2026-02-13T20:30:09.000Z Corridor Crew 144 yes no https://vidert.com/v/filmmaking/video/1136/yes-this-book-is-real 2026-02-13T17:00:05.000Z weekly 0.5 https://i.ytimg.com/vi/3UWrAOgxYi0/maxresdefault.jpg Yes, this book is REAL Get Your Copy Today: https://www.amazon.com/dp/B0GM7B4QR2 Power To The Player Expansion Pack: https://www.amazon.com/dp/B0GN2JLR72 The long-awaited 2nd edition of Top 10 Games, with optional expansion pack, has arrived with Top 10 Scary Games You Can Play in Your Head by Yourself! Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ https://www.youtube.com/embed/3UWrAOgxYi0 2026-02-13T17:00:05.000Z Corridor Crew 182 yes no https://vidert.com/v/filmmaking/video/1137/react-episodes-behind-the-scenes 2026-02-11T17:00:08.000Z weekly 0.5 https://i.ytimg.com/vi/4ewPRXFfLkc/maxresdefault.jpg REACT episodes behind the scenes Try Dash with your team today: https://bit.ly/dbxcorridorcrew #DropboxPartner #Ad https://www.youtube.com/embed/4ewPRXFfLkc 2026-02-11T17:00:08.000Z Corridor Crew 64 yes no https://vidert.com/v/filmmaking/video/1138/vfx-artists-react-to-bad-great-cgi-212-ft-joe-letteri 2026-02-07T17:00:37.000Z weekly 0.5 https://i.ytimg.com/vi/OK0zPQBvcr8/maxresdefault.jpg VFX Artists React to Bad & Great CGi 212 Ft. Joe Letteri Zocdoc ► Thanks to Zocdoc for sponsoring this video. Be kind to yourself this year. Using Zocdoc is FREE - head to https://zocdoc.com/corridorcrew to find and instantly book an appointment with a top-rated, in-network doctor today. Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ On this very special episode, Wren and Niko are joined by VFX legend Joe Letteri from WETA FX to get into the details of his work on James Cameron's Avatar: Fire and Ash. Stay tuned because this is Part 2 of a 3-Part set of React featuring Joe Letteri! Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music 00:00 Welcome Joe! 00:32 Avatar: Fire and Ash 05:15 Zocdoc for your health 06:47 Avatar: Fire and Ash https://www.youtube.com/embed/OK0zPQBvcr8 2026-02-07T17:00:37.000Z Corridor Crew 1772 yes no https://vidert.com/v/filmmaking/video/1139/weta-fx-that-really-get-under-your-skin 2026-02-07T16:55:00.000Z weekly 0.5 https://i.ytimg.com/vi/QK_kAFOz6d8/maxresdefault.jpg WETA FX that really get Under your SKIN Joe Letteri, senior VFX supervisor at Weta FX, joins us to explain how far they've pushed their process to achieve as much realism as possible in the way the characters in Avatar are animated to match their actors' performances. https://www.youtube.com/embed/QK_kAFOz6d8 2026-02-07T16:55:00.000Z Corridor Crew 66 yes no https://vidert.com/v/filmmaking/video/1140/how-real-can-cgi-fire-really-be 2026-02-04T17:00:01.000Z weekly 0.5 https://i.ytimg.com/vi/0Zxo5H5mHQU/maxresdefault.jpg How REAL can CGi fire REALLY be? Did you know that a candle flame is actually hollow?! Joe Letteri, Senior VFX Supervisor at Weta FX, sits down with Corridor Crew to break down some of the VFX processes that made Avatar: Fire and Ash the CGi masterpiece that it is. They took fire simulation to an incredible level of realism, literally pushing the forefront of what CGi is capable of. https://www.youtube.com/embed/0Zxo5H5mHQU 2026-02-04T17:00:01.000Z Corridor Crew 76 yes no https://vidert.com/v/filmmaking/video/1141/stop-motion-reinvented 2026-02-01T17:01:29.000Z weekly 0.5 https://i.ytimg.com/vi/x4YsTyxs49c/maxresdefault.jpg Stop-motion REINVENTED "The girl who cried pearls" is a stop-motion animated short film directed by Chris Lavis and Maciek Szczerbowski. It's a unique and amazing blend of CGi and stop-motion, similar to what Swaybox studios developed in secret a few years back. Have you seen other examples of this CGI approach applied to stop-motion animation? https://www.youtube.com/embed/x4YsTyxs49c 2026-02-01T17:01:29.000Z Corridor Crew 69 yes no https://vidert.com/v/filmmaking/video/1142/animators-react-to-kpop-demon-hunters-ft-the-directors 2026-01-31T17:00:59.000Z weekly 0.5 https://i.ytimg.com/vi/e7L-ka-MsEE/maxresdefault.jpg Animators React to KPop Demon Hunters - ft. THE DIRECTORS! Dropbox Dash ► If your team works in video, content, or post-production and wants to spend less time searching and more time creating, check out Dash today: https://bit.ly/dbxcorridorcrew. Thanks, Dropbox, for sponsoring this video. Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Niko is joined by Maggie Kang & Chris Appelhans, Directors of "K-POP Demon Hunters" to break down the ins and outs of what it takes to make an Animated Film! Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 00:00 Welcome to Animators React! 01:00 KPOP Demon Hunters 04:36 Sponsor - Dropbox Dash 06:21 KPOP Demon Hunters https://www.youtube.com/embed/e7L-ka-MsEE 2026-01-31T17:00:59.000Z Corridor Crew 1589 yes no https://vidert.com/v/filmmaking/video/1143/can-you-see-how-they-did-this-in-1931 2026-01-28T17:00:55.000Z weekly 0.5 https://i.ytimg.com/vi/Yldn5IbL4go/maxresdefault.jpg Can YOU see how they did this in 1931? The 1931 film Svengali features a scene that has people baffled. Many people have been asking us to break down how it was done. Could you guess it before Wren explained it? https://www.youtube.com/embed/Yldn5IbL4go 2026-01-28T17:00:55.000Z Corridor Crew 63 yes no https://vidert.com/v/filmmaking/video/1144/vfx-artists-rank-cgi-babies 2026-01-25T17:00:35.000Z weekly 0.5 https://i.ytimg.com/vi/Ip3p7zHmq0g/maxresdefault.jpg VFX Artists Rank CGI Babies Zocdoc ► Thanks to Zocdoc for sponsoring this video. Be kind to yourself this year. Using Zocdoc is FREE - head to https://zocdoc.com/corridorcrew to find and instantly book an appointment with a top-rated, in-network doctor today. Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Sam, Niko, and Jordan take a look at ALL the CGI babies from ALL the media to determine which are the cutest and which are the most corrupt. Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 00:00 - Intro 01:05 - Fantastic Four 02:42 - The Flash 04:25 - Twilight 06:23 - A Very Special Baby 07:54 - Benjamin Button 09:04 - American Sniper 10:46 - Avatar 2 12:05 - Junior 13:20 - Fear the Walking Dead 15:17 - Children of Men 16:53 - Superman 17:58 - The Son of the Mask 19:57 - Ally McBeal 23:20 - Squid Games 24:43 - Man vs Baby 26:21 - The Final List https://www.youtube.com/embed/Ip3p7zHmq0g 2026-01-25T17:00:35.000Z Corridor Crew 1647 yes no https://vidert.com/v/filmmaking/video/1145/vfx-artists-react-to-bad-great-cgi-211-ft-joe-letteri 2026-01-24T17:01:33.000Z weekly 0.5 https://i.ytimg.com/vi/ueJTdtmZ5R4/maxresdefault.jpg VFX Artists React to Bad & Great CGi 211 Ft. Joe Letteri Your next chapter starts today. Get 10% off your first month of BetterHelp online therapy: https://betterhelp.com/corridorcrew (Sponsored by BetterHelp) Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ On this very special episode, Wren and Niko are joined by VFX legend Joe Letteri from WETAFX to get into the details of his work on James Cameron's Avatar: Fire and Ash. Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 00:00 Welcome Joe! 00:34 Joe's background 1:20 Avatar: Fire and Ash https://www.youtube.com/embed/ueJTdtmZ5R4 2026-01-24T17:01:33.000Z Corridor Crew 1238 yes no https://vidert.com/v/filmmaking/video/1146/when-you-hire-an-arsonist-to-do-your-effects 2026-01-24T16:55:00.000Z weekly 0.5 https://i.ytimg.com/vi/uq9I-U3k7NU/maxresdefault.jpg When you hire an ARSONIST to do your effects… The Exorcist director William Friedkin was not messing around with the filming of Sorcerer in 1977. Unsatisfied with the practical "Hollywood movie explosion" his VFX supervisor prepared for this scene, he flew in an Arsonist to create a real explosion with homemade explosives. Do you think the result looks better than the typical Hollywood explosion? https://www.youtube.com/embed/uq9I-U3k7NU 2026-01-24T16:55:00.000Z Corridor Crew 73 yes no https://vidert.com/v/filmmaking/video/1147/vfx-artists-react-to-bad-great-cgi-210 2026-01-17T17:00:01.000Z weekly 0.5 https://i.ytimg.com/vi/a4cSS50ziDI/maxresdefault.jpg VFX Artists React to Bad & Great CGi 210 Huel ► Head to https://huel.com/CORRIDORCREW to check out Huel and use promo code CORRIDORCREW for 15% off an order of $50 or more. Minimum spend required. New customers only #ad Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Sam, Jordan and Niko take a look at a NEW new Hellboy, an effect from One Battle After Another, and throwback to the 80s with The Dark Crystal. Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 Reactin' Time! 0:29 Hellboy: The Crooked Man 5:21 One Battle After Another 9:59 The Dark Crystal 15:41 The Girl Who Cried Pearls https://www.youtube.com/embed/a4cSS50ziDI 2026-01-17T17:00:01.000Z Corridor Crew 1134 yes no https://vidert.com/v/filmmaking/video/1148/vfx-were-good-in-the-70s 2026-01-17T16:58:00.000Z weekly 0.5 https://i.ytimg.com/vi/xDbmiWkrOJg/maxresdefault.jpg VFX were GOOD in the 70s When The Exorcist Director, William Friedkin, set out to film Sorcerer in 1977, he did not expect to encounter as many hurdles as he did. From constantly losing crew members to jungle-related illnesses, to a literal federal drug bust involving his Crew, to having to change locations because the river where they were filming literally ran dry.. It’s not surprising that this bridge scene took a month to complete and cost the equivalent of $25 million in today’s money. https://www.youtube.com/embed/xDbmiWkrOJg 2026-01-17T16:58:00.000Z Corridor Crew 73 yes no https://vidert.com/v/filmmaking/video/1149/harry-potter-without-vfx-is-hilarious 2026-01-13T17:01:06.000Z weekly 0.5 https://i.ytimg.com/vi/bZxyYHRlIc8/maxresdefault.jpg Harry Potter without VFX is HILARIOUS Have you ever considered how the wizards' fights in the big chaotic scenes were choreographed? Well, now you know that at some point, it didn't make sense to choreograph them anymore. https://www.youtube.com/embed/bZxyYHRlIc8 2026-01-13T17:01:06.000Z Corridor Crew 65 yes no https://vidert.com/v/filmmaking/video/1150/vfx-artists-react-to-bad-great-cgi-209 2026-01-10T17:01:19.000Z weekly 0.5 https://i.ytimg.com/vi/oZDomO5iTZo/maxresdefault.jpg VFX Artists React to Bad & Great CGi 209 Squarespace ► Head to http://squarespace.com/corridorcrew to save 10% off your first purchase! Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ The Crew is back to react to some new and classic VFX, including a mind-bending mirror shot from Wicked: For good and Vecna from season 5 of Netflix's Stranger Things! Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 00:00 Welcome back to React! 01:03 Wicked: For Good - mirror shot 09:28 Svengali - impossible dolly shot 13:24 The Cell - sliced horse 15:28 Stanger Things season 5 https://www.youtube.com/embed/oZDomO5iTZo 2026-01-10T17:01:19.000Z Corridor Crew 1438 yes no https://vidert.com/v/filmmaking/video/1151/the-fantastic-4-cgi-baby 2026-01-06T17:00:35.000Z weekly 0.5 https://i.ytimg.com/vi/JFLlvTfaFLo/maxresdefault.jpg The Fantastic 4 CGI Baby The CGI baby in 2025, The Fantastic Four: First Steps, has gotten quite a bit of criticism for looking unrealistic. But considering the more than 150 CGI shots in which the Digital Domain team had to combine footage from 30 different babies into a single, consistent character, it's not really that bad! Did it pull you out of the movie? https://www.youtube.com/embed/JFLlvTfaFLo 2026-01-06T17:00:35.000Z Corridor Crew 62 yes no https://vidert.com/v/filmmaking/video/1152/is-the-amazing-bulk-more-incredible-than-the-hulk 2026-01-03T19:33:43.000Z weekly 0.5 https://i.ytimg.com/vi/GZ4P2QRhkkQ/maxresdefault.jpg Is The Amazing Bulk more INCREDIBLE than The Hulk? The Amazing Bulk is easily one of the best worst movies ever made. A 2012 parody of The Amazing Hulk that quickly goes off the rails, filled with pure randomness and some of the most impressively terrible VFX you’ll ever see. It's so bad... that it kind of circles back to being good? https://www.youtube.com/embed/GZ4P2QRhkkQ 2026-01-03T19:33:43.000Z Corridor Crew 70 yes no https://vidert.com/v/filmmaking/video/1153/vfx-artists-react-to-bad-great-cgi-208 2026-01-03T17:00:17.000Z weekly 0.5 https://i.ytimg.com/vi/D6aTJ7uSNow/maxresdefault.jpg VFX Artists React to Bad & Great CGi 208 Squarespace ► Head to http://squarespace.com/corridorcrew to save 10% off your first purchase! Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Niko, Sam, and Wren are here once again to break down the visual effects from your favorite shows and movies! Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 What are doing today? 0:26 Geezer Teasers 1:26 Gunner 9:43 Sorcerer 14:00 Mad Men 17:48 Ticks https://www.youtube.com/embed/D6aTJ7uSNow 2026-01-03T17:00:17.000Z Corridor Crew 1363 yes no https://vidert.com/v/filmmaking/video/1154/vfx-artists-react-to-bad-great-cgi-207 2025-12-27T17:01:30.000Z weekly 0.5 https://i.ytimg.com/vi/qdX5xP4cMbM/maxresdefault.jpg VFX Artists React to Bad & Great CGi 207 Squarespace ► Head to http://squarespace.com/corridorcrew to save 10% off your first purchase! Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Wren and Jordan are joined by Sheldon Stopsack from WETAFX to react to his work on your favorite shows and movies! Instagram ►@corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music https://www.youtube.com/embed/qdX5xP4cMbM 2025-12-27T17:01:30.000Z Corridor Crew 1156 yes no https://vidert.com/v/filmmaking/video/1155/no-wonder-lord-of-the-rings-won-all-the-oscars 2025-12-23T18:30:29.000Z weekly 0.5 https://i.ytimg.com/vi/98xZWI7iirM/maxresdefault.jpg No Wonder Lord of the Rings Won ALL the Oscars... 100 Years of Forced Perspective knowledge in three minutes. https://www.youtube.com/embed/98xZWI7iirM 2025-12-23T18:30:29.000Z Corridor Crew 180 yes no https://vidert.com/v/filmmaking/video/1156/we-ranked-each-other-s-christmas-gifts 2025-12-21T17:01:42.000Z weekly 0.5 https://i.ytimg.com/vi/wXTu94MUXiI/maxresdefault.jpg We Ranked Each Other's Christmas Gifts War Thunder ► Check out War Thunder now! Use our links to sign up and get a massive, free bonus pack for PC and consoles: https://playwt.link/corridorcrew | iOS/Android: https://wtm.game/corridorcrew Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ It's the season of giving! In this one, the Crew puts their giving to the test as they Tier List the quality of their Secret Santa gifts. We ranked our friends Secret Santa Gifts and put them in a Tier List. Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► https://www.youtube.com/embed/wXTu94MUXiI 2025-12-21T17:01:42.000Z Corridor Crew 1484 yes no https://vidert.com/v/filmmaking/video/1157/vfx-artists-react-to-bad-great-cgi-206 2025-12-20T17:00:57.000Z weekly 0.5 https://i.ytimg.com/vi/_bR5xnygRhY/maxresdefault.jpg VFX Artists React to Bad & Great CGi 206 Your next chapter starts today. Get 10% off your first month of BetterHelp online therapy: https://betterhelp.com/corridorcrew (Sponsored by BetterHelp) Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ The Crew is joined by Pat Tubach, Visual Effects Supervisor from Epic Games to talk about Kill Bill: Yuki's Revenge, E.T and Space Jam! https://www.youtube.com/watch?v=PrUI5Ys3OwE - This is The Lost Chapter: Yuki's Revenge https://www.youtube.com/watch?v=QECEHQN5zts - This is the making of Tarantino’s The Lost Chapter: Yuki’s Revenge Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music https://www.youtube.com/embed/_bR5xnygRhY 2025-12-20T17:00:57.000Z Corridor Crew 1413 yes no https://vidert.com/v/filmmaking/video/1158/we-made-toy-story-5-before-pixar 2025-12-18T17:01:07.000Z weekly 0.5 https://i.ytimg.com/vi/eTD1gPvZpI0/maxresdefault.jpg We Made Toy Story 5 BEFORE Pixar Explore the best GPUs from NVIDIA, including the GeForce RTX 50 Series, and discover the top custom PC workstations with a Puget System. https://www.nvidia.com/en-us/ai-on-rtx/ // https://puget.systems/go/159454 #AIonRTX This video is sponsored by NVIDIA and Puget Systems. https://www.youtube.com/embed/eTD1gPvZpI0 2025-12-18T17:01:07.000Z Corridor Crew 67 yes no https://vidert.com/v/filmmaking/video/1159/james-cameron-teaching-us-a-thing-or-two-about-directing 2025-12-16T17:01:29.000Z weekly 0.5 https://i.ytimg.com/vi/w7C16bkkaOE/maxresdefault.jpg James Cameron teaching us a thing or two about directing! Avatar: Fire and Ash is playing only in theatres on December 19th. Get your tickets, on sale now! #ad @AvatarOfficial @20thCenturyStudios https://www.youtube.com/embed/w7C16bkkaOE 2025-12-16T17:01:29.000Z Corridor Crew 139 yes no https://vidert.com/v/filmmaking/video/1160/i-turned-my-friends-into-living-toys 2025-12-14T17:00:19.000Z weekly 0.5 https://i.ytimg.com/vi/DSRrSO7QhXY/maxresdefault.jpg I Turned my Friends Into LIVING TOYS This video is sponsored by NVIDIA and Puget Systems. Explore the best GPUs from NVIDIA, including the GeForce RTX 50 Series, and discover the top custom PC workstations with a Puget System. https://www.nvidia.com/en-us/ai-on-rtx/ // https://puget.systems/go/159454 #AIonRTX Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Many films have brought toys to life using visual effects, but Niko has a new method that has never been tried before... Check out Peter's new game: https://store.steampowered.com/app/3419910/Light_Up_The_Town/ Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 00:00 Niko's big idea 00:44 Why try new tech? 01:30 Testing Wan Animate 03:08 Our Nvidia RTX Ai PC (5090) 03:33 Niko's first results 06:08 The Princess Test 7:15 Casting (playing with) the Toys 10:04 Bringing the Toys to life 14:48 The problems to overcome 16:40 Niko's workflow 18:40 Toys = filmmaking 20:38 The final Short! https://www.youtube.com/embed/DSRrSO7QhXY 2025-12-14T17:00:19.000Z Corridor Crew 1337 yes no https://vidert.com/v/filmmaking/video/1161/vfx-artists-react-to-bad-great-cgi-205 2025-12-13T17:00:02.000Z weekly 0.5 https://i.ytimg.com/vi/1PTY0-SOCTw/maxresdefault.jpg VFX Artists React to Bad & Great CGi 205 Holzkern ► Huge thank you, again, to Holzkern for being a sponsor on the channel! Head on over to http://www.holzkern.com/corridor and use our code CORRIDORCREW to get 15% off ALL PRODUCTS. Be sure to check out all of their catalogue, for both yourself or a gift for a loved one! Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ The boys are joined by Sheldon Stopsack from WETAFX to talk about visual effects in your favorite shows and movies! Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music https://www.youtube.com/embed/1PTY0-SOCTw 2025-12-13T17:00:02.000Z Corridor Crew 1312 yes no https://vidert.com/v/filmmaking/video/1162/how-did-i-never-notice-this-about-lord-of-the-rings 2025-12-11T17:00:07.000Z weekly 0.5 https://i.ytimg.com/vi/1x9qhvRiAqc/maxresdefault.jpg How Did I Never Notice THIS about Lord of the Rings?! What did you think of our recent Forced Perspective Video? Music: https://www.youtube.com/watch?v=8TF1KFZXUfg https://www.youtube.com/embed/1x9qhvRiAqc 2025-12-11T17:00:07.000Z Corridor Crew 129 yes no https://vidert.com/v/filmmaking/video/1163/don-t-you-hate-it-when-it-just-starts-raining-frogs 2025-12-08T17:01:33.000Z weekly 0.5 https://i.ytimg.com/vi/oQNJI267GsM/maxresdefault.jpg Don't you hate it when it just starts RAINING FROGS? Paul Thomas Anderson’s Magnolia came out in 1999. That is, more than 25 years ago. Still, it has one of the most flawless VFX shots that still holds up to this day, when, at the end of the movie, it suddenly just starts raining frogs. To bring it to an incredible level of realism, the VFX team mixed practical and CGI effects in collaboration with ILM. Do you agree that it still holds up to this day? https://www.youtube.com/embed/oQNJI267GsM 2025-12-08T17:01:33.000Z Corridor Crew 69 yes no https://vidert.com/v/filmmaking/video/1164/is-this-the-greatest-in-camera-effect-of-all-time 2025-12-07T22:00:35.000Z weekly 0.5 https://i.ytimg.com/vi/MVUuoXAkuUg/maxresdefault.jpg Is This The GREATEST In-Camera Effect of ALL TIME? Squarespace ► Head to http://squarespace.com/corridorcrew to save 10% off your first purchase! Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ The Crew explores the history and tech behind the abandoned Forced Perspective Technique that was perfected in The Lord of the Rings. THANKS TO OUR COLLABORATORS ON THIS PROJECT; Film Riot - @filmriot Shutter Authority - @ShutterAuthority SoKrispyMedia - @SoKrispyMedia Captain Disillusion - @CaptainDisillusion Erik Does - https://www.youtube.com/@erikdoesvfx Dan from Casey Faris for the Drawings - @CaseyFaris Lucas, Corridor Intern - https://www.instagram.com/lucasbeissel/ Shane, Corridor intern - https://www.instagram.com/shanestrutz/ PRODUCTION PARTNERS ON THIS PROJECT; SISU Cinematics - https://bit.ly/SISUrobotarms iFootage Shark Slider Nano 2 - https://amzn.to/4oEnvgg Bambu Labs 3D Printers - https://bit.ly/BambuLabs3Dprinting Jan made the 3D model of his head FREE to download and print yourself. Print your own Infinity Jan Beacon here: https://makerworld.com/en/models/2090547-the-infinity-jan MUSIC; Epic Covers: https://www.youtube.com/@EpicTrailerMusicUK Chill Remix: https://soundcloud.com/dkianian BEACON; Print Your Own Infinity Jan Head: https://makerworld.com/en/models/2090547-the-infinity-jan RESEARCH; Movie Magic Episode: https://www.youtube.com/watch?v=HOsoT-jrHcQ Article: https://neiloseman.com/the-history-of-forced-perspective/ The Making Of The Making Of LOTR: https://www.youtube.com/watch?v=k68X9r14XAw Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Comp https://www.youtube.com/embed/MVUuoXAkuUg 2025-12-07T22:00:35.000Z Corridor Crew 2275 yes no https://vidert.com/v/filmmaking/video/1165/vfx-artists-react-to-bad-great-cgi-204 2025-12-06T17:00:10.000Z weekly 0.5 https://i.ytimg.com/vi/3XD6UoFSmZU/maxresdefault.jpg VFX Artists React to Bad & Great CGi 204 Vessi ► Visit http://vessi.com/corridorcrew and get 15% just in time for the holidays! Covered with a 1-year warranty and 30-day worry-free returns. Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Are good CGI babies possible? Sam, Wren and Jordan find out as they break down the newest Fantastic Four movie, get itchy watching a GROSS youtuber short film, and check out one of the most unhinged schlock films. Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 Jumpin into it! 0:19 The Fantastic Four: First Steps 1:59 Galactus 6:56 The Silver Surfer 9:56 Meatcanyon 14:03 The Amazing Bulk https://www.youtube.com/embed/3XD6UoFSmZU 2025-12-06T17:00:10.000Z Corridor Crew 1121 yes no https://vidert.com/v/filmmaking/video/1166/easiest-fpv-drone-ever-antigravity-a1-sponsored 2025-12-06T06:11:33.000Z weekly 0.5 https://i.ytimg.com/vi/hmtKEVI3sfA/maxresdefault.jpg Easiest FPV Drone ever - Antigravity A1 #sponsored Antigravity - The new Antigravity A1 shoots 8K 360-degree video in a compact and easy-to-fly package... even the cameraman can do it! https://www.antigravity.tech/drone/antigravity-a1/buy?utm_term=AGRTH6X https://www.youtube.com/embed/hmtKEVI3sfA 2025-12-06T06:11:33.000Z Corridor Crew 115 yes no https://vidert.com/v/filmmaking/video/978/amazing-effects-in-classic-films-how-did-they-pull-it-off-part-11 2026-02-19T22:33:17.000Z weekly 0.5 https://i.ytimg.com/vi/7VMSCiM2mI8/maxresdefault.jpg Amazing Effects in Classic Films - How Did They Pull It Off? | Part 11 Thanks to Storyblocks for sponsoring this video! Download unlimited stock media at one set price with Storyblocks: http://www.storyblocks.com/FilmRiot ▼ Timestamps ▼ » 0:00 - Intro » 0:25 - Faust (1926) » 2:05 - Faust - effect 2 (1926) » 2:53 - Dr. Jekyll and Mr. Hyde (1931) » 4:29 - Alien (1979) » 5:58 - Storyblocks » 7:04 - Labrynth (1986) » 8:08 - Labrynth - effect 2 (1986) » 9:36 - Cutthroat Island (1995) » 12:23 - Constantine (2005) » 13:26 - Constantine - effect 2 (2005) #FilmRiot #ClassicFilm https://www.youtube.com/embed/7VMSCiM2mI8 2026-02-19T22:33:17.000Z Film Riot 948 yes no https://vidert.com/v/filmmaking/video/979/best-films-of-2025 2026-01-17T00:54:00.000Z weekly 0.5 https://i.ytimg.com/vi/K-8c0ETmTvg/maxresdefault.jpg Best Films of 2025 Thanks to Storyblocks for sponsoring this video! Download unlimited stock media at one set price with Storyblocks: http://storyblocks.com/FilmRiot FILMS WE NEED TO SEE: The Secret Agent Avatar: Fire and Ash Dead to Rights ▼ Timestamps ▼ » 0:00 - Best of 2025 Montage » 1:46 - One Battle After Another » 2:18 - Wake Up Dead Man » 2:53 - The Phoenician Scheme » 3:19 - Good News » 3:34 - Roofman » 4:02 - Sentimental Value » 4:22 - Marty Supreme » 4:47 - Storyblocks » 6:07 - No Other Choice » 6:32 - Twinless » 6:54 - Sorry, Baby » 7:23 - Train Dreams » 7:45 - It Was Just an Accident » 8:08 - Hamnet » 8:33 - » 8:54 - Weapons » 9:19 - Bring Her Back » 9:35 - Sinners » 10:09 - Sketch » 10:28 - Predator: Badlands » 10:55 - Killer of Killers » 11:19 - Final Destination: Bloodlines » 11:32 - Ne Zha 2 » 11:58 - Outro #FilmRiot #BestFilms #2025 ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/K-8c0ETmTvg 2026-01-17T00:54:00.000Z Film Riot 775 yes no https://vidert.com/v/filmmaking/video/980/vecna-fire-vfx-from-stranger-things 2025-12-26T17:00:25.000Z weekly 0.5 https://i.ytimg.com/vi/GIk2g3IoWKw/maxresdefault.jpg Vecna Fire VFX from Stranger Things ►Big VFX Bundle https://aejuice.com/product/big-vfx-bundle/?ref=filmriot&coupon_code=filmriot&utm_source=youtube_filmriot&campaign=filmriot_2 ►VFX Pro Bundle https://aejuice.com/product/vfx-pro-bundle/?ref=filmriot&coupon_code=filmriot&utm_source=youtube_filmriot&campaign=filmriot_2 ►Free VFX Pack https://aejuice.com/product/free-vfx-assets/?ref=filmriot&coupon_code=filmriot&utm_source=youtube_filmriot&campaign=filmriot_2 ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/GIk2g3IoWKw 2025-12-26T17:00:25.000Z Film Riot 496 yes no https://vidert.com/v/filmmaking/video/981/does-focal-length-matter 2025-12-23T20:16:40.000Z weekly 0.5 https://i.ytimg.com/vi/3QqrDkC06lg/maxresdefault.jpg Does Focal Length Matter? ►Check out the Anker Prime 2025 series： https://ankerfast.club/37xbdu ►Buy on Amazon：Anker Prime DL7400：https://ankerfast.club/komgep ►Buy on Amazon：Anker Prime TB5：https://ankerfast.club/9ggtlr The World's First Triple‑Display Charging Dock with Stable 8K DZOFilm Arles lenses B&H: https://dzolink.com/4pTXElW Arles Prime: https://dzolink.com/LMArlesPrime Blackmagic PYXIS: https://www.blackmagicdesign.com/products/blackmagicpyxis ▼ Timestamps ▼ » 0:00 - Storytelling Tools » 0:51 - Focal Length's Effect on Objects » 2:13 - Focal Length's Effect on Faces » 4:05 - ANKER Docks » 5:36 - The Scene » 8:06 - DZO Lenses » 8:40 - Blackmagic PYXIS 12k » 10:09 - Directing the Audience's Eye » 10:47 - How it Effects the Environment » 12:09 - Final Thoughts ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- #cinematography #filmriot #cinemalens #AnkerPrime #AnkerPrimeDockingStation #AnkerPrimeDL7400 #AnkerPrimeTB5 https://www.youtube.com/embed/3QqrDkC06lg 2025-12-23T20:16:40.000Z Film Riot 802 yes no https://vidert.com/v/filmmaking/video/982/how-pixar-hides-the-ending-in-the-beginning 2025-12-11T19:18:42.000Z weekly 0.5 https://i.ytimg.com/vi/1FABx9eqsxc/maxresdefault.jpg How Pixar Hides the Ending in the Beginning Get 10% off Soundstripe by using the offer code: FILMRIOT10 https://www.soundstripe.com/filmriot Hosted by Justin Robinson https://www.instagram.com/jrobproductions/ Monsters, Inc Screenplay by: Andrew Stanton, Daniel Gerson Original Story by: Pete Docter, Jill Culton, Jeff Pidgeon, Ralph Eggleston Directed by: Pete Docter Co-Directed by: Lee Unkrich, David Silverman ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- https://www.youtube.com/embed/1FABx9eqsxc 2025-12-11T19:18:42.000Z Film Riot 774 yes no https://vidert.com/v/filmmaking/video/983/tip-for-new-editors 2025-12-10T19:29:21.000Z weekly 0.5 https://i.ytimg.com/vi/dN61-2w1I1w/maxresdefault.jpg Tip For New Editors Editor of Frankenstein Evan Schiff gives advice to new editors! For more, watch the full episode. https://www.youtube.com/embed/dN61-2w1I1w 2025-12-10T19:29:21.000Z Film Riot 89 yes no https://vidert.com/v/filmmaking/video/984/we-asked-hollywood-editors 2025-12-08T21:01:47.000Z weekly 0.5 https://i.ytimg.com/vi/BA1vdeHqWRg/maxresdefault.jpg We asked Hollywood Editors Epidemic Sound - Use the code FR for 50% the annual subscription. https://share.epidemicsound.com/frNOV25 Coupon code good until 12/20/2025 EDITORS Evan Schiff Instagram - https://bit.ly/3MNvBG7 Website - https://www.evanschiff.com/ David Trachtenberg Instagram - https://bit.ly/4iTeqza IMDB - https://bit.ly/4oKPif8 Elliot Greenberg IMDB - https://bit.ly/494exU7 Stefan Grube IMDB - https://bit.ly/44NTQKx ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/BA1vdeHqWRg 2025-12-08T21:01:47.000Z Film Riot 1057 yes no https://vidert.com/v/filmmaking/video/985/stranger-things-destroyed-city-effect 2025-11-27T20:01:58.000Z weekly 0.5 https://i.ytimg.com/vi/QiZS7Gpdxls/maxresdefault.jpg Stranger Things Destroyed City Effect - Big VFX Bundle https://aejuice.com/product/big-vfx-bundle/?ref=filmriot&coupon_code=filmriot&utm_source=youtube_filmriot Free VFX Assets https://aejuice.com/product/free-vfx-assets/?ref=filmriot&coupon_code=filmriot&utm_source=youtube_filmriot Triune Digital Black Friday Sale is on now, get everything 65% off! http://www.triunedigital.com ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/QiZS7Gpdxls 2025-11-27T20:01:58.000Z Film Riot 387 yes no https://vidert.com/v/filmmaking/video/986/making-something-new-badlands-interview-with-director-dan-trachtenberg 2025-11-21T22:31:41.000Z weekly 0.5 https://i.ytimg.com/vi/42mHqXmoxWQ/maxresdefault.jpg Making Something New: Badlands interview with director Dan Trachtenberg Get Saramonic and Use FILMRIOT10 to get 10% off https://bit.ly/3M01qLv Follow Dan Trachtenberg: https://www.instagram.com/dannytrs Predator: Badlands Trailer: https://www.youtube.com/watch?v=43R9l7EkJwE ▼ Timestamps ▼ » 0:00 - Intro » 0:43 - Making Two Films at Once » 6:04 - Idea Hopping/Hover Hog » 7:22 - The Opening of the Film » 8:24 - Saramonic » 10:11 - How Dan Landed the Predator Franchise » 14:59 - How Did You Face Doubting Yourself? » 20:34 - Test Screening Horror Story » 21:50 - Finding Courage in Doubt » 26:08 - Predator Mask VFX » 28:57 - Challenges of VFX » 30:10 - Shooting on Location » 31:34 - Spielbergian Long Takes » 34:50 - Shooting the Falling Sequence » 37:03 - Creating Momentum » 39:06 - Title Sequence » 41:04 - Shooting the Power Loader with AR » 44:09 - Aspect Ratio and Lens Choices » 46:23 - Storyboard and Animatics » 50:12 - Did you Shotlist? » 51:27 - What's Next After Predator? #FilmRiot #predatorbadlands #Directing ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! 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Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/S72kd4OAqnI 2025-11-18T21:17:29.000Z Film Riot 505 yes no https://vidert.com/v/filmmaking/video/988/you-won-t-believe-how-we-made-pennywise-practical-vfx-breakdown 2025-10-31T22:06:17.000Z weekly 0.5 https://i.ytimg.com/vi/jMrf059p8No/maxresdefault.jpg You Won't Believe How We Made Pennywise (Practical + VFX Breakdown) Check out Soundstripe at soundstripe.com/filmriot and use the offer code FILMRIOT10 for 10% off your first purchase. We put Pennywise in our scene using a mix of practical and visual effects. ▼ Timestamps ▼ » 0:00 - Pennywise » 2:53 - The Pennywise Figure » 3:47 - Comping Pennywise » 4:30 - The Balloon » 5:36 - Baron Bloodsworth » 7:43 - The Closeups » 9:02 - Animating the Face » 12:30 - Jump Scare » 13:20 - Outtakes ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! 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Building a ship from scratch in Element 3D, add planets, atmosphere, and cinematic stock footage, plus tips on using these techniques for pitching projects. ▼ Timestamps ▼ » 0:00 - Alien Ship Arrival » 0:18 - Intro » 0:49 - After Effects Tutorial » 1:51 - Creating the Ship » 2:48 - Pitching & Rip Reels » 4:12 - Placing the Ship » 5:24 - Stock Footage & Rip Reels » 7:50 - Changing the Background » 9:04 - Final Thoughts ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- #FilmRiot #AlienShip #VFX https://www.youtube.com/embed/3jOkIZBZoGY 2025-09-19T20:56:44.000Z Film Riot 606 yes no https://vidert.com/v/filmmaking/video/994/90-new-built-in-effects-for-premiere-but-are-they-good 2025-09-15T21:50:51.000Z weekly 0.5 https://i.ytimg.com/vi/U-5aVPNwN80/maxresdefault.jpg 90 New Built-In Effects For Premiere... But Are They Good? Get Premiere Pro: https://adobe.ly/4mcAoNy ▼ Timestamps ▼ » 0:00 - Intro » 0:26 - Effects » 4:02 - Surprise Me » 4:59 - Graphics » 6:19 - Motion » 6:39 - Transitions » 7:45 - Final Thoughts ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- #FilmRiot #Premiere #Effects https://www.youtube.com/embed/U-5aVPNwN80 2025-09-15T21:50:51.000Z Film Riot 512 yes no https://vidert.com/v/filmmaking/video/995/the-first-ever-nikon-x-red-camera-nikon-zr-review 2025-09-10T07:49:38.000Z weekly 0.5 https://i.ytimg.com/vi/bi9pHFn9iMQ/maxresdefault.jpg The First Ever Nikon x RED Camera | Nikon ZR Review Nikon ZR - http://bit.ly/3JSLbix Our Other Nikon Reviews: Z6III - https://youtu.be/pj1V0EIROG0?si=GgiUyqnOxH4tvPn3 Z8 - https://youtu.be/qIBdJH162Gg?si=tW2bRKWSx3IkY5TF Black Dog Overland - https://blackdogoverland.net/ ▼ Timestamps ▼ » 0:00 - Intro » 0:47 - Camera Body » 2:08 - The Image » 5:01 - Dynamic Range » 5:58 - Low Light » 6:43 - Autofocus & IBIS » 7:41 - Rolling Shutter & Slow Mo » 08:10 - Audio » 09:51 - Battery & Overheating » 10:10 - The Negative » 10:41 - Final Thoughts #Nikon #ZR #NikonZR ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx https://www.youtube.com/embed/bi9pHFn9iMQ 2025-09-10T07:49:38.000Z Film Riot 722 yes no https://vidert.com/v/filmmaking/video/996/amazing-effects-in-classic-films-how-did-they-pull-it-off-part-10 2025-09-04T22:06:13.000Z weekly 0.5 https://i.ytimg.com/vi/JLizQ8reWu8/maxresdefault.jpg Amazing Effects in Classic Films - How Did They Pull It Off? | Part 10 ►Subscribe to Envato: https://1.envato.market/ra3QR5 ►Watch all Amazing Effects Episodes: https://youtube.com/playlist?list=PLHyem5uRiQhgSKTez7pXLof-bvt8F2G-J&si=OXXB3xRTCWyC-VGF ▼ Timestamps ▼ » 0:00 - Intro » 0:25 - The Rains Came » 2:32 - Green Dolphin Street » 3:35 - Green Dolphin Street - 2 » 5:10 - The Towering Inferno » 7:20 - Envato ad » 8:53 - Earthquake » 10:56 - Backdraft » 13:04 - Stargate » 15:00 - Volcano » 17:04 - Dante's Peak » 18:54 - Outro #FilmRiot #AmazingEffects #ClassicFilms ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/JLizQ8reWu8 2025-09-04T22:06:13.000Z Film Riot 1180 yes no https://vidert.com/v/filmmaking/video/997/when-hollywood-says-no-do-it-anyway 2025-08-23T19:53:30.000Z weekly 0.5 https://i.ytimg.com/vi/yI_ed-TVPZo/maxresdefault.jpg When Hollywood Says No... Do It Anyway ►Get the LARK MAX 2 - https://amzn.to/41oHbfo Today we chat with writer, director, and editor Seth Worley about the experience of making his first film. ►SKETCH Trailer: https://youtu.be/tLF2myrnifI?si=cUNFhDLVsT_ypuud ▼ Timestamps ▼ » 0:00 - Intro » 0:52 - First Feature Film » 6:13 - LARK MAX 2 » 7:32 - Writing the Film » 8:50 - First Day of Shooting » 10:10 - Working with Actors » 13:06 - Visual Effects » 14:55 - Editing Your Own Film » 17:51 - Getting Into TIFF » 19:48 - Biggest Take Away » 21:22 - What's Next? » 24:02 - Outro #FIlmRiot #FeatureFilm ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/yI_ed-TVPZo 2025-08-23T19:53:30.000Z Film Riot 1482 yes no https://vidert.com/v/filmmaking/video/998/a-minecraft-tragedy-comedy-sketch 2025-08-14T19:19:54.000Z weekly 0.5 https://i.ytimg.com/vi/1L09XPKwlVg/maxresdefault.jpg A Minecraft Tragedy (Comedy Sketch) #Minecraft #Comedy #Sketch https://www.youtube.com/embed/1L09XPKwlVg 2025-08-14T19:19:54.000Z Film Riot 152 yes no https://vidert.com/v/filmmaking/video/999/superman-flying-effect-unreal-engine-after-effects 2025-08-08T16:15:46.000Z weekly 0.5 https://i.ytimg.com/vi/SreuSWAjiu4/maxresdefault.jpg Superman Flying Effect | Unreal Engine + After Effects Try Artlist now and get 2 months free with any annual plan: https://bit.ly/4jLo71a ►Get $100,000 for Your Dream Project: http://bit.ly/45nqDpk ▼ Timestamps ▼ » 0:00 - Intro » 1:03 - Testing the Effect » 3:28 - Getting Our Shot » 3:57 - Unreal Engine » 4:26 - Using Luts » 4:44 - Keying » 5:27 - The Tarantino Shot (The Feet) » 6:18 - Sky Replacement » 6:32 - Placing Justin » 7:26 - Adding Atmosphere » 8:53 - Adding Music/SFX » 9:51 - Final Shot » 10:22 - Win $100K For Your Dream Project » 11:15 - Outro #FilmRiot #Superman #FlyingVFX ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx https://www.youtube.com/embed/SreuSWAjiu4 2025-08-08T16:15:46.000Z Film Riot 703 yes no https://vidert.com/v/filmmaking/video/1000/making-vfx-look-real-compositing-for-photorealism 2025-08-01T22:36:07.000Z weekly 0.5 https://i.ytimg.com/vi/AaBiE4gT4bw/maxresdefault.jpg Making VFX Look Real: Compositing for Photorealism ►Try NUKE out for Free! Non-commercial: https://hubs.la/Q03zPNns0 Student: https://hubs.la/Q03zPQKT0 ►Olaf’s VFX 101 - https://www.youtube.com/watch?v=-I_oyK48Pus ►Olaf on Instagram - https://www.instagram.com/olafblomerus/ ►Fractal Blur for Nuke - https://richardfrazer.com/tools-tutorials/fractal-blur-for-nuke/ ►Sketch Trailer: https://youtu.be/tLF2myrnifI?si=cUNFhDLVsT_ypuud ▼ Timestamps ▼ » 0:00 - Test Scene » 0:55 - Intro » 1:37 - Production » 3:22 - HDR/Chrome Ball » 3:50 - Tracking Issues » 4:57 - Nuke » 7:14 - Making the Feet Land » 9:32 - Study The Plate » 10:18 - Noise/Grain » 11:12 - Cryptomattes » 12:01 - Alt Version of the Robot » 12:42 - Get Nuke for Free #FilmRiot #RealisticVFX ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/AaBiE4gT4bw 2025-08-01T22:36:07.000Z Film Riot 834 yes no https://vidert.com/v/filmmaking/video/1001/amazing-effects-in-classic-films-how-did-they-pull-it-off-part-9 2025-07-03T23:06:23.000Z weekly 0.5 https://i.ytimg.com/vi/wDOvh2XaP5M/maxresdefault.jpg Amazing Effects in Classic Films - How Did They Pull It Off? | Part 9 Go to https://www.soundstripe.com/filmriot and use code FILMRIOT10 to save 10% on your first purchase. ►Watch all Amazing Effects Episodes: https://youtube.com/playlist?list=PLHyem5uRiQhgSKTez7pXLof-bvt8F2G-J&si=OXXB3xRTCWyC-VGF ▼ Timestamps ▼ » 0:00 - Intro » 0:25 - Citizen Kane » 1:46 - 20,000 Leagues Under the Sea » 4:05 - Tora! Tora! Tora! » 5:27 - Soundstripe » 6:33 - Willow » 8:21 - Speed » 9:38 - Speed (Again) » 11:12 - The X-Files » 13:34 - The Raid Redemption » 14:58 - Outro #FilmRiot #AmazingEffects #ClassicFilms ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/wDOvh2XaP5M 2025-07-03T23:06:23.000Z Film Riot 946 yes no https://vidert.com/v/filmmaking/video/1002/what-would-minecraft-villagers-look-like-in-real-life-blender-tutorial 2025-06-12T16:05:57.000Z weekly 0.5 https://i.ytimg.com/vi/VMXSIFULnms/maxresdefault.jpg What Would Minecraft Villagers Look Like in REAL LIFE? | Blender Tutorial Try Artlist now and get 2 months free with any annual plan: https://bit.ly/4jLo71a VFX by Matus Pavkeje - https://www.instagram.com/matus_pavkeje/ 💻 Tools Used: – Blender – Rokoko – Artlist – After Effects – Photoshop – Ian Hubert’s Compify ▼ Timestamps ▼ » 0:00 - A Minecraft Tragedy » 2:28 - Intro » 2:45 - Making Minecraft Nightmare Fuel » 4:14 - Square Daddy: Making the Head » 5:31 - Making the Body » 6:00 - Artlist » 7:43 - Animating » 8:29 - Lighting the Scene » 10:23 - CG Baking » 11:27 - Final Touches » 12:04 - Outro #FilmRiot #Minecraft #Blender ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx https://www.youtube.com/embed/VMXSIFULnms 2025-06-12T16:05:57.000Z Film Riot 774 yes no https://vidert.com/v/filmmaking/video/1003/amazing-effects-in-classic-films-how-did-they-pull-it-off-part-8 2025-05-30T17:32:05.000Z weekly 0.5 https://i.ytimg.com/vi/itgLalQNwxA/maxresdefault.jpg Amazing Effects in Classic Films - How Did They Pull It Off? | Part 8 The first 500 people to click the link or scan this QR code will receive a 1-month free trial of Skillshare! Get started today! https://skl.sh/filmriot05251 ►Watch all Amazing Effects Episodes: https://youtube.com/playlist?list=PLHyem5uRiQhgSKTez7pXLof-bvt8F2G-J&si=OXXB3xRTCWyC-VGF ▼ Timestamps ▼ » 0:00 - Intro » 0:29 - Raiders of the Lost Ark » 1:53 - Who Framed Roger Rabbit » 4:00 - Skillshare » 5:10 - Who Framed Roger Rabbit 2 » 5:54 - Days of Thunder » 7:02 - Death Becomes Her » 8:31 - Death Becomes Her 2 » 10:13 - Twister » 11:40 - The Fountain » 12:42 - SkyFall » 14:04 - Outro ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx https://www.youtube.com/embed/itgLalQNwxA 2025-05-30T17:32:05.000Z Film Riot 891 yes no https://vidert.com/v/filmmaking/video/1004/create-epic-space-vfx-after-effects-tutorial 2025-05-15T14:57:20.000Z weekly 0.5 https://i.ytimg.com/vi/S2WaodnTPMw/maxresdefault.jpg Create Epic Space VFX – After Effects Tutorial! Get the UNIVERSE VFX Pack: https://bit.ly/3F7HvY0 174 drag & drop assets – Asteroids, planets, galaxies, nebulae, and more. In this tutorial, we show how to build a cinematic asteroid flyby shot in After Effects using our new Universe VFX Pack. Follow along as we walk through scene setup, 3D layering, camera moves, glows, lens effects, and color grading – all with pre-keyed, drag-and-drop assets. Timestamps: » 0:00 – Intro » 0:15 – Universe Trailer » 1:13 – Tutorial Begins: Adding Stars » 2:19 – Adding the Asteroid » 4:15 – Glows, Flares, and Lens FX » 5:45 – Alternate Sci-Fi Look » 6:55 – Outro 🔗 Grab the pack and tag us in your work — we’d love to share it! #VFX #SpaceVFX #AsteroidVFX #FilmRiot #AfterEffects ----------------------------------------------------------------- *GOODIES* The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/S2WaodnTPMw 2025-05-15T14:57:20.000Z Film Riot 491 yes no https://vidert.com/v/filmmaking/video/1005/1-minute-nikon-z6iii-review 2025-04-28T16:35:14.000Z weekly 0.5 https://i.ytimg.com/vi/SK7Pz9Ez5wc/maxresdefault.jpg 1 Minute Nikon Z6III Review Is the Nikon Z6III the best video camera in its price range? @nikonusa https://www.youtube.com/embed/SK7Pz9Ez5wc 2025-04-28T16:35:14.000Z Film Riot 74 yes no https://vidert.com/v/filmmaking/video/1006/original-star-wars-vfx-with-miniatures 2025-04-21T16:38:09.000Z weekly 0.5 https://i.ytimg.com/vi/qVtuXkxi8jw/maxresdefault.jpg Original Star Wars VFX with Miniatures We recreated a shot from Star Wars because why not? #StarWars #FilmRecreation https://www.youtube.com/embed/qVtuXkxi8jw 2025-04-21T16:38:09.000Z Film Riot 98 yes no https://vidert.com/v/filmmaking/video/1007/alright-this-camera-kinda-rules-nikon-z6iii-review 2025-04-17T23:42:35.000Z weekly 0.5 https://i.ytimg.com/vi/pj1V0EIROG0/maxresdefault.jpg Alright... This Camera Kinda Rules | Nikon Z6III Review More on the Nikon Z6III - https://www.nikonusa.com/p/z6iii/1890/overview The Nikon Z6III is a small camera with a big 6k RAW image. Is it the best Camera under $2,500? Horror LUTS V3 ► https://bit.ly/3Y3WA3a Filmmaking Assets ► https://www.triunedigital.com Instagram ► https://www.instagram.com/thefilmriot/ » 0:00 - Opening Scene » 1:48 - Nikon Z6III Intro » 2:31 - Shooting With The Camera » 3:08 - The Image & 6K RAW » 3:59 - Different Codecs » 4:39 - Slow Motion » 5:14 - Auto Focus » 6:06 - Low Light » 6:52 - Image Stabilization » 7:37 - Rolling Shutter » 7:53 - Battery » 8:06 - Audio » 8:13 - The Body » 9:06 - Color Correction » 9:39 - Final Thoughts #FilmRiot #NikonCreators, #z6iii ----------------------------------------------------------------- **GOODIES** The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/pj1V0EIROG0 2025-04-17T23:42:35.000Z Film Riot 630 yes no https://vidert.com/v/filmmaking/video/1008/amazing-new-tool-for-editors 2025-04-10T16:49:32.000Z weekly 0.5 https://i.ytimg.com/vi/r9uRB9q18eM/maxresdefault.jpg Amazing new Tool for Editors! Get Premiere Pro (https://adobe.ly/4lkqMAZ) and try Generative Extend (https://adobe.ly/3FZ1XKX), now out of beta. In this episode, we test out Generative Extend inside Premiere Pro – and do our best to break it. 😈 Filmmaking Assets ► https://www.triunedigital.com Instagram ► https://www.instagram.com/thefilmriot/ Real Or Ai Episode: https://youtu.be/6oAxTI1eApI?si=nUoL_PfMLCOrcA-e » 0:00 - Generative Extend » 0:29 - Can you spot the fakes? » 2:39 - Josh & Justin Game 1 » 4:24 - Generative Extend (More) » 5:08 - Josh & Justin Game 2 » 5:55 - Generative Extend (Even More) » 7:24 - Josh & Justin Game 3 » 8:14 - Search Panel » 9:50 - Josh & Justin Game 4 » 10:29 - Other Great Updates » 11:35 - Josh & Justin Game 5 » 11:58 - Outro » 12:11 - Josh & Justin Game 6 Connect with us: https://www.filmriot.com/connect/ #FilmRiot #GenerativeExtend #premierepro ----------------------------------------------------------------- **GEAR WE USE** The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/r9uRB9q18eM 2025-04-10T16:49:32.000Z Film Riot 761 yes no https://vidert.com/v/filmmaking/video/1009/diy-hospital-set-expensive-locations-for-cheap 2025-04-08T21:48:22.000Z weekly 0.5 https://i.ytimg.com/vi/qmGpa4drk60/maxresdefault.jpg DIY Hospital Set: Expensive Locations for Cheap We built a DIY Hospital set on a low budget. Any suggestions for future DIYs? #DIYFilmSet https://www.youtube.com/embed/qmGpa4drk60 2025-04-08T21:48:22.000Z Film Riot 67 yes no https://vidert.com/v/filmmaking/video/1010/monster-portal-effect-vfx-tutorial 2025-03-25T22:06:13.000Z weekly 0.5 https://i.ytimg.com/vi/QaryKoW23DA/maxresdefault.jpg Monster Portal Effect | VFX Tutorial Get 50% OFF Everything at: https://www.triunedigital.com/ Watch our Cthulhu Foley Ep: https://youtu.be/hh37xw1UWU0?si=E3aJcMifnGw7E8hE Get VIDEO COPILOT Saber for FREE: https://www.videocopilot.net/blog/2016/03/new-plug-in-saber-now-available-100-free/ » 0:00 - Intro » 1:20 - After Effects Tutorial » 4:00 - A Message from Josh » 4:55 - After Effects Tutorial » 6:45 - Element 3D » 7:26 - After Effects tutorial again » 11:17 - Outro #FilmRiot #VFX #Creature ----------------------------------------------------------------- **GEAR WE USE** The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx Envato - 50 Million Resources for $10: https://geni.us/8Yd7 CAMERAS: Blackmagic Ursa Mini 4.6K G2: https://geni.us/xJ8yIm BMPCC 6K Pro: https://geni.us/SoxUs9p BMPCC 4K: https://geni.us/OXwec A7s II: https://geni.us/GpLqxEU LENSES: Rokinon: https://geni.us/exWno PLUG-INS: BORIS FX: 15% off Mocha Pro or choose the full Boris FX Suite. https://goo.gl/MZKwCv Use coupon code: filmriot-23 AUDIO: NTG3: https://geni.us/a4ww1 H4n Zoom: https://geni.us/aBJ1fnj Zoom F8: https://geni.us/hbAze TRIPOD: BV-10: https://geni.us/EdMy8 ----------------------------------------------------------------- Connect with us: TWITTER: FilmRiot - http://twitter.com/FilmRiot Ryan - http://twitter.com/ryan_connolly Josh - https://twitter.com/Josh_connolly Ryan Thompson - https://twitter.com/1VFXProductions Emily - https://twitter.com/emily_connolly Justin - https://twitter.com/jrobproductions FACEBOOK: Film Riot - https://www.facebook.com/filmriot Ryan - https://www.facebook.com/theryanconnolly Josh - https://www.facebook.com/TheJoshConnolly Ryan Thompson - https://www.facebook.com/VFXProductionsRT INSTAGRAM Film Riot - https://www.instagram.com/thefilmriot Ryan - http://instagram.com/ https://www.youtube.com/embed/QaryKoW23DA 2025-03-25T22:06:13.000Z Film Riot 735 yes no https://vidert.com/v/filmmaking/video/1011/diy-sound-design-on-a-budget-pro-results-with-a-300-mic 2025-03-21T18:15:34.000Z weekly 0.5 https://i.ytimg.com/vi/hh37xw1UWU0/maxresdefault.jpg DIY Sound Design on a Budget: Pro Results with a $300 Mic We put the Shure MoveMic 88+ wireless mic to the test for DIY sound design—and the results were wild. In this episode, we break down how we created monster sound effects using random objects, all while using a wireless mic that connects straight to your phone. 🔗 Check out the Shure MoveMic 88+ here: https://shu.re/filmriot-movemic88plus #ShureMoveMic88 #SoundDesign #Filmmaking ----------------------------------------------------------------- **GEAR WE USE** The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx Envato - 50 Million Resources for $10: https://geni.us/8Yd7 CAMERAS: Blackmagic Ursa Mini 4.6K G2: https://geni.us/xJ8yIm BMPCC 6K Pro: https://geni.us/SoxUs9p BMPCC 4K: https://geni.us/OXwec A7s II: https://geni.us/GpLqxEU LENSES: Rokinon: https://geni.us/exWno PLUG-INS: BORIS FX: 15% off Mocha Pro or choose the full Boris FX Suite. https://goo.gl/MZKwCv Use coupon code: filmriot-23 AUDIO: NTG3: https://geni.us/a4ww1 H4n Zoom: https://geni.us/aBJ1fnj Zoom F8: https://geni.us/hbAze TRIPOD: BV-10: https://geni.us/EdMy8 ----------------------------------------------------------------- Connect with us: TWITTER: FilmRiot - http://twitter.com/FilmRiot Ryan - http://twitter.com/ryan_connolly Josh - https://twitter.com/Josh_connolly Ryan Thompson - https://twitter.com/1VFXProductions Emily - https://twitter.com/emily_connolly Justin - https://twitter.com/jrobproductions FACEBOOK: Film Riot - https://www.facebook.com/filmriot Ryan - https://www.facebook.com/theryanconnolly Josh - https://www.facebook.com/TheJoshConnolly Ryan Thompson - https://www.facebook.com/VFXProductionsRT INSTAGRAM Film Riot - https://www.instagram.com/thefilmriot Ryan - http://instagram.com/ryan_connolly Josh - http://instagram.com/josh_connolly Justin - http://instagram https://www.youtube.com/embed/hh37xw1UWU0 2025-03-21T18:15:34.000Z Film Riot 657 yes no https://vidert.com/v/filmmaking/video/1012/tell-don-t-show-how-sound-replaces-sight 2025-03-13T16:00:28.000Z weekly 0.5 https://i.ytimg.com/vi/O8YWUr-g7_U/maxresdefault.jpg Tell Don’t Show: How Sound Replaces Sight Try Krotos studio for free at https://krotos.studio 🎧 Using sound to tell your story can be more effective (and terrifying) than showing it. In this episode, we break down how films like Signs, Alien, and Oppenheimer use sound to create tension, world-build, and shift meaning—all without relying on visuals. Films Discussed: 🎥 Super 8 🎥 Signs 🎥 Alien 🎥 Cabin in the Wood 🎥 Saving Private Ryan 🎥 Oppenheimer 🎥 Jaws #Filmmaking #SoundDesign #IndieFilm #Filmmaker #FilmRiot ----------------------------------------------------------------- **GEAR WE USE** The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx Envato - 50 Million Resources for $10: https://geni.us/8Yd7 CAMERAS: Blackmagic Ursa Mini 4.6K G2: https://geni.us/xJ8yIm BMPCC 6K Pro: https://geni.us/SoxUs9p BMPCC 4K: https://geni.us/OXwec A7s II: https://geni.us/GpLqxEU LENSES: Rokinon: https://geni.us/exWno PLUG-INS: BORIS FX: 15% off Mocha Pro or choose the full Boris FX Suite. https://goo.gl/MZKwCv Use coupon code: filmriot-23 AUDIO: NTG3: https://geni.us/a4ww1 H4n Zoom: https://geni.us/aBJ1fnj Zoom F8: https://geni.us/hbAze TRIPOD: BV-10: https://geni.us/EdMy8 ----------------------------------------------------------------- Connect with us: TWITTER: FilmRiot - http://twitter.com/FilmRiot Ryan - http://twitter.com/ryan_connolly Josh - https://twitter.com/Josh_connolly Ryan Thompson - https://twitter.com/1VFXProductions Emily - https://twitter.com/emily_connolly Justin - https://twitter.com/jrobproductions FACEBOOK: Film Riot - https://www.facebook.com/filmriot Ryan - https://www.facebook.com/theryanconnolly Josh - https://www.facebook.com/TheJoshConnolly Ryan Thompson - https://www.facebook.com/VFXProductionsRT INSTAGRAM Film Riot - https://www.instagram.com/thefilmriot Ryan https://www.youtube.com/embed/O8YWUr-g7_U 2025-03-13T16:00:28.000Z Film Riot 844 yes no https://vidert.com/v/filmmaking/video/1013/we-built-a-restaurant-in-our-office 2025-02-27T21:07:59.000Z weekly 0.5 https://i.ytimg.com/vi/20rmV76UE7E/maxresdefault.jpg We Built a Restaurant in our Office Check out the SmallRig Tribex Tripod: https://geni.us/TRIBEXONSALE Our DIY Hospital Build: https://www.youtube.com/watch?v=ULr0-KKy5oA #FilmRiot #DIY #Filmmaking ----------------------------------------------------------------- **GEAR WE USE** The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx Envato - 50 Million Resources for $10: https://geni.us/8Yd7 CAMERAS: Blackmagic Ursa Mini 4.6K G2: https://geni.us/xJ8yIm BMPCC 6K Pro: https://geni.us/SoxUs9p BMPCC 4K: https://geni.us/OXwec A7s II: https://geni.us/GpLqxEU LENSES: Rokinon: https://geni.us/exWno PLUG-INS: BORIS FX: 15% off Mocha Pro or choose the full Boris FX Suite. https://goo.gl/MZKwCv Use coupon code: filmriot-23 AUDIO: NTG3: https://geni.us/a4ww1 H4n Zoom: https://geni.us/aBJ1fnj Zoom F8: https://geni.us/hbAze TRIPOD: BV-10: https://geni.us/EdMy8 ----------------------------------------------------------------- Connect with us: TWITTER: FilmRiot - http://twitter.com/FilmRiot Ryan - http://twitter.com/ryan_connolly Josh - https://twitter.com/Josh_connolly Ryan Thompson - https://twitter.com/1VFXProductions Emily - https://twitter.com/emily_connolly Justin - https://twitter.com/jrobproductions FACEBOOK: Film Riot - https://www.facebook.com/filmriot Ryan - https://www.facebook.com/theryanconnolly Josh - https://www.facebook.com/TheJoshConnolly Ryan Thompson - https://www.facebook.com/VFXProductionsRT INSTAGRAM Film Riot - https://www.instagram.com/thefilmriot Ryan - http://instagram.com/ryan_connolly Josh - http://instagram.com/josh_connolly Justin - http://instagram.com/jrobproductions Ryan Thompson - https://www.instagram.com/rjt_vfx Emily - https://www.instagram.com/theemilyconnolly WEBSITES: Ryan - https://www.ryanconnollyfilm.com Ryan Thompson - https://www.vfxproductions.com https://www.youtube.com/embed/20rmV76UE7E 2025-02-27T21:07:59.000Z Film Riot 751 yes no https://vidert.com/v/filmmaking/video/1014/insane-updates-for-adobe-premiere-after-effects 2025-02-11T19:11:06.000Z weekly 0.5 https://i.ytimg.com/vi/lLU741301HM/maxresdefault.jpg Insane Updates for Adobe Premiere & After Effects Get Creative Cloud to try the beta -- https://www.adobe.com After Effects: https://adobe.ly/4174yKG Premiere Pro: https://adobe.ly/4hxJQti Classic Effects Playlist -- https://www.youtube.com/playlist?list=PLHyem5uRiQhgSKTez7pXLof-bvt8F2G-J #filmriot #adobe ----------------------------------------------------------------- **GEAR WE USE** The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx Envato - 50 Million Resources for $10: https://geni.us/8Yd7 CAMERAS: Blackmagic Ursa Mini 4.6K G2: https://geni.us/xJ8yIm BMPCC 6K Pro: https://geni.us/SoxUs9p BMPCC 4K: https://geni.us/OXwec A7s II: https://geni.us/GpLqxEU LENSES: Rokinon: https://geni.us/exWno PLUG-INS: BORIS FX: 15% off Mocha Pro or choose the full Boris FX Suite. https://goo.gl/MZKwCv Use coupon code: filmriot-23 AUDIO: NTG3: https://geni.us/a4ww1 H4n Zoom: https://geni.us/aBJ1fnj Zoom F8: https://geni.us/hbAze TRIPOD: BV-10: https://geni.us/EdMy8 ----------------------------------------------------------------- Connect with us: TWITTER: FilmRiot - http://twitter.com/FilmRiot Ryan - http://twitter.com/ryan_connolly Josh - https://twitter.com/Josh_connolly Ryan Thompson - https://twitter.com/1VFXProductions Emily - https://twitter.com/emily_connolly Justin - https://twitter.com/jrobproductions FACEBOOK: Film Riot - https://www.facebook.com/filmriot Ryan - https://www.facebook.com/theryanconnolly Josh - https://www.facebook.com/TheJoshConnolly Ryan Thompson - https://www.facebook.com/VFXProductionsRT INSTAGRAM Film Riot - https://www.instagram.com/thefilmriot Ryan - http://instagram.com/ryan_connolly Josh - http://instagram.com/josh_connolly Justin - http://instagram.com/jrobproductions Ryan Thompson - https://www.instagram.com/rjt_vfx Emily - https://www.instagram.com/theemilyconnolly https://www.youtube.com/embed/lLU741301HM 2025-02-11T19:11:06.000Z Film Riot 541 yes no https://vidert.com/v/filmmaking/video/1015/best-films-of-2024 2025-01-17T23:40:37.000Z weekly 0.5 https://i.ytimg.com/vi/RbUNKWUIioY/maxresdefault.jpg Best Films of 2024 Try out the Hollyland Lark M2S: https://store.hollyland.com/products/lark-m2s LA Relief Links: 2025 Wildfire GoFundMe Spreadsheet - https://bit.ly/4jkaRSk Los Angeles Fire Department Fund - https://bit.ly/4akgX11 Los Angeles Food Bank - https://bit.ly/4gXBOtz Ryan and Josh's Letterboxd: Ryan - https://letterboxd.com/ryan_connolly/ Josh - https://letterboxd.com/Josh_Connolly/ FILMS WE NEED TO SEE: The Brutalist Sing Sing Nickel Boys I’m Still Here The Count of Monte Cristo Queer How to Make Millions Before Grandma Dies ▼ Timestamps ▼ » 0:00 - Best of 2024 Montage » 1:40 - Intro » 2:11 - A Complete Unknown » 2:41 - Love Lies Bleeding » 2:52 - Late Night with the Devil » 3:29 - The First Omen » 3:55 - Civil War » 4:21 - Alien: Romulus » 4:34 - Anora » 4:49 - Didi » 5:11 - It's What's Inside » 5:38 - Hollyland » 7:07 - Memoir of a Snail » 7:31 - The Wild Robot » 7:45 - Inside Out 2 » 8:18 - Flow » 8:38 - Hit Man » 9:00 - Conclave » 9:22 - The Order » 9:37 - Saturday night » 10:07 - Wicked Little Letters » 10:47 - Dune Part Two » 11:24 - Nosferatu » 12:05 - Outro #FilmRiot #BestFilms #2024 ----------------------------------------------------------------- **GEAR WE USE** The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx Envato - 50 Million Resources for $10: https://geni.us/8Yd7 CAMERAS: Blackmagic Ursa Mini 4.6K G2: https://geni.us/xJ8yIm BMPCC 6K Pro: https://geni.us/SoxUs9p BMPCC 4K: https://geni.us/OXwec A7s II: https://geni.us/GpLqxEU LENSES: Rokinon: https://geni.us/exWno PLUG-INS: BORIS FX: 15% off Mocha Pro or choose the full Boris FX Suite. https://goo.gl/MZKwCv Use coupon code: filmriot-23 AUDIO: NTG3: https://geni.us/a4ww1 H4n Zoom: https://geni.us/aBJ1fnj Zoom F8: https://geni.us/hbAze TRIPOD: BV-10: https://geni.us/EdMy8 ----------- https://www.youtube.com/embed/RbUNKWUIioY 2025-01-17T23:40:37.000Z Film Riot 771 yes no https://vidert.com/v/filmmaking/video/1016/amazing-effects-in-classic-films-how-did-they-pull-it-off-part-7 2024-12-19T18:37:55.000Z weekly 0.5 https://i.ytimg.com/vi/t-TSaVr8lic/maxresdefault.jpg Amazing Effects in Classic Films - How Did They Pull It Off? | Part 7 Make the switch to Musicbed and start your 14-day free trial today: https://fm.pxf.io/filmriotfreetrial Help us bring water to those who need it! https://www.charitywater.org/filmriot/waterproject ▼ Timestamps ▼ » 0:00 - Intro » 0:23 - Charity Water » 0:55 - Superman (1978) - Running » 2:53 - Superman (1978) - Flying » 5:42 - The Terminator (1984) - Punch » 7:41 - Musicbed » 8:56 - The Terminator (1984) - Crusher » 10:32 - The Terminator (1984) - Final Shot » 11:58 - The Shape of Water (2017) » 13:52 - Outro #Superman, The Terminator, #ClassicEffects ----------------------------------------------------------------- **GEAR WE USE** The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx Envato - 50 Million Resources for $10: https://geni.us/8Yd7 CAMERAS: Blackmagic Ursa Mini 4.6K G2: https://geni.us/xJ8yIm BMPCC 6K Pro: https://geni.us/SoxUs9p BMPCC 4K: https://geni.us/OXwec A7s II: https://geni.us/GpLqxEU LENSES: Rokinon: https://geni.us/exWno PLUG-INS: BORIS FX: 15% off Mocha Pro or choose the full Boris FX Suite. https://goo.gl/MZKwCv Use coupon code: filmriot-23 AUDIO: NTG3: https://geni.us/a4ww1 H4n Zoom: https://geni.us/aBJ1fnj Zoom F8: https://geni.us/hbAze TRIPOD: BV-10: https://geni.us/EdMy8 ----------------------------------------------------------------- Connect with us: TWITTER: FilmRiot - http://twitter.com/FilmRiot Ryan - http://twitter.com/ryan_connolly Josh - https://twitter.com/Josh_connolly Ryan Thompson - https://twitter.com/1VFXProductions Emily - https://twitter.com/emily_connolly Justin - https://twitter.com/jrobproductions FACEBOOK: Film Riot - https://www.facebook.com/filmriot Ryan - https://www.facebook.com/theryanconnolly Josh - https://www.facebook.com/TheJoshConnolly Ryan Thompson - https://www.facebook.com/VFXProdu https://www.youtube.com/embed/t-TSaVr8lic 2024-12-19T18:37:55.000Z Film Riot 891 yes no https://vidert.com/v/filmmaking/video/1017/giant-explosion-vfx-tutorial-in-after-effects 2024-12-13T20:57:12.000Z weekly 0.5 https://i.ytimg.com/vi/_u_6XRpXL2I/maxresdefault.jpg Giant Explosion VFX Tutorial in After Effects Shure MoveMic -- https://shu.re/FilmRiot-Movemic? Learn how to create a realistic asteroid impact effect in After Effects. Plus, is the Shure MoveMic any good? » 0:00 - Intro » 1:03 - MoveMic » 2:31 - The App » 3:50 - How we shot it » 5:46 - MoveMic Receiver » 7:00 - After Effects Asteroid tutorial » 13:46 - Outro #FilmRiot #AsteroidImpact #VFX ----------------------------------------------------------------- **GEAR WE USE** The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx Envato - 50 Million Resources for $10: https://geni.us/8Yd7 CAMERAS: Blackmagic Ursa Mini 4.6K G2: https://geni.us/xJ8yIm BMPCC 6K Pro: https://geni.us/SoxUs9p BMPCC 4K: https://geni.us/OXwec A7s II: https://geni.us/GpLqxEU LENSES: Rokinon: https://geni.us/exWno PLUG-INS: BORIS FX: 15% off Mocha Pro or choose the full Boris FX Suite. https://goo.gl/MZKwCv Use coupon code: filmriot-23 AUDIO: NTG3: https://geni.us/a4ww1 H4n Zoom: https://geni.us/aBJ1fnj Zoom F8: https://geni.us/hbAze TRIPOD: BV-10: https://geni.us/EdMy8 ----------------------------------------------------------------- Connect with us: TWITTER: FilmRiot - http://twitter.com/FilmRiot Ryan - http://twitter.com/ryan_connolly Josh - https://twitter.com/Josh_connolly Ryan Thompson - https://twitter.com/1VFXProductions Emily - https://twitter.com/emily_connolly Justin - https://twitter.com/jrobproductions FACEBOOK: Film Riot - https://www.facebook.com/filmriot Ryan - https://www.facebook.com/theryanconnolly Josh - https://www.facebook.com/TheJoshConnolly Ryan Thompson - https://www.facebook.com/VFXProductionsRT INSTAGRAM Film Riot - https://www.instagram.com/thefilmriot Ryan - http://instagram.com/ryan_connolly Josh - http://instagram.com/josh_connolly Justin - http://instagram.com/jrobproductions Ryan Thompso https://www.youtube.com/embed/_u_6XRpXL2I 2024-12-13T20:57:12.000Z Film Riot 887 yes no https://vidert.com/v/filmmaking/video/1018/can-the-iphone-16-finally-replace-your-camera 2024-12-04T20:26:34.000Z weekly 0.5 https://i.ytimg.com/vi/ns5qRDz8Ixc/maxresdefault.jpg Can the iPhone 16 Finally Replace Your Camera? All in One Phone Kit: https://geni.us/AllInOne iPhone16 Phone Kit: https://geni.us/iPhone16PhoneKit Enter code "FilmRiot" at checkout to get 20% off on Amazon (expires at the end of Dec). Car Rig We Used (For Very Light Cams Only) https://www.amazon.com/dp/B0CWL5K3BD?ref=ppx_yo2ov_dt_b_fed_asin_title » 0:00 - Intro » 0:27 - Noteworthy Upgrades » 0:37 - The Sound » 1:36 - Camera Control Button » 1:58 - iPhone Mobile Video Kit » 4:33 - Image Quality Test 1 » 4:51 - The Lenses » 5:10 - Pause Recording » 5:30 - Cinematic Image Quality Test » 7:04 - Thoughts on Shooting With It » 7:30 - Car Rig » 8:07 - Can You Shoot a Film On It? #FilmRiot #iPhone16 #MobileFilmmaking ----------------------------------------------------------------- **GEAR WE USE** The Film Riot + Smallrig Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench Enter code "10FilmRiot" at checkout to get 10% off on Amazon (expires 12/31). COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx Envato - 50 Million Resources for $10: https://geni.us/8Yd7 CAMERAS: Blackmagic Ursa Mini 4.6K G2: https://geni.us/xJ8yIm BMPCC 6K Pro: https://geni.us/SoxUs9p BMPCC 4K: https://geni.us/OXwec A7s II: https://geni.us/GpLqxEU LENSES: Rokinon: https://geni.us/exWno PLUG-INS: BORIS FX: 15% off Mocha Pro or choose the full Boris FX Suite. https://goo.gl/MZKwCv Use coupon code: filmriot-23 AUDIO: NTG3: https://geni.us/a4ww1 H4n Zoom: https://geni.us/aBJ1fnj Zoom F8: https://geni.us/hbAze TRIPOD: BV-10: https://geni.us/EdMy8 ----------------------------------------------------------------- Connect with us: TWITTER: FilmRiot - http://twitter.com/FilmRiot Ryan - http://twitter.com/ryan_connolly Josh - https://twitter.com/Josh_connolly Ryan Thompson - https://twitter.com/1VFXProductions Emily - https://twitter.com/emily_connolly Justin - https://twitter.com/jrobproductions FACEBOOK: https://www.youtube.com/embed/ns5qRDz8Ixc 2024-12-04T20:26:34.000Z Film Riot 573 yes no https://vidert.com/v/filmmaking/video/1019/we-made-a-robot-dance-using-motion-capture 2024-11-27T18:35:11.000Z weekly 0.5 https://i.ytimg.com/vi/vzx8IE9ObQk/maxresdefault.jpg We Made a Robot Dance Using Motion Capture Sign up to Milanote for free with no time limit: https://milanote.com/filmriot1124 Rokoko -- https://www.rokoko.com Rokoko Smart Suit Pro II -- https://www.rokoko.com/products/smartsuit-pro Use RKK_FILMRIOT for 5% off all orders 🎵 "FREAKY" licensed from Lickd. The biggest mainstream and stock music platform for content creators. FREAKY by Offset, https://lickd.lnk.to/JbJGNdID License ID: 4xzP86ZmzBy » 0:00 - Strip-O-Gram » 1:40 - Intro » 2:24 - Rokoko Vision » 2:50 - Rokoko Smart Suit Pro 2 » 4:14 - Rokoko Studio » 5:15 - Milanote » 7:02 - Cleaning the recording » 10:04 - Exporting the Animation » 10:31 - Milanote 2 » 11:53 - Setting Up The Scene » 12:51 - Final Thoughts #FilmRiot #rokoko #motioncapture ----------------------------------------------------------------- **GEAR WE USE** The Film Riot Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench Enter code "10FilmRiot" at checkout to get 10% off on Amazon (expires 12/31). COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx Envato - 50 Million Resources for $10: https://geni.us/8Yd7 CAMERAS: Blackmagic Ursa Mini 4.6K G2: https://geni.us/xJ8yIm BMPCC 6K Pro: https://geni.us/SoxUs9p BMPCC 4K: https://geni.us/OXwec A7s II: https://geni.us/GpLqxEU LENSES: Rokinon: https://geni.us/exWno PLUG-INS: BORIS FX: 15% off Mocha Pro or choose the full Boris FX Suite. https://goo.gl/MZKwCv Use coupon code: filmriot-23 AUDIO: NTG3: https://geni.us/a4ww1 H4n Zoom: https://geni.us/aBJ1fnj Zoom F8: https://geni.us/hbAze TRIPOD: BV-10: https://geni.us/EdMy8 ----------------------------------------------------------------- Connect with us: TWITTER: FilmRiot - http://twitter.com/FilmRiot Ryan - http://twitter.com/ryan_connolly Josh - https://twitter.com/Josh_connolly Ryan Thompson - https://twitter.com/1VFXProductions Emily - https://twitter.com/emily_connolly Justin - https://twitt https://www.youtube.com/embed/vzx8IE9ObQk 2024-11-27T18:35:11.000Z Film Riot 804 yes no https://vidert.com/v/filmmaking/video/1020/stfu-news-with-norm-fireside-bill-butters 2024-11-26T02:11:18.000Z weekly 0.5 https://i.ytimg.com/vi/5pyRn-qUTDE/maxresdefault.jpg STFU NEWS with Norm Fireside & Bill Butters Get 80% OFF EVERYTHING on Triune Digital from Nov 29th - Dec 2nd! https://www.triunedigital.com #FilmRiot #BlackFriday #BreakingNews ----------------------------------------------------------------- **GEAR WE USE** COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx Envato - 50 Million Resources for $10: https://geni.us/8Yd7 CAMERAS: Blackmagic Ursa Mini 4.6K G2: https://geni.us/xJ8yIm BMPCC 6K Pro: https://geni.us/SoxUs9p BMPCC 4K: https://geni.us/OXwec A7s II: https://geni.us/GpLqxEU LENSES: Rokinon: https://geni.us/exWno PLUG-INS: BORIS FX: 15% off Mocha Pro or choose the full Boris FX Suite. https://goo.gl/MZKwCv Use coupon code: filmriot-23 AUDIO: NTG3: https://geni.us/a4ww1 H4n Zoom: https://geni.us/aBJ1fnj Zoom F8: https://geni.us/hbAze TRIPOD: BV-10: https://geni.us/EdMy8 ----------------------------------------------------------------- Connect with us: TWITTER: FilmRiot - http://twitter.com/FilmRiot Ryan - http://twitter.com/ryan_connolly Josh - https://twitter.com/Josh_connolly Ryan Thompson - https://twitter.com/1VFXProductions Emily - https://twitter.com/emily_connolly Justin - https://twitter.com/jrobproductions FACEBOOK: Film Riot - https://www.facebook.com/filmriot Ryan - https://www.facebook.com/theryanconnolly Josh - https://www.facebook.com/TheJoshConnolly Ryan Thompson - https://www.facebook.com/VFXProductionsRT INSTAGRAM Film Riot - https://www.instagram.com/thefilmriot Ryan - http://instagram.com/ryan_connolly Josh - http://instagram.com/josh_connolly Justin - http://instagram.com/jrobproductions Ryan Thompson - https://www.instagram.com/rjt_vfx Emily - https://www.instagram.com/theemilyconnolly WEBSITES: Ryan - https://www.ryanconnollyfilm.com Ryan Thompson - https://www.vfxproductions.com ----------------------------------------------------------------- Theme Song by Hello Control: http://bit.ly/hellocontrol https://www.youtube.com/embed/5pyRn-qUTDE 2024-11-26T02:11:18.000Z Film Riot 202 yes no https://vidert.com/v/filmmaking/video/1021/here-s-why-i-hate-the-ending-of-my-short-film 2024-10-31T23:13:50.000Z weekly 0.5 https://i.ytimg.com/vi/nRg1C29cPDY/maxresdefault.jpg Here's Why I Hate the Ending of My Short Film Make the switch to Musicbed and start your 14-day free trial today: https://fm.pxf.io/filmriotfreetrial Watch There Comes a Knocking: https://www.youtube.com/watch?v=EHlxqe2HRRk&t=1s Watch our Adobe Episodes: https://www.youtube.com/playlist?list=PLzTRmaCL97qucNeSUthTeV_N0lBmFMpE5 » 0:00 - Intro » 0:49 - Recap of There Comes a Knocking » 3:03 - Why Ryan Hates the Ending » 3:33 - What He Would Have Done Different » 07:40 - Musicbed » 09:08 - Is Film Riot Ending? #FilmRiot ----------------------------------------------------------------- **GEAR WE USE** COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx Envato - 50 Million Resources for $10: https://geni.us/8Yd7 CAMERAS: Blackmagic Ursa Mini 4.6K G2: https://geni.us/xJ8yIm BMPCC 6K Pro: https://geni.us/SoxUs9p BMPCC 4K: https://geni.us/OXwec A7s II: https://geni.us/GpLqxEU LENSES: Rokinon: https://geni.us/exWno PLUG-INS: BORIS FX: 15% off Mocha Pro or choose the full Boris FX Suite. https://goo.gl/MZKwCv Use coupon code: filmriot-23 AUDIO: NTG3: https://geni.us/a4ww1 H4n Zoom: https://geni.us/aBJ1fnj Zoom F8: https://geni.us/hbAze TRIPOD: BV-10: https://geni.us/EdMy8 ----------------------------------------------------------------- Connect with us: TWITTER: FilmRiot - http://twitter.com/FilmRiot Ryan - http://twitter.com/ryan_connolly Josh - https://twitter.com/Josh_connolly Ryan Thompson - https://twitter.com/1VFXProductions Emily - https://twitter.com/emily_connolly Justin - https://twitter.com/jrobproductions FACEBOOK: Film Riot - https://www.facebook.com/filmriot Ryan - https://www.facebook.com/theryanconnolly Josh - https://www.facebook.com/TheJoshConnolly Ryan Thompson - https://www.facebook.com/VFXProductionsRT INSTAGRAM Film Riot - https://www.instagram.com/thefilmriot Ryan - http://instagram.com/ryan_connolly Josh - http://instagram.com/josh_connolly Justin - http://instagram.com/jrobproductions Ryan Thompson - https://www. https://www.youtube.com/embed/nRg1C29cPDY 2024-10-31T23:13:50.000Z Film Riot 716 yes no https://vidert.com/v/filmmaking/video/1022/make-your-own-xenomorph-after-effects-tutorial 2024-10-15T23:10:17.000Z weekly 0.5 https://i.ytimg.com/vi/4tqvmQZEVXw/maxresdefault.jpg Make Your Own Xenomorph | After Effects Tutorial We made a Xenomorph. Pretty cool I guess. High five gang. Get the Slime Pack 30% OFF for all of October: https://www.triunedigital.com/collections/vfx-assets/products/slime Mesh Tracker Episode: https://www.youtube.com/watch?v=L2KX-82ityA #FilmRiot #Alien #xenomorph The Film Riot Multitool! Multi-Tool Kit (7-in-1): https://geni.us/7in1wrench Multi-Tool Kit (10-in-1): https://geni.us/10in1wrench ----------------------------------------------------------------- **GEAR WE USE** COLOR GRADING LUTs: http://bit.ly/buyFRluts SOUND FX: http://bit.ly/buyFRsfx MUSIC: https://bit.ly/storeFRmusic VFX ASSETS: http://bit.ly/buyFRvfx Envato - 50 Million Resources for $10: https://geni.us/8Yd7 CAMERAS: Blackmagic Ursa Mini 4.6K G2: https://geni.us/xJ8yIm BMPCC 6K Pro: https://geni.us/SoxUs9p BMPCC 4K: https://geni.us/OXwec A7s II: https://geni.us/GpLqxEU LENSES: Rokinon: https://geni.us/exWno PLUG-INS: BORIS FX: 15% off Mocha Pro or choose the full Boris FX Suite. https://goo.gl/MZKwCv Use coupon code: filmriot-23 AUDIO: NTG3: https://geni.us/a4ww1 H4n Zoom: https://geni.us/aBJ1fnj Zoom F8: https://geni.us/hbAze TRIPOD: BV-10: https://geni.us/EdMy8 ----------------------------------------------------------------- Connect with us: TWITTER: FilmRiot - http://twitter.com/FilmRiot Ryan - http://twitter.com/ryan_connolly Josh - https://twitter.com/Josh_connolly Ryan Thompson - https://twitter.com/1VFXProductions Emily - https://twitter.com/emily_connolly Justin - https://twitter.com/jrobproductions FACEBOOK: Film Riot - https://www.facebook.com/filmriot Ryan - https://www.facebook.com/theryanconnolly Josh - https://www.facebook.com/TheJoshConnolly Ryan Thompson - https://www.facebook.com/VFXProductionsRT INSTAGRAM Film Riot - https://www.instagram.com/thefilmriot Ryan - http://instagram.com/ryan_connolly Josh - http://instagram.com/josh_connolly Justin - http://instagram.com/jrobproductions Ryan Thompson - https://www.instagram.com/rjt_vfx Emily - https://www.instagram.com/theemilyconnolly https://www.youtube.com/embed/4tqvmQZEVXw 2024-10-15T23:10:17.000Z Film Riot 691 yes no