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Baahubali and RRR broke the language barrier and proved a film from the South could conquer the whole country. What Bollywood actually is: https://www.studiobinder.com/blog/what-is-bollywood/?utm_source=social&utm_medium=social&utm_campaign=baahubali
Squarespace â–ş Head to http://squarespace.com/corridorcrew to save 10% off your first purchase! Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial â–ş http://corridordigital.com/ Niko and Wren are joined by practical-effects legend Sir Richard Taylor, co-founder of Weta Workshop, on the react couch to break down his career in the film industry! Stay tuned for a special second episode from our session with Richard! Instagram â–ş http://instagram.com/corridordigital Merch â–ş https://corridordigital.store/ Our Books â–ş https://bit.ly/BOOKSbyCORRIDOR Creative Tools â–ş Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters â–ş 00:00 Welcome to React 00:58 The benefits of miniatures 01:17 Blade Runner 2049 08:21 Sponsor - Squarespace 09:25 LOTR Trilogy - Practical effects and Miniatures
Character before spectacle, notes an actor can play, one key beat choreographed before the roll, ramps instead of cuts, off-speed frame rates for weight, and a set mirrored so the geography reads. Board every beat first: https://www.studiobinder.com/storyboard-creator/?utm_source=youtube&utm_medium=social&utm_campaign=keybeat #jamescameron #avatar #filmmaking #storyboard #studiobinder
Scriptwriting software → https://www.studiobinder.com/blog/how-to-end-a-story/?utm_source=youtube&utm_medium=social&utm_campaign=curtain
The HBO series The Knick (2014) has some very intense medical scenes set at the turn of the 20th century, back when anesthesia and blood transfusions weren't yet a thing. It also has some well-executed VFX, because one thing that is simply impossible to do practically is remove body parts from actors. This scene from Season 1, Episode 3 features a patient who has lost her nose. VFX studio Phosphene did an amazing job digitally replacing the actress's nose with a CG cavity to sell the effect. Now that you've seen it, can you forget this scene?
Try out Epidemic Sound Here: https://bit.ly/4qKG9WM Use code filmriot60 at checkout to get 60% off for 2 months (valid until Sep 30) Corridor Crew Talk the Minecart Scene: https://youtu.be/Nv-Iivct16E?si=WbSPu8QDcC5tv000 ▼ WATCH MORE AMAZING EFFECTS ▼ https://www.youtube.com/playlist?list=PLHyem5uRiQhgSKTez7pXLof-bvt8F2G-J ▼ Timestamps ▼ » 0:00 - Intro » 0:25 - Temple of Doom (1984) » 2:40 - Temple of Doom Minecart (1984) » 4:29 - Epidemic Sound » 5:56 - Back to the Future II (1989) » 7:15 - Back to the Future II (1989) » 9:06 - Point Break (1991) » 10:30 - Cliffhanger (1993) » 12:54 - Cliffhanger (1993) » 14:06 - Bourne Ultimatum (2007) » 15:02 - Using Physical Objects
Scriptwriting software → https://www.studiobinder.com/blog/how-to-end-a-story/?utm_source=youtube&utm_medium=social&utm_campaign=curtain
Tarantino builds the script the way an actor reads it, out-knows every job on set, leaves the monitor, directs his own set pieces, and picks the music before the shoot. Plan your coverage shot by shot: https://www.studiobinder.com/shot-list-creator/?utm_source=youtube&utm_medium=social&utm_campaign=outknow #tarantino #filmmaking #directing #shotlist #studiobinder
1975's Sholay is still the film every Indian filmmaker measures against. Part western, part masala, part myth. What Bollywood actually is, broken down: https://www.studiobinder.com/blog/what-is-bollywood/?utm_source=social&utm_medium=social&utm_campaign=sholay
Cinematography → https://www.studiobinder.com/blog/what-does-a-cinematographer-do/?utm_source=youtube&utm_medium=social&utm_campaign=rainfall
Lawrence G. Paull said Ridley Scott used to walk into the art department and make them one promise: "If you build it, I'll shoot it." Fifty years of films later, that promise is still the whole method. Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl Try Higgsfield ►► https://higgsfield.ai/ ───────────────────── Chapters: 00:00 - Ridley Scott’s Production Design 01:01 - The History of Ridley and His Production Design 02:37 - How Scott’s Sets “Explain” 05:42 - How Scott’s Sets “Perform” 08:13 - Final Thoughts ───────────────────── Special thanks to: Chris Zhou ►► https://youtu.be/vwlhFoF7ex4?si=C3vkcUafAIqepkcz ───────────────────── Ridley Scott's Production Design Before Ridley Scott was a director he was a designer — Royal College of Art, then nearly twenty years of commercials before his first feature. He has said outright that design was the way in: if he couldn't yet imagine talking to actors, he could at least design the proscenium they'd stand in. That conviction runs through fifty years of films and one line holds all of it — the set is not the background of the scene, the set is the scene. This video breaks down how that works in practice. It starts with the storyboards: Scott draws his own, dense hand-drawn frames his collaborators call Ridleygrams, and on Alien he boarded the entire picture before production. By his own account the drawings sold the film — Fox saw how much movie was in them and doubled the budget. And it runs the other way too. Because he came out of the art department, he can read an elevation and know a set is wrong before it goes up, which means a Ridley Scott set gets designed twice: once by the production designer, and once on paper by the director. Then the sets themselves, in two modes. Sets that explain: the Nostromo, built from aircraft-graveyard salvage assembled like sculpture and aged until it read as a working ship, and the chains Scott hung in a blank room over the art department's objections — condensation from something broken that nobody is fixing, which is the film's whole labor subtext dressed into one corner. And sets that perform: the plastic sheeting and pooled blood in the Black Rain slaughterhouse, where dressing density raises the emotional temperature of the scene, and the target building in Black Hawk Down, constructed from nothing on a dirt football field in Salé, Morocco, because the story needed an action to be physically possible. It also covers the scale trick that turns a Warner Bros. backlot into a city — with Syd Mead credited as "visual futurist," production designer Lawrence G. Paull and art director David Snyder building it, and Scott's rule that you never go too wide, because the cheapest exposition in movies is the kind the audience writes for you. And it ends on the proof that runs backwards: Ed Hoffman in Body of Lies, the most powerful man in the film, characterized entirely by never being given a set at all. If you want to work this way, it starts where Scott's does — on paper, before anything gets built. StudioBinder's storyboard and shot list tools let you design the frame first and hand your crew a picture of the movie instead of a description of it. #FilmTheory #VideoEssay #Filmmaking ───────────────────── ♬ SONGS USED: “Los Paramos” - Makeup and Vanity Set “The Wanderer” - Makeup and Vanity Set “Hit Bit” - Makeup and Vanity Set “Father and Son” - Makeup and Vanity Set “Fertilizer” - Harry Gregson “Aegeus” - Makeup and Vanity Set “Alien” - Jerry Goldsmith “The Terrain” - Jerry Goldsmith “Blade Runner” - Vangelis “Tannhauser Gate” - Makeup and Vanity Set Music by Artlist ► https://utm.io/umJx Music by Artgrid ► https://utm.io/umJy Music by Soundstripe ► http://bit.ly/2IXwomF Music by Music Vine ► http://bit.ly/2IUE0pT Music by MusicBed ► http://bit.ly/2Fnz9Zq ───────────────────── SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0 Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more. Try StudioBinder for FREE today: https://studiobinder.com/pricing — Join us on Social Media! — Instagram ►► https://www.instagram.com/studiobinder Facebook ►► https://www.facebook.com/studiobinderapp Twitter ►► https://www.twitter.com/studiobinder #film-theory, #video-essay, #filmmaker
Cinematography → https://www.studiobinder.com/blog/what-does-a-cinematographer-do/?utm_source=youtube&utm_medium=social&utm_campaign=rainfall
Odoo ► If you want to get your business off the ground, or optimize one you're already growing, check out Odoo by using our link https://www.odoo.com/r/DbSQ Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/ Niko, Matt, Jordan, and Emmett put their VFX skills to the ultimate test by attempting to use the OLDEST version of After Effects. Can they compete with 90's era visual effects artists? Instagram ► http://instagram.com/corridordigital Merch ► https://corridordigital.store/ Our Books ► https://bit.ly/BOOKSbyCORRIDOR Creative Tools ► Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters ► 0:00 Can Modern VFX Artists Use 90s Software? 1:20 The Challenge Begins 3:00 Shooting Our 90s VFX Elements 7:25 Back to the Challenge 8:45 Emmett Takes on the Old Software 11:45 Niko Tries His Shot 13:20 Jordan’s Turn 16:30 Comparing Everyone’s Results 19:25 How Did the 90s Actually Do It? 20:25 Recreating Classic VFX
OK Go is a band famous for their incredibly creative and elaborate music videos. For their 2025 single, Love, they went the extra mile, choreographing 29 robotic arms provided by Universal Robots, combined with 60 mirrors, all captured in a single shot filmed in a Budapest train station. The video was co-directed by Damian Kulash, Aaron Duffy, and Miguel Espada (who also programmed the robots), and took 39 takes over two days to finally nail the choreography.
Our videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial â–ş http://corridordigital.com/ Jordan, Wren, and Niko will be back... Right now with another episode! We take a look at some Terminator 3 VFX, an underappreciated medical drama, and a Deepfake made in the 90s??? Instagram â–ş http://instagram.com/corridordigital Merch â–ş https://corridordigital.store/ Our Books â–ş https://bit.ly/BOOKSbyCORRIDOR Creative Tools â–ş Puget Computers: https://puget.systems/go/CorridorDigital Aputure Lights: https://bit.ly/Corridor_Lights ActionVFX: https://bit.ly/TheBest_ActionVFX Greyscale Gorilla: https://bit.ly/GreyscalegorillaPlus Cinema4D: http://bit.ly/Try_Cinema4D Houdini: https://bit.ly/HoudiniSims Nuke: https://bit.ly/Nuke_Compositing JangaFX: https://hubs.ly/Q030gZZ20 KitBash 3D: https://KitBash3D.com/?ref=corridorcrew Octane Render: http://bit.ly/Octane_Wrender Rendering: https://bit.ly/TheRenderNetwork Epidemic Music: http://bit.ly/Corridor_Music Chapters â–ş 0:00 React Time! 0:20 Terminator 3: Rise of the Machines 5:51 The Knick 11:01 Tales from the Crypt
The full breakdown, with the video: https://www.studiobinder.com/blog/how-to-end-a-story/?utm_source=youtube&utm_medium=social&utm_campaign=reel-endings-cliffhanger Why do stories use cliffhangers to keep you hooked? Learn the origin of this dramatic storytelling technique and how it traps your attention. This video explores the history of the cliffhanger, tracing it back to Thomas Hardy's serialized novels. You will discover exactly why creators use this narrative device to build suspense and ensure you return for the next installment. Subscribe for more storytelling analysis and let me know your favorite cliffhanger below.
The full breakdown, with the video: https://www.studiobinder.com/blog/how-to-end-a-story/?utm_source=youtube&utm_medium=social&utm_campaign=reel-endings-death Why do movies rarely kill off the main character? We examine the narrative and studio pressures behind protagonist death in cinema. Most audiences expect the lead to survive until the credits roll. This video breaks down why film narrative often forces writers to keep their heroes alive, even when the story might demand a darker conclusion. We look at the tension between artistic choice and the studio demands that prioritize sequels over character arcs. Understanding the mechanics of protagonist death helps you analyze film structure more deeply. By looking at why main character death is avoided, you gain a clearer perspective on how screenwriting tips are applied to keep franchises viable. We discuss the logic behind these decisions and what they mean for the stories we watch. Subscribe for weekly script analysis breakdowns, and comment below with a movie where the death of the protagonist actually worked.
The full breakdown, with the video: https://www.studiobinder.com/blog/how-to-end-a-story/?utm_source=youtube&utm_medium=social&utm_campaign=reel-endings-reunion
The full breakdown, with the video: https://www.studiobinder.com/blog/how-to-end-a-story/?utm_source=youtube&utm_medium=social&utm_campaign=reel-endings-finaltwist
Terminator Salvation (2009) has some of the best practical miniature explosions we've ever seen. It turns out Adam Savage had never seen them before, so we got to surprise him with them on our couch. Did you remember how good they looked?